Agrega una trama en tu idiomaA New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Primetime Emmy
- 2 premios ganados y 3 nominaciones en total
Kirsten Bishop
- Judith Nathan
- (as Kirsten Bishopric)
Michael Jeffrey Woods
- Sam
- (as Michael Woods)
Francis X. McCarthy
- Jim Kossler
- (as Francis-Xavier McCarthy)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was all waiting for 'Rudy' which profiled mostly the latter years of Rudolph Guliani to be mostly a puff piece, since I have seen the (excellent) critical documentary on him, Guliani Time. But actually, I was quite pleasantly surprised at how balanced this seemed to be. While I'm some people are jumping up and down protesting that last comment, let me explain. I'm sure there are very very deep explanations about the flaws and mistakes Guliani made that were basically brushed over in this film, but really, with a 90 (??!??) minute time frame, how much info can you put in? This isn't a fluff piece, Guliani's mistakes, including his ridiculous womanizing, his almost fascist stance on crime, and his deep dark family past are all examined, and of course, that all disappeared when he was made into a National Hero because of 9/11. I mean, this is not the first time a guy with a dark history walked away a winner is it? The film itself looks amazing. I really like the mixture of video (for the 9/11 scenes) and film (for all the back story), it deftly cuts into stock footage seamlessly, and this looks quite amazing.
The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL
The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL
Not all biographical films on politicians are made equal. Some try to tell a sprawling tale of someone's political life, such as Oliver Stone with his Nixon and W, while others capture a momentous slice of an historical event, such as Roger Donaldson's Thirteen Days which was gripping from start to end. Then there are those like Rudy, which tries to do both, but don't really get there, undoubtedly having the story mooted since Rudy Giuliani (James Woods) was the mayor of New York during the fateful event of September 11 2011, and having this film weave a glimpse of his political career culminating in that horrendous disaster.
Granted this had a limited budget, and in many ways that showed in the film, having some scenes crafted in sparse studios, although looking like a million dollars when Robert Dornhel, whose experience and filmography point to a lot of made for television films which this one also belonged to, had deliberately opted for the documentary look and feel for the event of September 11. Everything else looked indoors and not on location, removing that sense of authenticity of filming it all in the Big Apple.
There's also very little on his political and professional career before Mayorship, and what I thought was a very interesting bit in his life during his Attorney General days as he locked horns with the mafia, was grossly glossed over, which was a pity because there's so much narrative potential there to be explored, but I guess writer Stanley Weiser, who based this film on the book by Wayne Barrett, didn't find it interesting enough for a big screen treatment. Much instead is preferred to focus on the man's incredibly bad temper behind closed doors, demonstrating that Giuliani is a man who doesn't mince his words, and shoots very fast from the hip without due care whether it'll hurt anyone at all with his pointed, loud barbs.
With 9/11 stock footage mixed with its own documentary presentation, the story unfolds in flashbacks, as we glimpse into Rudy's marriage to newscaster Donna Hanover (Penelope Ann Miller) who had once interviewed him and begun a whirlwind romance, before his suspected infidelities and indiscretion led to breakdowns in both his marriage and almost always threatening his political career, isolating him from strong, key advisers who don't quite see eye to eye with his blind trust of his communications director. I suppose Robert Dornhelm prefers to tell the age old story of how the strong almost always fall prey to the advances of the fairer sex, and in some ways become the seeds to their downfall, in more ways than one.
James Woods puts in a riveting performance as the go-getter in the titular character, but ultimately got let down by the weak narrative that didn't get to dig deeper into what made the man, skimming only on the surface and focused on his anger management issues. Supporting cast didn't outside Woods in his role, and that may be attributed to the more caricature like treatment the supporting characters had to deal with since a biopic that's about 90 minutes long doesn't leave a lot of room for the spotlight to be shared with others.
For a man who was to provide a leadership beacon in what would be one of the most tragic terrorist attacks in human history, Rudy had all the potential to paint a more complex, detailed picture of just who the man was, someone whom most had seen on their television screens in the aftermath of that attack, but you're likely to come out from this just a wee bit more knowledgeable about the man himself, if at all, no thanks to its summarizing of key milestones in the man's life, and the indecision to just want to focus on an episode, or be a little bit more ambitious to cover a whole lot of ground.
Granted this had a limited budget, and in many ways that showed in the film, having some scenes crafted in sparse studios, although looking like a million dollars when Robert Dornhel, whose experience and filmography point to a lot of made for television films which this one also belonged to, had deliberately opted for the documentary look and feel for the event of September 11. Everything else looked indoors and not on location, removing that sense of authenticity of filming it all in the Big Apple.
There's also very little on his political and professional career before Mayorship, and what I thought was a very interesting bit in his life during his Attorney General days as he locked horns with the mafia, was grossly glossed over, which was a pity because there's so much narrative potential there to be explored, but I guess writer Stanley Weiser, who based this film on the book by Wayne Barrett, didn't find it interesting enough for a big screen treatment. Much instead is preferred to focus on the man's incredibly bad temper behind closed doors, demonstrating that Giuliani is a man who doesn't mince his words, and shoots very fast from the hip without due care whether it'll hurt anyone at all with his pointed, loud barbs.
With 9/11 stock footage mixed with its own documentary presentation, the story unfolds in flashbacks, as we glimpse into Rudy's marriage to newscaster Donna Hanover (Penelope Ann Miller) who had once interviewed him and begun a whirlwind romance, before his suspected infidelities and indiscretion led to breakdowns in both his marriage and almost always threatening his political career, isolating him from strong, key advisers who don't quite see eye to eye with his blind trust of his communications director. I suppose Robert Dornhelm prefers to tell the age old story of how the strong almost always fall prey to the advances of the fairer sex, and in some ways become the seeds to their downfall, in more ways than one.
