¿Cuánto me amas?

I've watched the Depardieu-Blier films all the way back to VALSEUSES and enjoyed them so I came at this one believing all the knocking comment must be wrong.

Well it's certainly not a dead loss. Campan registers in a tricky role acquiring Pigalle poule de luxe Bellucci and taking her back to his office worker flat, despite his shaky health and down at heel associates and this part plays quite well.

Surprisingly, it's when an aged Depardieu doing "vieux jeu con" shows up that things become strained. Well with a record like this, these guys are entitled to one screw up.

The film is by no means a write-off with the changes of light, background and costume within scenes getting attention until you realize that, if they have any meaning, Blier is not going to share it with us. The opera score has oddity value and the small parts are striking. Farida Rahouadj's turn as the Northern neighbour is particularly attention getting.

It's a pity to find this one getting international showing on the strength of its star power, in place of more imposing product.

How Much Do You Love Me? examines that emotion called Love, or what it's perceived to be. Will you make pretend and move in with someone? Are you loving someone because of his riches? Or because of his huge wiener or her hot body? Is it purely lust or love? And how in the world do fugly people snag all the hot chicks too? Between money and love, which would you choose (and taking too long to decide doesn't earn you brownie points)? Like Pretty Woman, only with less candy fluff, how can someone fall in love with a whore? (Ok, so it might sound politically incorrect, but that's how the movie plays it out)

A regular joe, Francois, falls for a prostitute at a bar. Played by Monica Belluci, Daniela is the obsession of Francois, as he engages her services for 100,000 Euros to live with him for a month (she charges 150 Euros a night, so work out the math) until he runs out of cash. A balding man who just won the lottery of 4 million Euros and some, he sure knows how to pick up and select his women.

Soon after, Francois becomes the envy of everyone (so is Vincent Cassell, but I digress), as friends like his personal doctor advises him to go easy on his escapades because of his weak heart. But in this black comedy, unfortunate events befall upon those who try to keep the couple apart. It's a tad interesting too as the movie plays out the fantasies of these nay- sayers, as they too lust after Daniela in secret.

There's a twist to all the madness, and the final revelation will make you go "ahh!" as the scheme is unveiled to a whacked out near ending sequence (do I love that sexy dance move). However, as do most art movies go, the ending leaves much to be interpreted in many ways. The visuals are beautiful to look at, and no, I'm not just talking about Bellucci here, although I'd rather watch her in action than the other old babe Sharon Stone in Basic Instinct 2. Blended with a lot of jazz, it has a bluesy feel to it all, punctuating melancholic mood throughout as felt by the characters.

And it's the three key characters who keep the storyline interesting. A regular bloke buying his way to a woman's heart. A woman who whores because she wants to (and probably satisfying her insatiable appetite for sex), and her gangster husband Charly (Gerard Depardieu) who allows her to do what she wants to, as his interpretation of love is the clichéd "if you love her set her free. If she returns she's yours" belief. In the end, love is also about respect, and that's the lesson Charly needed to learn.

It's plenty talk about love, sex and even orgasms, and the highlight is probably the three way negotiation on the table as Francois and Charly haggle the price over Daniela. Can love be attached with a price? How much is it worth? The plenty of ah-peks in the audience will probably have an answer to this question, and no doubt, ensure this movie's longevity in local screens.

Yes, I confess that my approach to this movie was not so enthusiastic, Mrs. Bellucci is not my favorite actress. But the director (Blier) and Gerard Depardieu are a warranty, in my opinion. The movie is a "divertissment" played around a man, who try to buy the love of a magnificent whore(Bellucci), stating he win the price at the lottery,and so offering her a 100 thousand euros per month salary. So, could this indecent proposal buy her love? and what's about the pimp(Depardieu)? The plot has the capacity to stay light, the music helps a lot to accept the events as a play, the life is surprisingly wonderful, love is the mystery. And Monica Bellucci is a full joy, a daydream for all the middle aged, insignificant men searching for a reason to dream.

I love French cinema, but I was rather disappointed by this movie. The most positive thing about this movie is beautiful and erotic Bellucci taking her clothes off but the plot is so poor I can't understand Gerard Depardieu playing such a one-dimensional person.

The dialogs are sometimes ridiculous, maybe unintentionally because of the bad German synchronization I watched. It is not enough to play classical opera music instead of creating a convincing dramaturgy and script.

But to mention some positive aspects as well, there are plenty of breathtaking stills like Bellucci sitting in the window of the bar in Pigalle or "Francois" and "Daniela" at the beach, so the movie offers, as French cinema often does, excellent aesthetic quality. Accepting that this is cinema showing totally artificial characters, you might have a good time watching this movie.

In Paris, after winning the lottery, the clerk François (Bernard Campan) goes to a bar in Pigalle and offers one hundred thousand Euros per month to the prostitute Daniela (Monica Bellucci) to live with him until the end of his money. François is a lonely man, with heart problems and Daniela stays with him for eight days. Then, she decides to come back to her man, the mobster Charly (Gérard Depardieu), but she misses François and returns to his place. But once a whore, always a whore.

The promising "Combien Tu m'Aimes?" is a great deception: having Monica Bellucci, Gérard Depardieu and Bernard Campan in the cast, and directed by Bertrand Blier, this "dramatic romantic comedy" has a weird development and a confused and disappointing open conclusion. I honestly did not understand the last quarter of this movie, which is simply awful. The screenplay wastes a good and original idea, and the character of Gérard Depardieu is absolutely dull and ridiculous. The beauty of Monica Bellucci, even with forty-one years, is the best this mislead movie can offer. My vote is five.

Title (Brazil): "Por Amor ou Por Dinheiro?" ("For Love or For Money?")