Jean-Baptiste Grenouille llegó al mundo en las peores condiciones, pero con un talento olfativo inigualable. Su habilidad lo llevó a intentar desarrollar el perfume perfecto, lo que también ... Leer todoJean-Baptiste Grenouille llegó al mundo en las peores condiciones, pero con un talento olfativo inigualable. Su habilidad lo llevó a intentar desarrollar el perfume perfecto, lo que también lo llevaría por el más oscuro de los caminos.Jean-Baptiste Grenouille llegó al mundo en las peores condiciones, pero con un talento olfativo inigualable. Su habilidad lo llevó a intentar desarrollar el perfume perfecto, lo que también lo llevaría por el más oscuro de los caminos.
- Premios
- 15 premios ganados y 20 nominaciones en total
- Driver
- (as Walter Cots Wangüemert)
Opiniones destacadas
Great adaptation
I haven't read the novel, so I don't know how accurate the depictions are, but it seems like Tom T. is not afraid to pull punches. That's not to say, that this overly violent in the explicit sense. But one would argue that the real horror, always plays in ones mind. Seems like you will be able to judge if you're backing this theory or if you're against it. And although we never really get the man behind all this madness, it's a great work of art (the movie that is ... if you want you can call something else also a "work of art" ... You'll get it, after watching the movie, if you don't already know the novel!)
Great movie, very good attempt to describe the book without being violent.
A world of its own
A must see. Or, should I say, a must "smell"!
The critics are wrong - Brilliant!
I had the chance to watch a preview of "The Perfume" tonight and I was very surprised: this movie is really good! Okay, it can't actually make you smell all the scents and odours, but the images and the music allow you to experience the atmosphere and the emotions Grenouille is feeling when he takes in the scents of his environment. You couldn't have done this much better without the use of real scents at theatres.
Although much of the story is told by a narrative voice (mostly quotes from the novel), the movie is still thrilling and exciting all the way. It's a very good adaption of Süskind's novel, sticking to the original plot concerning the major events, leaving away unnecessary subplots (although it's a pity that funny "lethal gas"-plot was cut out!) and shortening long passages. The result is well-constructed movie that is worth seeing.
The actors, especially Whishaw who plays Grenouille, have done a very good job. Like in the novel, Grenouille is an ambivalent character and you never know whether to love him for his genius talent or to hate him for his cruel murders. Whishaw's half-crazy, scary gaze made me shiver. Dustin Hoffman as old and unsuccessful parfumeur Baldini was very convincing... I loved the way he talks to Grenouille arrogantly although he recognizes how much more talent the young man has. Baldini is always good for a laugh.
The only thing to criticize is that the movie is not as brutal as the novel. I think they wanted to avoid the FSK 16 rating and so didn't show much violence, which in my opinion would have been necessary if you wanted the movie to have the same shocking impact on the audience as the novel. For example I was really shocked by the end of the novel - in the movie you hardly see what happens.
However, it's really a thrilling story visualized excellently - go to the movies and watch "The Perfume"! You won't be disappointed.
Well, It Certainly Is Original And, Despite The Ending, I Found It Fascinating
Rather than judging that finale and having to use spoilers, let me just comment on the first two hours of the film, which I found utterly fascinating. If I wasn't such an admirer of photography, art and special-effects, I doubt I would have found the movie so appealing because the story is "not for everyone." However, thanks to stunning French city and countryside scenery, 18th century period and beautiful women it enhanced the story to me. Yet, regardless of the visual treats, the story was so unusual it still would have held my attention.
There are enough reviews here so that to go into the story in detail isn't needed except to say this is an "original." I'm not familiar with any other story about a man who has such an extraordinary sense of smell that he can perform olfactory miracles and then, because of it, uses it to turn into a mass murderer. This is weird, really weird, but captivating to say the least.
Ben Wishaw, who plays the lead character "Jean-Baptist Grenouille, has a face that is perfect for this role. His emaciated body, which survived a brutal childhood existence from the moment he was born also makes his character all the more credible. The looks of shock and awe on this man's face throughout the picture also add to his believability. He was mesmerizing with his haunting expressions. Dustin Hoffman and Alan Rickman provide "name" actors the film but it's Wishaw's movie, all the way.
I can only recommend this movie to those who share similar interests in cinematography and who like a "different" story but there are so many things in here - especially the ending - that could offend so many people, I would be hesitant to recommend this to the general viewer.
I'm going to go look for the book at our local library. I'm curious how that version compared to the screenplay.
¿Sabías que…?
- TriviaThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- ErroresThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Citas
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- Bandas sonorasTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
Selecciones populares
- How long is Perfume: The Story of a Murderer?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Perfume: The Story of a Murderer
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 60,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,223,293
- Fin de semana de estreno en EE. UU. y Canadá
- USD 37,079
- 31 dic 2006
- Total a nivel mundial
- USD 135,039,924
- Tiempo de ejecución
- 2h 27min(147 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1






