Bomb the System

Much like the recent "Lords of Dogtown", "Bomb the System" is a film spotlighting a semi- underground subculture, in this case graffiti writers, wrapped around a narrative plot. Somewhat similar to "Kids", the story follows a young writer, "BLEST" as he tags, hangs out with friends, smokes pot, parties and tags again. This would all work fine as a minimalist, loosely structured, spectator piece, but instead, the filmmakers throw the dramatic storyline arc into the mix about a crooked cop and his ex-writer partner, which makes the whole thing seem artificial. Besides this major flaw, the film also suffers from over-acting, un-motivated hyper editing techniques and un-authentic slang dialouge. As an artist myself, I would suggest to neophytes looking to learn more about the culture to explore documentaries and check out websites. It's too bad that this film doesn't work, because the characters, like the filmmakers, seem to have a spiritual passion for the art of graffiti. The character Alex says in one scene something along the lines of while graffiti is aesthetically pleasing and stylistic, it the end, it stands for nothing. This particular line echos my thoughts and feelings about the film itself.

This film is the best graf film ever made that isn't a documentary. It isn't Beat Street. There is no wack or corny dialog. No weak links on the acting side. No stupid side plots. If you are not familiar with graf or the culture of writing then watch it and learn. Do not judge this film as you would a general genre film. This isn't a drama, or an urban drama....it is a GRAF FILM. Pure and simple. If you don't like dirty and lewd comedy don't bother seeing The Aristocrats. It you aren't into seeing independent films, gritty urban/graf or hip hop related films then DON'T BOTHER WATCHING OR REVIEWING THIS FILM! True heads only need apply. 10 out of 10 for staying true to the culture...everyone who gave this film 1's need to reserve them for The Fantastic Four or another mindless summer blockbuster. Read my in dept comments on the board titled "Is It That Bad?" One.

I went into this movie thinking it would be a non-cliché, modern portrayal of graffiti culture in NY... only to see in the first 2 minutes, a guy Break dancing with a boombox, in front of a muraled wall. Maybe it was a flashback of the main character as a kid... but it seems that would only make sense if the lead character was 30yrs old.

I tried to give this movie a chance. But there were just too many things that bugged me... The writing for instance, all the graffiti terminology was incorrectly used. When a graffiti writer goes "Bombing" he does not go out and do full illegal murals. Nobody even mentions doing "fill-ins" or "throwups" which are the most commonly used terms/acts by graf-writers. They call them "pieces" in the movie, which is completely wrong. Those are just some examples...

It became pretty obvious that the filmmakers knew little or Nothing about graffiti. Just because you know about Sane & Smith, and heard a couple chase stories from your NYU buddy, isn't enough to go out and make a significant Graffiti movie. There is some "cool" cinematography in this, which isn't bad. But that's it. Storyline is similar to the likes of Wild Style or Beat Street (a hip hop love story). But even those movies were made with less pretension than this.

The dedicated practitioners of graffiti art in New York City get dramatically profiled in a film shot 'guerilla' style late at night in order to simulate the 'danger' involved with the only art form that's against the law.

Stereotypical 'bad' cops continually stalk the intrepid band of 'taggers' while 'Blest' (Mark Webber) truly is the most artistically blessed member of the gang as he readies an art exhibit of his best work.

However, this film doesn't really become interesting until Blest becomes involved with 'Alexandra' (Jaclyn DeSantis), a political activist who anonymously paints the words 'Bomb the System' all over the city sidewalks using a cleverly modified shopping bag that has a stencil cut into the bottom.

As the police become more and more of a factor the dangers that Blest faces by hanging with his friends causes him to make some hard decisions. Worth watching for some great night shots of New York City and an amazing sequence on the top of the Brooklyn Bridge.

Check it out!

"A graffiti writer doesn't expect to get caught, like a cop never expects to get shot". That's one of many phrases to live by for a group of graffiti artists, or "bombers", in Brooklyn. BOMB THE SYSTEM, which I knew next to nothing about going in, is a heady, energetic film about a particular subculture. Can't say I really care all that much about how graffiti gets where it gets or those responsible, but I can't deny how well made the movie is. The hip-hop music, an old-school mix by El P (whoever), the editing style, the bleached out color palate -- every storytelling device at Director Adam Bhala Lough's disposal is perfectly suited, if just a tad overused, to the material. We're in good hands, here.

Blest (Mark Webber, hardly recognizable from the lifeless STORYTELLING) has bombed since he can remember. Since his brother died doing the same. Jacking spraypaint cans -- because a true artist never pays -- running from the law, leaving his mark on the sides of buildings and trucks, his sights set on the Brooklyn Bridge one of these days. He and his gang hang out, smoke pot, get drunk and appreciate "the colors, the blends and the smell of paint". These guys keep regular day jobs, the majority of them anyway, and do their thing at night, maintaining rivalries over territory with other gangs, searching for that one spot nobody has touched and that'll bring them a little slice of immortality.

Blest understands his scene. "If I'm gonna risk going to jail, it's gonna be for bombin' and nothing else," he explains to his girlfriend, a fellow writer named Alex (the cute as hell Jaclyn DeSantis). And, it's not like he doesn't have options in life: Alex offers an open invitation for Blest to join her and go cross country; his own crew is asking him to step up and take more initiative right where he is, and he has just been accepted to an art institute. Added to which, maybe he's ready to give it all up for good; "our pieces keep gettin' buffed as soon as we paint them". Graffiti is temporary. After a while, what's the point?

BOMB THE SYSTEM is kind of sketchy from a plot standpoint (it's got that beat of everyday life, so nothing really happens), and it has more of a political agenda than the desire to tell a story, per se. But, I love the philosophising in Lough's screenplay; his dialogue is very urban, profane and also quite literate. I love the way these guys talk to one another. A corrupt police officer tracking Blest and his gang's activity has a particularly objective way of thinking: he doesn't have a problem with prostitution but doesn't want to see them walking the street, either. Same deal with graffiti. If art is what you are doing, do it at home. Want the services of a hooker, call an 800 number and have one come to your home. Discretion is key. While that doesn't make the cop a fully realized character, it's nice to hear someone with an opinion express it clearly. Which is pretty much the case with this entire cast. Noone gets the proper developmental treatment, but at least they have ideas.

The movie doesn't have a beating heart beneath its shiny surface, but what a surface. I hope Lough learns the beauty of the sustained shot; he's too smart not to. SYSTEM is overly busy for its own visual good, at times. An inventive exercise in style. Tone poetry, if you will.