Un paseo por las tumbas

Greetings again from the darkness. Welcome to the annual off-season gift from Liam Neeson. Seemingly every year, he provides us with a February or September release that requires his particular set of tough guy skills. This time, he plays Matthew Scudder - of the popular Lawrence Block crime novel series (17 books).

Director Scott Frank (The Lookout) works to create a 1970's feel, although the film opens up as a flashback to 1991, and quickly fast forwards to 1999 NYC. There are no shortage of clichés here, but nothing is over the top; and the bleak, somber, usually rainy setting establishes the tone that fits with "unlicensed" private detective Scudder's preferred method of living and detecting.

Of course, Scudder is a recovering alcoholic and former cop, with a tragic, careless incident on his record and conscience. The film is so ever-bleak, that the moments of humor ... though often awkward and out of place ... are quite welcome. The only shining light of innocence comes courtesy of a sharp homeless kid named TJ, played by Brian "Astro" Bradley. TJ is a Philip Marlowe wannabe, and quickly assumes the role of Scudder's partner/intern/IT Department.

Bad guys are everywhere. Even the serial killers (David Harbour, Adam David Thompson) target the family members of criminals, so as to minimize the involvement of the proper authorities. As an improper authority, we can't ask for better than Liam Neeson. He works for "favors", not a paycheck.

Other support work comes courtesy of Dan Stephens ("Downton Abbey"), Boyd Holbrook, and creepy cemetery groundskeeper (is there another type?) Olafur Darri Olafsson, who creates yet another memorable character with limited screen time (see "True Detective").

Mr. Neeson gets plenty of telephone action, which plays right into the strength of Taken, and it's pretty amazing how much WALKING he does throughout the story. He looks great walking in his duster, but it seems a bicycle would be more efficient ... though admittedly, much less daunting. As a whole, though the movie is probably a bit familiar, it's the little details and the powerful Liam Neeson that makes it a welcome late summer release.

This is a slow paced thriller, starring Liam Neeson who seems to be the new action star at the moment. An unlikely one and if you've seen Taken 3, you just hope they won't put him into to many foot chase scenes from here on out (or cut them better together). But it's not only about him, it's about other characters as well. Many on the wrong side of the law (obviously), but still not the real bad guys here.

The action scenes are little and come from time to time, this is more about telling a story (though there is not much to tell if you really think about it). There is tension and a lot of characters to keep track of on the other hand. It's nicely paced if you like your thrillers to take their time, if not you'll be bored from time to time.

In 1991, In New York, Matt Scudder (Liam Neeson) is an alcoholic police detective. In 1999, Scudder is retired from the police and is a private investigator without license. When his comrade Peter Kristo (Boyd Holbrook) from the rehab invites him to visit his brother Kenny Kristo (Dan Stevens), who is a drug dealer, Scudder learns that Kenny's wife Ann Carrie Kristo (Razane Jammal) had been abducted and cut into pieces by the kidnappers. Now Kenny wants to find the killer to revenge. Scudder initially refuses the case but then he accepts to investigate. Soon he finds that the killers have murdered other women connected to drug dealers and they get their files from the DEA. When the fourteen year-old daughter of a drug dealer is also kidnapped, Scudder heads up a group to rescue the teenager.

"A Walk among the Tombstones" is a gloomy crime film developed in slow pace, but with a complex story. The plot is realistic and the viewer follows Scudder investigation. The screenplay does not have a plot point with surprising revelations or action scenes; indeed it is indeed old- fashioned. My vote is seven.

Title (Brazil): "Caçada Mortal" ("Deadly Hunt")

Liam Neeson, astute gentleman, legendary Jedi, and assassin who can hunt anyone down who takes his family. Yet Hollywood seems to focus on the latter, not deviating from the stoic man who can rip armies of murderers asunder and come out swinging. This weekend, yet another story is told about our leading action actor, entitled A Walk Among The Tombstones. Seeing the trailers earlier this summer, I got chills at the darkness and mystery the tale promised. If you know me by now though, there is always the skepticism of being let down by the actual film. What does this movie have in store? Read on to uncover the details.

