CALIFICACIÓN DE IMDb
7.5/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaThe movie talks about the life of Ryan Larkin, a gifted Canadian animator of the late '60s and the early '70s.The movie talks about the life of Ryan Larkin, a gifted Canadian animator of the late '60s and the early '70s.The movie talks about the life of Ryan Larkin, a gifted Canadian animator of the late '60s and the early '70s.
- Ganó 1 premio Óscar
- 27 premios ganados y 2 nominaciones en total
Opiniones destacadas
I had seen Chris Landreth's Bingo when I worked at Alias, and I was very impressed by the evident creativity that involved in Landreth's work. . His work is very unique and no cliché, and most importantly, visually very interesting. I have yet to see anyone to produce a 3d short that's as advanced in terms of the creative use of the 3d tool. . My personal belief is, the Ryan is much more than just a 3d documentary(also a very new genre in 3d animation I believe), it is a piece of art, and the medium is computer animation.
10daily_g
Don't follow the genre at all so I have no idea how unique the effects are. Just happened to catch it on the CBC indie show Zed and was reminded about it when I heard it got an Oscar nomination. And I must say, this is a rare instance where you see a new technology being applied in a way that actually enhances every aspect of what happens to be a deep and touching story. As opposed to today's big budget CGI which provides little more than a cheap thrill. I can imagine if I were in Ryan's shoes in his regrettable state, I would feel exactly like the stripped down fragments of skin, bone, tendons and random Rube Goldberg parts he's depicted as. A must see film, and not only because of the gorgeous animation. 10/10
documentary. homage. and fascinating use of CGI for a story who deserves it. because it is more than the concise, precise, touching and bitter story of Ryan Larkin. it is a wise and provocative film. because it is a special way for discover an artist and his universe. remembering the flavor of bohemian life style, the cultural revolutions of XX century. and the taste of freedom.
10highkite
This is not your typical animated short. It's not something you'd normally see before a full length feature at the cinema. It's more complex, and deep as it is fun and entertaining. There are, however elements of that too.
"Ryan" is a story about Ryan Larkin, an innovative, talented and gifted Canadian artist from the late 60s and early 70s. Director Chris Landreth plays himself, only a much more animated version. His body is breaking apart, his memories are haunting him and he's much more interested in the late artist instead of his own life. He introduces us to Ryan, voiced by Ryan Larkin himself, and tells us that he's on the verge of breaking down (literally). The story then starts playing out very visually as Ryan starts explaining the troubles of being an artist and how many are not respected and poor.
The visual style of this is enchanting. It goes through 3D animation, to pencil drawing, to painting, to sketches. Really unique in the sense that it stimulates your eye and allows you to see much more in the screen than most animated features do in a full scene. There are relative clues as to the depth of the main character, and how he's nostalgic of the past, and stricken by the disease of poverty ('Spare change? Thank you, sir, you're very kind.').
Chris starts out by telling us that he's about to explain some things to us. We expect him to tell us a story of Ryan, which has a regular narrative structure in which there's a beginning, a climax and the end. However, he tells us this story in a series of flashbacks, interviews, and visuals. That's where the interesting part really kicks in. Friends of Ryan are brought in through different forms of animation, and they explain to us just how Ryan's life has been.
Every little detail of this movie is flawless. We see a closeup of Ryan and his jaw-dropping realistic face, we see that when he smokes and freezes the camera circles him, exposing every millimeter of perfection, from the smoke to the back of his deformed head. Each shot is so well animated, and yet so deep that it's no wonder it won at the Oscars (ironically since Ryan Larkin was at the Oscars in 1969 and lost only to become unsuccessful and poor). "Ryan" shows us that you can make an animated short that isn't targeted at kids, and have it both entertaining and thought-provoking.
"Ryan" is a story about Ryan Larkin, an innovative, talented and gifted Canadian artist from the late 60s and early 70s. Director Chris Landreth plays himself, only a much more animated version. His body is breaking apart, his memories are haunting him and he's much more interested in the late artist instead of his own life. He introduces us to Ryan, voiced by Ryan Larkin himself, and tells us that he's on the verge of breaking down (literally). The story then starts playing out very visually as Ryan starts explaining the troubles of being an artist and how many are not respected and poor.
The visual style of this is enchanting. It goes through 3D animation, to pencil drawing, to painting, to sketches. Really unique in the sense that it stimulates your eye and allows you to see much more in the screen than most animated features do in a full scene. There are relative clues as to the depth of the main character, and how he's nostalgic of the past, and stricken by the disease of poverty ('Spare change? Thank you, sir, you're very kind.').
Chris starts out by telling us that he's about to explain some things to us. We expect him to tell us a story of Ryan, which has a regular narrative structure in which there's a beginning, a climax and the end. However, he tells us this story in a series of flashbacks, interviews, and visuals. That's where the interesting part really kicks in. Friends of Ryan are brought in through different forms of animation, and they explain to us just how Ryan's life has been.
Every little detail of this movie is flawless. We see a closeup of Ryan and his jaw-dropping realistic face, we see that when he smokes and freezes the camera circles him, exposing every millimeter of perfection, from the smoke to the back of his deformed head. Each shot is so well animated, and yet so deep that it's no wonder it won at the Oscars (ironically since Ryan Larkin was at the Oscars in 1969 and lost only to become unsuccessful and poor). "Ryan" shows us that you can make an animated short that isn't targeted at kids, and have it both entertaining and thought-provoking.
10lily_77o
'Ryan' is a truly beautiful film in many respects. First the visual look of the film is high art. Beyond the composition and the colors, there is so much visual information going on that as a viewer you feel like you are getting a secret peek into another realm, where people wear the experiences that pilfer their soul. Secondly, there is something very beautiful about the film's ancestry and pedigree. The film showcases the talented Ryan Larkin and his animation in a way that both honors the art of animation but also shows the growth of the genre. Thirdly the film depicts and encapsulates the sacrifice that artists face and struggle to passionately create their art and walk down a path that is so very much less traveled.
'Ryan' a beautiful film deserves its honors and praise.
'Ryan' a beautiful film deserves its honors and praise.
¿Sabías que…?
- ConexionesFeatured in Alter Egos (2004)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Раян
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 14min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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