James Woods puts in a riveting performance as the go-getter in the titular character, but ultimately got let down by the weak narrative that didn't get to dig deeper into what made the man, skimming only on the surface and focused on his anger management issues. Supporting cast didn't outside Woods in his role, and that may be attributed to the more caricature like treatment the supporting characters had to deal with since a biopic that's about 90 minutes long doesn't leave a lot of room for the spotlight to be shared with others.
For a man who was to provide a leadership beacon in what would be one of the most tragic terrorist attacks in human history, Rudy had all the potential to paint a more complex, detailed picture of just who the man was, someone whom most had seen on their television screens in the aftermath of that attack, but you're likely to come out from this just a wee bit more knowledgeable about the man himself, if at all, no thanks to its summarizing of key milestones in the man's life, and the indecision to just want to focus on an episode, or be a little bit more ambitious to cover a whole lot of ground.
Taking the events of September 11th as it's foundation, the film tells the tale of Rudy Giuliani's rise up the political ladder, his hard-line stance as Attorney and Mayor of New York. It also shows his affairs and the breakdown of his marriage despite the strength of the man in times of testing.
As will now be an annual event, the television companies all rolled out films and documentaries on the 2nd anniversary of 9/11. The main commercial station's choice was this sort of bio-pic of Rudy Giuliani with the focus on September 11th widening to take in the 15 or so years prior to that moment. The manner of structuring the film in this way means that it could have been a flag waving salute to a man who become world famous (or more famous!) on that day. However, despite cutting back and forth, the majority of the film occurs before the attack. I found the attack scenes hard to watch as I was watching a film for entertainment I suppose this was unavoidable, but I don't like seeing the pictures too often in case they stop shocking me and I get used to them.
The back story to Giuliani is interesting as I admired his stance on crime when he was Mayor. I didn't know a lot of detail of his career as I'm not in the US but the film delivered a simplified version to good effect. Surprisingly the film didn't gloss it's subject too often and wasn't afraid to show his affairs, his tempers of his right wing views. This made it feel more worthwhile although the TV production values do make it feel a little tacky at times.
Woods does pretty well to hold the screen for the whole film and not spin Rudy o be too sleazy or too heroic. I felt that he was a little animated for Rudy at times, as I always had the impression of him publicly as more controlled. The support cast (including Penelope Ann Miller) are all pretty good but do tend to seem more at home in TV land than Woods does.
Overall this was an interesting film, even if it is very much a snapshot and is driven by Woods rather than the wider story. The framing of the story by 9/11 works well to set up the story, despite the strange feeling of seeing the real footage inserted into a movie in this way.
As will now be an annual event, the television companies all rolled out films and documentaries on the 2nd anniversary of 9/11. The main commercial station's choice was this sort of bio-pic of Rudy Giuliani with the focus on September 11th widening to take in the 15 or so years prior to that moment. The manner of structuring the film in this way means that it could have been a flag waving salute to a man who become world famous (or more famous!) on that day. However, despite cutting back and forth, the majority of the film occurs before the attack. I found the attack scenes hard to watch as I was watching a film for entertainment I suppose this was unavoidable, but I don't like seeing the pictures too often in case they stop shocking me and I get used to them.
The back story to Giuliani is interesting as I admired his stance on crime when he was Mayor. I didn't know a lot of detail of his career as I'm not in the US but the film delivered a simplified version to good effect. Surprisingly the film didn't gloss it's subject too often and wasn't afraid to show his affairs, his tempers of his right wing views. This made it feel more worthwhile although the TV production values do make it feel a little tacky at times.
Woods does pretty well to hold the screen for the whole film and not spin Rudy o be too sleazy or too heroic. I felt that he was a little animated for Rudy at times, as I always had the impression of him publicly as more controlled. The support cast (including Penelope Ann Miller) are all pretty good but do tend to seem more at home in TV land than Woods does.
Overall this was an interesting film, even if it is very much a snapshot and is driven by Woods rather than the wider story. The framing of the story by 9/11 works well to set up the story, despite the strange feeling of seeing the real footage inserted into a movie in this way.
The film is obvious a Hollywood capitalization on a persona. It is definitely overdramatized, but it does play out some of the more important moments in Giuliani's career. Consequently, if one has an even minute understanding of his political career, the film allows a person to reflect on it a bit more easily. This film is not a political analysis of any sort, nor is there a real vestige character portrayal. It's much more a docudrama than anything else, and that is to be expected from a "movie of the week."
I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.
As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.
The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.
Oh, I forgot, his love of opera. Its all in there.
I hope there will be a DVD release.
The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.
As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.
The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.
Oh, I forgot, his love of opera. Its all in there.
I hope there will be a DVD release.
¿Sabías que…?
- TriviaDespite being credited, Stanley Weiser claims that his entire script was thrown out at the request of James Woods and replaced by one written by an uncredited Lionel Chetwynd, a well-known politically conservative screenwriter, to make it more pro-Giuliani.
- ErroresIn the scene where Giuliani is telling his wife about going after the crime bosses, as she approaches, he lifts up the cigar in his left hand, but in the next shot, the hand with the cigar is back on the table and never lifts it up.
- Citas
Rudolph 'Rudy' Giuliani: You spend your whole life seeing and hearing about people dying. You just never think it will happen to you.
- ConexionesFeatured in The 55th Annual Primetime Emmy Awards (2003)
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