Ciudad de hombres

This Brazilian series is set in the city of Rio de Janeiro; in particular in a crowded favela known to its inhabitants as 'The Hill'. We mostly see this world through the eyes of teenage boys Acerola and Laranjinha. Each of the episodes sees them getting into various escapades... often with the ultimate intention of getting together with girls or schemes to earn some money.

When I started watching this I expected it to be rather downbeat but despite the fact that the Favela is shown as a dangerous place we see that despite their poverty our protagonists have a certain Joie de vivre... some episodes compare their lives to the 'playboys', children from wealthier parts of the city, and we see that there are many similarities. The way the series is shot on hand held cameras in the favela makes what we see seem very real... taking us into this world without feeling like the televisual equivalent of 'poverty tourism'. Each episode provides a good self-contained little story which features plenty of unforced humour. The cast are impressive; most obviously Douglas Silva and Darlan Cunha as Acerola and Laranjinha but also secondary cast members; they may not be as polished as one would get in a Hollywood production but they feel like real people. Overall I'd definitely recommend this to anybody looking for something a little different... my only disappointment was that the UK DVD only included the first two seasons.

These comments are based on watching the first two seasons in Portuguese with English subtitles.

This is a powerful 19-part fictional series, based on real events and characters, that is ingeniously filmed on the streets, beaches and the notorious favelas of Rio de Janeiro.

'City of Men' recounts the many experiences (some very funny) of two teenagers from the slums trying to remain reasonably honest while poverty, racism, gang warfare and police brutality surround them. The close friendship of the two teenagers is brought to the screen with rare intensity by Darlan Cunha as Laranjinha, a disconnected but charismatic and streetwise figure, and the often bewildered, likable and always horny ('I don't want to die a virgin') Douglas Silva as Acerola. Both of these boys are not trained actors, and were 14 years old when the series started in 2002 (it ended in 2006). It's fascinating to watch them work.

The series is bathed in brilliant day-time colour and ominous night-time danger. People in this film live close to the edge. Murder is an everyday event.

The only problem I had with the series is the rapid-fire quick cuts and the shaky hand-held cameras. If this style doesn't bother you, sit tight and enjoy the ride. For me, the sizzle and the dazzle are often unnecessary and distracting. Too much focus (literally) on style, and the messages of the film are blurred somewhat because of it.

Cidade dos Homens belongs to Cidade de Deus' world. However, its not such well done stuff. However, it shows the reality with a more realistic approach. If you liked Cidade de Deus, try to see this mini, but don't expect such a gorgeous creation.

Cidade dos Homens uses the same ingredients that made Cidade de Deus such an amazing film: Fast and inteligent dialogs, which usually focus on the violence of RJ, beautiful art work, great soundtrack and talent kids. Now, in it's second season, the show continues to show us with humor and drama how much stuff is wrong in this powerful country. Its a shame that not many other countries will be able to see this.

Cidade dos Homens is Meirelles' return to the domestic television audience after the international success of Cidade de Deus, a film he admits he did not intend for exposure outside Brazil. Turning to the domestic arena with a slightly more altruistic/socio-political agenda, Meirelles is perhaps not as 'punchy' a director as he was in the original feature but is taking on a much more challenging topic. The series, rather than purely the mini-feature, is helping to break some ground in the nation's film and television industry and is certainly worth a look.