Agrega una trama en tu idiomaA dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.
- Dirección
- Escritura
- Estrellas
- Ganó 3 premios Primetime Emmy
- 17 premios ganados y 32 nominaciones en total
Yasiin Bey
- Vivien Thomas
- (as Mos Def)
Charles S. Dutton
- William Thomas
- (as Charles Dutton)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
medical miracle surpasses racial climate of the times
I have seen this movie at least 8 times since it first appeared last summer and never tire of it. I must add that my entire adult working life has been in the field of medicine so maybe I have more interest than some. The names of the residents in this film are names I have heard throughout my career. I am amazed by the genius of Vivien Thomas (or anyone without medical training who could understand as he did) and at the fact that Doctor Blalock accepted him as an individual (most of the time), without regard to his race or lack of medical education. I cannot think of actors who would have done a better job than Alan Rickman or Mos Def and I applaud them, and the rest of the cast, as well as the producers, for bringing this wonderful story to life. I can only hope it will be available on DVD soon, if not yet. I have told at least 100 people about this movie, without giving away too much detail. If you are interested in medicine, and the development of new procedures that change lives, especially of the very, very young, then this is a movie for you. Even if you do not have a medical background, it is worth seeing for the genius and compassion of those two men who did not allow the racial climate of the times to overpower their desire to make a difference. To all the residents who learned at Hopkins from these two gifted men, be forever grateful that their lives touched yours, albeit briefly. We lost two very gifted men who did an exceptional job of training others to follow in their footsteps. Jeers to the staff members who were ruled by race and education and a firm salute to those who were not. I give it a 10!
10rwerblin
You must experience this movie
I'm a physician who has been involved with children with congenital heart disease, including "blue babies." This movie will move you, regardless of who you are. Drs. Blalock & Taussig, whose ingenious procedure is used to convey the aspects of this film (Blalock-Taussig Shunt), were two of my 'heros.' The amazing genius and operative dexterity of surgical research phenomenon Vivian Thomas, and his focus on, love for, and persistence with his work against seemingly unscale-able obstacles, in superbly portrayed by Mos Def. His achievements, out of his background and lack of opportunities, made me feel that I should have been able to do much more than I have, given how much more was just handed to me. We should all feel we can accomplish greatly, and without resorting to destructive acts or words, when seeing the manner with which this class-act man performed. The depiction of the incredible bravery of Blalock, Taussig, and Thomas, who were embarking on not just uncharted, but forbidden surgical waters, warned that if such an "adventure" went awry, they'd be "on their own", made me feel timid and lacking in fortitude, by comparison. SEE (actually FEEL) THIS MOVIE!!
I wasn't expecting a story this powerful.
It's gratifying to know that I'm not the only one who was surprisingly moved by this story. I had known only a tiny part of the story before the movie: that a white surgeon and a black technician developed the process that could save "blue babies." That's a huge accomplishment, but only a portion of the story.
Alan Rickman does a splendid job portraying Dr. Blalock. There are a few moments when his southern accent slips and a little British comes through, but in terms of portrayal of the character, he is convincing. Blalock is ambitious, and in fact so focused on his professional and medical goals that sometimes he's clueless as to what others are going through to get him what he wants. He's also at turns arrogant and compassionate...exactly what one would have to be to do what he did. One thing the movie communicates very effectively is just how much of a revolution this surgery was: not merely operating on a baby heart, Dr. Blalock opened the gate to surgery on *any* human heart. Rickman doesn't overdo it, but he gets the character across.
Mos Def steals the show, however, in his subtle portrayal of Vivien Thomas. There's no grandstanding in this performance; he makes us believe that we know Thomas, and that to know him is to love him. He plays a man who had more character in his little finger than most people find in their whole lives, and he does it with zero ham. It isn't just that he gives an understated performance...he becomes this man who feels deeply even though he doesn't express it loudly. You see it in his eyes, in his pauses, in his voice. It's hard to describe, except to say that beneath the calm, quiet, even deferential exterior there is, undeniably, a whole person, a fully human, noble, wise, mature, gracious character.
A previous commentator asks if the presentation, near the end of the story, of an honorary degree was supposed to be an apotheosis of sorts. Perhaps. I suspect, however, that it isn't the conferring of a degree but the unveiling of the portrait, that actually vindicates Thomas and lifts him to his place in the medical pantheon of Johns-Hopkins' larger-than-life wonder-workers. At the end of the film, Vivien is sitting in the lobby, looking at his own portrait next to that of Blalock's when he's paged as "Dr. Thomas." He has to wipe the tears from his eyes to respond to the page. Maybe it's the degree and the portrait together.
The same commentator asked whether the film omitted mention of Thomas's eventual title. Actually, there's a scene immediately after their arrival in Baltimore in which the Director of Laboratories gives Vivien some money and tells him to bring coffee and a donut. At the end of the film, when Blalock calls Vivien's office, we see Vivien's title on the office door: Director of Laboratories. The irony is sweet.
