Atama-yama

I freely admit that I don't think I truly grasp it quite yet, but that does not prevent me from absolutely loving this piece. Contrary to some previous reviews, I absolutely love the sound effects. I thought the audio pitch when it switches to POV shots really envelope the viewer into the picture, particularly noting the cherry eating scene. The animation is stylistically rough, avoiding solid fills, but complements it's rough construction with soft pastel-like strokes. The deep earthy palette reinforces the connection between the man and nature. Don't expect a conventional animated piece (I.E. vibrant colors, hard edges, and a conspicuous theme). I absolutely loved it and would highly recommend it to any animation buffs or lovers of the unconventional film.

I fell in love with this film the first time I saw it, and it remains one of my absolute favorite animated shorts. I can entirely understand why a lot of people dislike Atama Yama - it's slow-paced, eccentric, and the story is kinda nonsensical. But for me it works. Amazingly so.

The art is very original. Its unique design is quite different from the typical anime style, and much more expressive. The animation is very lively as well. Though rough, it has a wonderful sense of weight, space, and movement. Complementing the visuals is a narration sung by a minstrel, who also plays the shamisen.

When it all comes together, the result is beautiful. For me, Yamamura creates an evocative, humorous mood in every scene. Can't wait to see what he does next.

This short, done with rough hand-drawn animation and with sung and spoken narration (a musical form of entertainment, the Japanese equivalent of the Western minstrel/bard), tells the story of an old man so parsimonious that he couldn't bear throwing away the pits from some old, discarded cherries, which he ate rather than discard. What follows is true, quite poetic, justice. As the old saying goes, true justice is something most of us would actually be happier without. An Academy Award nominee for Animated Short in a very good year. It bears repeated viewing and is an excellent piece of work. Hopefully, it will see print sometime soon, as it deserves a wider audience. It is part of Shorts Program 115 on the Sundance Channel as well as part of the program for the first year of The Animation Show, still showing in some locations. Give it a look-well worth seeing. Most highly recommended.

Atama-yama (2003)

*** 1/2 (out of 4)

Japanese film received an Oscar-nomination for Best Animated Short and in my opinion it should have won. We meet an elderly miser who is so cheap that he prefers to fill up his house with various garbage he can get for free in the streets. One day he picks up a bunch of cherries and decides to eat the pits since he doesn't want to get rid of something free. Soon a tree begins to grow from the top of his head. The idea of a tree growing from someone's head is silly but this film is so incredibly smart and well-drawn that you'll overlook that minor plot detail. I was really surprised at how effective this film was and the majority of the credit has to go to director Yamamura who really adds some great stuff. Having the start of the film being shown from the point-of-view of the man was a great touch as was one of the final scenes in the film where we see the same image just repeating itself to great effect. It should go without saying that this short is 100% Japanese with its look and style. It's doubtful American kids would know what to make of the images here but some of them are very dark and moody, which will sit a lot better with adults.

This film is a little difficult to digest, much like the cherry pits consumed by the main character. I personally quite enjoy Japanese film, though as another commenter posted earlier, it can sometimes take some acclimation. And even I found this a little weird, though only for the story content itself.

The animation is quite striking and well done, and I disagree with some comments that objected to the singsong style of the narrator throughout the story; for myself, the Japanese language lends itself well to this type of iteration (if you've been to Tokyo, think of the "Irasshimase!" that greets you when you enter a shop) and I thought it added to the authenticity of the story.

The film probably comes across as weird and bizarre to some people, and for good reason: it is indeed a bit off kilter. But I don't think that's any reason to dismiss it. There is some clear talent here, and some very nice storytelling - and the ending had me laugh out loud, proving once again that comedy is 70% delivery.