Pura Suerte

No movie in recent memory has sent me more mixed pre-release signals than Lucky You. The film is directed and co-written by Curtis Hanson, who has made many films I've admired in the past including 8 Mile and L.A. Confidential. The screenplay was also co-written by Eric Roth, the screenwriter of The Insider and Munich. And it features three very likable actors in lead roles, specifically Eric Bana, Drew Barrymore, and Robert Duvall. These signs should have filled me with confidence, but there was also the knowledge nagging at me that the film had been sitting on the studio's shelf for almost two years, and had been shuffled through numerous release dates. Now that I've seen the film, I can say that the film is certainly not all bad, but is nowhere near what it should be given the talent both on and behind the camera.

The film is set in the high stakes world of professional gambling in Las Vegas. We follow a man named Huck Cheever (Eric Bana), who could be one of the best players in the game, but he is compulsive and often loses as much as he wins. His estranged father L.C. (Robert Duvall) is also a professional player on the circuit, and it doesn't make things any easier for Huck. While trying to gather the money needed to participate in the World Series Poker Championship, he happens to meet a sweet young newcomer to Vegas named Billie Offer (Drew Barrymore). Billie's a singer at a local bar and knows nothing about gambling, but when she starts to get attached to Huck, she can see the compulsiveness that he cannot. This begins a rocky on-again off-again relationship between the two where Huck will have to determine what is truly important in his life.

Most of the time while I was watching Lucky You, I felt like I was watching an advertisement for the Las Vegas tourism board, or perhaps one of those professional Poker games you sometimes see on TV. That's because the film's narrative is hardly there at all, and a vast majority of the film is devoted to the game itself. The rules are explained early on when Billie sits down with Huck to watch him play in one scene, and then the movie takes off with one game sequence after another. I'm sure there's an audience out there who finds this thrilling, but I personally never got into Poker games, and found my interest somewhat waning as the film went on. To be fair, the film's climactic game at the Championship can be pretty tense at times, but the numerous smaller games that take up the film's two hour plus running time just never build to much. Because the movie is so heavily concentrated on gaming, the story and the characters never come across as interesting as they should be. Huck and Billie never get developed beyond their most basic traits, and never even come across as a couple we can get behind. Huck's seeming inability to listen or reason made me wonder what Billie was thinking each time she hooked back up with him. I suppose this is supposed to be about a love story about two people who never learn. I can certainly see a good movie being made off of that story, but this movie never lets us get close to them, so we don't feel anything whether they are together or apart.

That's not to say the movie is all bad. Lucky You is handsomely shot, and the cinematography by Peter Deming really captures the excitement and thrill of Vegas quite well. And even if the Poker game sequences get somewhat tedious, they are filmed well and manage to keep things moving. There are also some good performances on display. The three main leads are all strong, particularly Eric Bana and Robert Duvall during their scenes together. The father-son relationship they share often felt more genuine than the romance Bana shares with Barrymore. There are also a number of enjoyable supporting roles featuring many of Huck's friends, who are equally compulsive with their gambling. One memorable cameo features Robert Downey Jr as a man who runs multiple 1-900 number services at the same time, as he switches back and forth between a self-run depression helpline and a relationship counseling line. The only problem is that all of these positives are being employed by an emotionally hollow screenplay. The narrative is shaky at best, and we never get to know these characters as much as we feel we should. There is enough drama and ideas here for a compelling romantic comedy-drama, but the film never takes charge. It's too interested in its setting, and not enough in the people who inhabit that setting.

Lucky You is not quite the disaster that should have had its release delayed for so long, but at the same time, I can understand why the studio was somewhat nervous about it. Despite the big names and the romance angle, this movie is really all about professional gambling, and it speaks to a very limited audience. I wanted to like this movie a lot more than I did. With a screenplay that focused more on Huck and Billie, this maybe could have been an interesting story about two people who fall in love, despite the fact they're probably bad for each other. As it is, I often found myself trying to guess which hotel or casino they shot the scene I was watching in, and was thinking back on my own visit to Vegas a couple years ago. The movie brought back some fun memories, but not much else.