This is a compelling, touching film, with wonderful performances all around.
Alan Rickman does a splendid job portraying Dr. Blalock. There are a few moments when his southern accent slips and a little British comes through, but in terms of portrayal of the character, he is convincing. Blalock is ambitious, and in fact so focused on his professional and medical goals that sometimes he's clueless as to what others are going through to get him what he wants. He's also at turns arrogant and compassionate...exactly what one would have to be to do what he did. One thing the movie communicates very effectively is just how much of a revolution this surgery was: not merely operating on a baby heart, Dr. Blalock opened the gate to surgery on *any* human heart. Rickman doesn't overdo it, but he gets the character across.
Mos Def steals the show, however, in his subtle portrayal of Vivien Thomas. There's no grandstanding in this performance; he makes us believe that we know Thomas, and that to know him is to love him. He plays a man who had more character in his little finger than most people find in their whole lives, and he does it with zero ham. It isn't just that he gives an understated performance...he becomes this man who feels deeply even though he doesn't express it loudly. You see it in his eyes, in his pauses, in his voice. It's hard to describe, except to say that beneath the calm, quiet, even deferential exterior there is, undeniably, a whole person, a fully human, noble, wise, mature, gracious character.
A previous commentator asks if the presentation, near the end of the story, of an honorary degree was supposed to be an apotheosis of sorts. Perhaps. I suspect, however, that it isn't the conferring of a degree but the unveiling of the portrait, that actually vindicates Thomas and lifts him to his place in the medical pantheon of Johns-Hopkins' larger-than-life wonder-workers. At the end of the film, Vivien is sitting in the lobby, looking at his own portrait next to that of Blalock's when he's paged as "Dr. Thomas." He has to wipe the tears from his eyes to respond to the page. Maybe it's the degree and the portrait together.
The same commentator asked whether the film omitted mention of Thomas's eventual title. Actually, there's a scene immediately after their arrival in Baltimore in which the Director of Laboratories gives Vivien some money and tells him to bring coffee and a donut. At the end of the film, when Blalock calls Vivien's office, we see Vivien's title on the office door: Director of Laboratories. The irony is sweet.
This is a compelling, touching film, with wonderful performances all around.
Truth is always better than fiction!
I actually avoided this movie for awhile..my mistake..It was so exhilarating...the characters were so real....and it reveals the true state of racial bias in the thirties/forties without harping...the real story is about the relationship between two very diverse people who shared a common dream....excellent performances by Richman and Def! What an understated overwhelming story...told in a poignant fashion over the background of the Depression, WW II, and the history of modern surgery!!
I got so very interested in the procedures, I had to scour the internet to research the story... This is the first I recall seeing Mos Def. He was so believable...
I got so very interested in the procedures, I had to scour the internet to research the story... This is the first I recall seeing Mos Def. He was so believable...
Absolutely magnificent!
I saw this movie this morning in my hotel room in Washington, DC. I was packing to go home as it was on and just a few minutes into it, I had to stop and just sit and watch. I was so moved by it, that I had to wait a while before I could leave. The tears were just streaming down my face. Later, as I was driving home, I passed an exit on the highway that indicated it was the road that eventually led to "Johns Hopkins University". I almost took that exit, but didn't because I had to get home. But I'm determined to soon make that trip to the University if only to spend a few minutes looking at the portrait of Dr. Thomas. What an incredible story and what an incredible actor Mos is. I do not have HBO at home, so I'm hoping that this movie is released on DVD. If it is, I will be purchasing multiple copies to give as gifts. A wonderful, wonderful story acted out by extremely talented actors.
Definitely, ten stars.
Definitely, ten stars.
¿Sabías que…?
- TriviaAccording to a Johns Hopkins Medical Archives website about Blalock, Thomas, Taussig, and the Blue Baby surgeries, Eileen Saxon, the infant depicted in the movie as the first to undergo the procedure, became cyanotic again several months later. She died after another attempt at the surgery. Her experience helped the surgical team determine that the procedure worked best on patients who were over 3 years old.
- ErroresWhen Reader's Digest publishes a photograph of the first operation, one participant is identified as Dr. Michael DeBakey. Although he was a professor at Tulane, he was on leave as a consultant to the Surgeon General in Washington.
- Citas
Alfred Blalock: They say you haven't lived unless you have a lot to regret. I regret... I have some regrets. But I think we should remember not what we lost, but what we've done.
- ConexionesFeatured in The 56th Annual Primetime Emmy Awards (2004)
- Bandas sonorasBoogie Woogie Bugle Boy
Written by Hugh Prince (as Hughie Prince) and Don Raye
Performed by The Andrews Sisters
Courtesy of MCA Records
Under License from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Điều Chúa tạo ra
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 50min(110 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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