We know that Liam Neeson can act the part of the sullen, rogue agent who defies all the rules and limits other cops seem to have. Once again, he is back still able to bring the smolder filled face of justice to the dark underbelly of whatever setting he's in. This film though goes one stop further down the dark hole, having Neeson dive into the darker pits of his soul to face the internal and external demons. He pulls it off flawlessly, almost as if he faces the very challenges in real life. Helping to support Mr. Neeson, is a variety of people, though we will only focus on a few others to spare room for other aspects. Providing comedic relief, and an outlet from his character's darkness is Astro, who has had a growth spurt since Echo. Astro has got a mouth, and thinks he is tough kid who knows the way of the world, yet gets a lesson about just how little he knows. He's funny, he's cocky, and Astro pulls off the immature role to the letter. Yet it's the two killers of Ray (David Harbour) and Albert (Adam David Thompson) who really mix well with Liam. Harbour's ability to play the insane serial killer is quite well executed in his delivery of threats and the tone of his voice. As for Thompson, he captures the menacing glare down pat, and knows some stage combat, but aside from that not much in store.

I'm sure you're saying though, I don't really care about the acting. How is the story? Well in a one word summary it is dark. It is also one of the more disturbing plots I've seen, that didn't cross into the soul destroying area. A Walk Among the Tombstones brings tension to the audience throughout the entire film in the hunting of the two disturbed beings. The hunt is in the form of heavy detective work involving talking to suspects, retracing footsteps and trying to piece information together. For once, the mystery has a bit of realism to it, forgoing the convenient pieces of information, for a process that involves actually working for clues. As the movie progresses, the ambiguous nature and seemingly simple motive starts to reveal itself. With each new clue, the mentality of the perpetrators becomes clearer, almost like one is watching an episode of Criminal Minds. Yet the unstable psyche and constant calls of the psychos continue to reestablish the terror of what will happen next. Sure, you have a good idea of what the outcomes will be, but there is just enough uncertainty to have you doubting your thoughts.

Mixed into the bag is some character development amongst the various players in the game, each with their own set of dark secrets that explains why they are scarred for life. Some of these points are relevant, but the mistake here is that they are played over and over again as they build up to the revelation, one of which you already know from the trailers. Other plot elements though are not so relevant or as big as they thought. Some hasty connections were an attempt to add another layer of depth to the story, but I felt the audience could have done without them. Still it gives the cast a little more depth, and provides some emotional depth to an otherwise monotone cast. Perhaps the strongest element of the character development though is the inspiration they have. Albeit a little cheesy in the presentation, there is a good message to those who may have a similar history as Neeson's character. The emphasis of facing your demons instead of running from them is a lesson many could use a refresher course in. Yet the message is drawn out, much like the background, and sometimes adds unneeded length to the movie.

As for the suspense of the movie, as mentioned I before it is the psychotic mindset of the killers that keeps you in suspense. The only problem with this though is that, with the exception of the last part of the movie, the damage has already been done. Unfortunately for the cast, many of the crimes have already been committed, which dulls the intensity of their acts and makes the film a little boring at first. On the opposite side of spectrum, is that some of the actions are a little too well done, especially at times of torture. As stoic as I am against the usual antics, this movie crossed the line a couple of times to really disturb me. Thus, if you are one who gets REALLY AFFECTED BY SCENES OF SUFFERING should turn a blind eye to this film, or at least until they become a little tolerant.

A Walk Among the Tombstones is a nice crime/drama to bide your time with. Those looking for a little pre-Halloween terror will get your fill with this movie, though in truth there are not a lot of technological aspects that make it theater worthy. Still if you are Liam Neeson fan, jump into this crime drama and be ready for a calmer film than his legendary Taken film. My scores for this film are:

Action/Crime/Mystery: 7.0 Movie Overall: 7.0

... is that, long before Neeson became Hollywood's most late-blooming action hero, he was an actor.

A-C-T-O-R

And a pretty good one at that.

And that is what makes this film a lot better than the other reviews would have you believe.

Yes, I confess, a guilty pleasure, I loved TAKEN. But movies like TAKEN are a crapshoot, a gamble, a party trick where you are constantly trying to find something new and different to resonate with the audience, to make up for the fact that there is little substance to the project. (As was proved by TAKEN 2, one of the worst movies I have ever seen, with some of the most glaring editing mistakes).

Here we go old school. Written by one of the best writers of the last century and directed by Scott Frank, a man who certainly knows how to frame a scene for mood and impact. (At the half way point, a girl in a red hood crosses the street in front of the villains. The scene should not have memorable, but Frank makes it so).

An "old school" classic. Three quarters of a century ago, even Bogey would have taken this part. And been the better for it.

Young "Astro" who plays the ghetto-smart TJ steals all his scenes and, for those with a good ear, even channels the speech patterns of Will Smith, from any movie Smith ever appeared in. This kid has a future.