Melvin Goes to Dinner

I caught Melvin Goes To Dinner in one of only 45 seats in the Private Screening Room at the Coolidge Corner Theater in Brookline, MA. I knew going into the theater, that I was in for brilliance, as I have been with anything I've seen that was associated with Bob Odenkirk. Regretfully, I had never heard the name Michael Blieden before this film. I look forward to seeing more of his work, whether it be as an actor or writer in the future.

This is a poignant, no holds barred, almost voyeuristic look into the lives of a group of people eating dinner together. As the dinner progresses, so do the intricacies of each these individual's' life unfold, as each bears their souls through the dinnertime conversation.

While definitely humorous, the film is not light-hearted. Appearances by Jack Black, David Cross, and Bob Odenkirk are well-placed within the various stories that unfold. Every minute of the film kept my attention and kept me hungering for more. This is definitely a film that will keep giving if seen more than once.

An absolutely brilliant film that I thoroughly enjoyed and can't wait until it comes out on video or DVD so that I can add it to my much coveted collection of films. I highly recommend catching this film.

I got the DVD of this in the mail yesterday, went home early, played it all the way through, got a new drink from the kitchen and watched it all the way through a second time.

I don't think I've ever done that before, and I see hundreds of movies a year.

Although maintaining the four-person-play character of the staged production, the guest stars that fill the incidental role are terrific, and their presence just makes more perfect how the entirety of the movie comes together at the end -- which it really does, though a second viewing is helpful in realizing it.

Don't miss this gem!

Michael Blieden wrote the play on which "Melvin Goes to Dinner" is based and he also authored the screenplay. He's Melvin, an apparent early dropout from psychiatry working for his sister in some municipal planning department. He plans on dinner with his old friend, Joey (Matt Rice) and their pal, Alex (Stephanie Courtney). With flashbacks, we learn that Alex ran into her business school classmate whom she hasn't seen for seven years, Sarah (Annabelle Gurwitch) and invited her to join the trio for dinner.

What follows is a typical casual, restaurant get-together among friends in their thirties who engage in random and rapidly shifting chatter. The usual topics prevail: friendship, work, the ticking of a woman's biological clock, reincarnation, anal sex, cheating on lovers - the list goes on. They have a waitress, unnamed (Kathleen Roll), who's predictably ditzy.

It's all been done before but there is a surprise here near the end, a big one. And the quartet is engaged in some probing but fleeting talk about life issues that matter to most viewers, especially younger ones. The cast is largely inexperienced-only one, Ms. Gurwitch, has any real list of credits.

One really neat episode: recounting his experiences as a staff shrink (and improbably wearing not only surgical garb but a face mask around his throat), Melvin interviews a purportedly schizophrenic patient played, without a credit, by Jack Black. Black's nutcase actually espouses one of the most lucid and convincing views of the nature of life I've ever seen on the screen. He doesn't belong on a psych ward. It really got me thinking.

"Melvin Goes to Dinner" is neither as terrific as some claim nor as bad as others feel. If, like me, you are a restaurant voyeur who compulsively listens in on conversations emanating from other tables, you'll feel at home here and particularly enjoy following the whole interchange without being distracted by talking with your friends or having to deal with wait staff.

7/10

Four people, two guys and two gals, at different places in their lives, chance to meet at a restaurant for dinner one day, and end up revealing themselves and discovering each other in ways none of them could have predicted. For the most part, they are bright, young, upwardly mobile professionals, comfortable discussing themselves, and hence even without a psychologist to act as moderator, they interact in a manner reminiscent of group therapy. That is, they take turns admitting their secret thoughts and obsessions, take issue with each other on some points, and try to benefit from each other's experiences and perspectives. One of them even has some background in a field related to psychiatry, but of course with minimal insight.

The point of the film seems to be that, thanks to their group discussion, they all develop a wider perspective on life, but especially Melvin, whose life had been spiraling out of control. In some regards he seems the brighter of the four, yet the least insightful. All of the characters become more aware of themselves through their interactions over dinner, but it is Melvin who benefits the most. How he grows, and what he learns from that encounter, are what makes this film worth viewing. Thanks to his opportunity, Melvin doesn't just go out to dinner, but learns to take control of his life. It is a very subtle story, but worthy of critical attention.

It took me a little time to get used to this movie but when I was in thralls I enjoyed the likeable characters, the believable dialogue and the realism of how you open up over a bottle of wine. A must for any indie movie lovers who enjoy a simple story.