Huck (Eric Bana) is a professional poker player on a losing streak. His near empty house in Las Vegas also sports a pool with no water. As he is pawning a camera and his mother's wedding ring, he is hoping for his luck to change. In truth, he is a great player but does not know when to walk away from a table or a bet. One night, after leaving the gambling establishments, he goes to a local watering hole and meets a nice looking lady named Billie (Drew Barrymore). As she is being pestered by a loser, Huck comes to rescue her from his attentions. They make a connection. However, Billie's sister (Debra Messing) persuades her sibling to walk away, saying she knows Huck well and that he is all hustle and no commitment. Yet, Huck persists and convinces Billie to go on a date After a lovely evening and night together, Huck promptly takes money from Billie's wallet to take to the gaming tables. Ouch. Oh, and Huck's father (Robert Duvall), a prize winning poker player, is back in town to compete in the high stakes games. Will Huck win big? And, will Billie ever speak to him again? This is a good movie with a few flaws. It has a somewhat slow pace and also suffers from some incredulity as far as Huck's poverty despite his obvious great talent for cards. Nevertheless, Bana is certainly a large part of why the film is so worthwhile, as his Huck is a very charismatic person, indeed. Barrymore is probably miscast as Billie, although that is not to say she performs badly, just nondescriptly, as the role does not call for a display of her comic abilities. Then, too, someone decided to give her the hair styles of a bowling alley queen and the costumes of a dork. On the other hand, and surprisingly, the Las Vegas setting looks gorgeous, even away from the sparkling lights. If you like Bana, and who the heck doesn't, you will not want to miss a showing of this movie. Anyone with a hankering for high-stakes poker will be perfectly enthralled as well.

(I just had to say that before anyone else!)

I don't know anything about poker, but I enjoyed this film all right.

The people in the audience who do understand the game were getting a lot more out of it than I did. They were oohing and ahhing and tensing up like they were at a real poker tournament.

I'm surprised Drew Barrymore took a supporting role like this. She's good and lovely as always (how come she still looks 20?), but doesn't get enough to do. Robert Downey Jr and Jean Smart are also woefully underused.

The film really belongs to Eric Bana and Robert Duvall. Eric is handsome and solid. And it's a real treat to watch an old pro like Duvall.

It's only a slight tale, but a pretty good one. I could tell from one of the first scenes how it was going to wind up. Hey, maybe I should take up poker.

The advertisements for "Lucky You" made it out to be a romantic comedy but Drew Barrymore is hardly in the movie. The movie is mostly of guys playing poker.

If you are a big poker fan, you will probably going to like it. Everyone else will probably be bored. If you thought the scenes in "Casino Royal" of guys playing cards was exciting, you will really like this film.

Ten years ago Curtis Hanson made "L.A. Confidential," one of the greatest films of all time. Since then, he has made some decent films but none of them have been really great.

"Lucky You" is well made and has good production quality. Drew Barrymore and Robert Duvall are always good. Eric Bana is an okay actor but lacks charisma. It doesn't help that his character is a big time loser and a compulsive gambler.

"Lucky You" will be a big hit with spectator poker fans, but everyone else is likely to be disappointed.

Lest be duped by the trailers that make it seem a romantic comedy set in the world of high-stakes gambling, one should approach "Lucky You" as more of a movie about poker with a generous amount of father-son conflict thrown in for good measure. The romantic angle is just an arbitrarily (in fact, awkwardly) placed distraction that sticks out like a sore thumb (hint: Drew Barrymore's character is good for only around 20-30 minutes of this 2-hour movie).

Huck Cheever (Eric Bana) is a regular high-stakes poker player in Las Vegas whose skills in reading body languages of his opponents is hampered by his rashness. Constantly in the shadow of his estranged father L.C. (Robert Duvall), a two-time World Series of Poker champion who never fails to rub in his son's weakness, Huck falls for Billie (Barrymore) - a Vegas newbie who's just got a job singing in a bar. Problem is, Billie's cynicism-free personality clashes with Huck's callous opportunistic character.

And it goes without saying that as cards are dealt and the stakes are raised, there will be some fixings to occur among Huck and the two people around him.

Strangely, after being in projects with involving narratives, director Curtis Hanson and co-writer Eric Roth fail to draw any meaningful yarn with the characters. In fact, "Lucky You" works better when it sets its focus on the poker table, and not trying to deal with any of tepid characterizations. But such ambivalence ultimately leads to a hollow feeling.

For those who enjoy watching poker, it might be a worthy deal (at least the final act). But for anyone else, considering the people involved in this project, it leaves the feeling of an empty hand.