La Princesa Masai

Having just finished reading The White Masai in paperback, I waited in anticipation of getting the DVD from the local library, albeit with some trepidations, knowing that film adaptations of books don't always follow true to the written work. That is certainly the case with this one. Firstly, why the change of names of the characters in the book - from Corinne to Carola, Lketinga to Lemalian, Napirai to Sarai, etc? Everyone who has read the book will know the characters anyway no matter what their names are. Also, there seem to be some vital points in the book that were not depicted in the movie. The novel extensively describes how Corinne's physical health was greatly affected from having to live in near-primitive conditions with nil in basic amenities like proper drinking water and sanitation, tropical diseases and inadequate diet. Doesn't it seem incongruous that in the movie this doesn't seem to be the case with Carola - she emerges from the hut cum loveshack each day fresh as a newly-budded rose, skin aglowing & hair shining like gold in the morning sun? She merely appears to be in a reality TV tour group rather than having assimilated herself into the tribe. It would certainly have helped to have a Westernized educated Samburu character to help bridge the (communication) gap between Carola and Lemalian, which in the book would have been James (Lketinga's brother). That said, the bottom line that both book and film raise is: can two people of contrastingly different cultures live together in harmony and genuine affection? How much is one prepared to sacrifice in the name of love? The film is aware of all these questions but does not give a definite answer - it all remains up to the viewer to put himself/herself in the heroine's shoes and ask "would I have done the same as Carola? Would I give up all the creature comforts of life that I've known and been accustomed to and live in woop-woop with a man I hardly know from a totally alien background?"

While the movie does portray non-whites in a more positive light than other movies with a similar theme, it continues the long history of inequivocal relations between whites and blacks in general and it concludes that the Africans have been and always will be culturally inferior to whites. Even though the film is sympathetic to the Samburu people and evidently shows how naive and clueless as far as cultural sensitivities go with Carola, it's telling her side of the story. It would be very interesting indeed if the movie would be (re)made from Lemalian's point of view, but alas that is just a pipe dream.

I was curious to see this film seeing the split type of reviews it got on IMDb. It has been showing at our small town cinema for full two weeks. And, yes, there were still quite a number of viewers - mostly women. I believe the problem is that people get worked up on the main character and get to dislike her strongly, then reflecting this on the film as a whole. Which of course is not fair, but maybe understandable. So if you want to see a marvelous, well made, well photographed and even well written film with an intriguing plot - this will be it. If you want to agree with all moves of the main characters and seek harmony, happiness and want to relax - just stay away. My boys, for instance, hated 'Gegen die Wand' for the lack of happy ending and the pain the main characters live through. So does this mean that we Germans have an affinity to 'difficult' plots? (including our German-Turkish compatriots in 'Wand') Maybe. What makes the film less understandable - but very much more realistic - is that it is based on a true story. So why complain? The Carola character has her flaws and gets stuck between wanting to Europeanise the Massai life and adapting to their customs. Which in itself would render enough material for several films. The Massai accept her but are also stuck with their traditions - what else would you expect. But this film is not about how this dilemma can be solved - it is about Carola and Lemalian - and if you come to think of it, two very brave characters, no matter how they behave in detail. They exist(ed)!!! And the film gives you an opportunity to partake in their torment. Just take this as ONE possible outcome and ponder on the potential and possibilities such a setting can offer. Enjoy.

Although I did not read the book, I saw the film tonight at the German cinema (with a mix of subtitles). Having been to SOuth Africa myself, I recognized the land and endless horizon (some was filmed in SA, as well as Kenya itself).

The film leaves you with the feeling that you are not sure why this woman wanted to even stay in Kenya with this man, despite "hardships" of no showers, no electricity, no amenities as we know. It was her loves to this man from a totally different culture, a warrior, that made her decide to live in such a God-forsaken place, so far from her former reality. This Swiss woman, who had owned a shop in Switzerland, sold her store, and then after some time, thought she could best help her new husband's people by opening a shop herself and selling wares to the people in the surrounding areas. However, she really had no feeling for what her husband was going through, losing face for having his wife work, as well as being able to drive a car (which he thought was so easy to learn until he ran the jeep against the tree). One can at times sees that she is not very sensitive to the cultural issues regarding tribal life and position, and this makes this relationship quite tense. On the other hand, one can see that the African man makes quite a bit of effort to understand her and ease her way into his world, even though he is not so aware of her upbringing and needs.

Perhaps reading the book would give more insight to their other trials and tribulations. However, I will have to say that I will now read the book, and I thoroughly enjoyed the movie. It makes one think if two people from diverse cultures ever have a chance of survival. On the other hand...........what is diversity.

The Swiss Carola Lehmann (Nina Hoss) has a crush on the Samburu warrior Lemalian Mamutelil (Jacky Ido) while traveling by ferry in the last day of her two week vacation in Kenya with her boyfriend Stefan (Janek Rieke). She talks to Lemalian and on the next morning, instead of returning to Biel, in Switzerland, Carola decides to leave Stefan and seek out Lemalian. She travels to Nairobi by bus; then to Maralal, where she befriends the Caucasian Elizabeth Muzungu (Katja Flint) married with a Kikuyu that explains some important details of the Samburu culture to her; when Lemalian meets her, they walk together to his isolated pastoralist tribe in Barsaloi. Carola is welcomed by his people and along the years, she sells her shop in Switzerland and marries Lemalian, having a daughter with him. She also runs a store in the location. However, their differences of cultures force Carola to take an ultimate attitude and return to her country.

"The Weisse Massai" is one of the most incredible romances I have ever seen. The reason is not racial, but how the bourgeois Carola could leave her middle-class lifestyle to live with Lemalian in the middle of nowhere in his tribe of shepherds. The acting is top-notch as well as the cinematography.

However it seems that there are inaccuracies between the title, the character Lemalian and the story between Maasai and Samburu people. Both are semi-nomadic indigenous that lives in Kenya and Maralal is located within the Samburu District, but they are people totally distinct from each other. Lemalian speaks English and the Maasai are also educated in this language, supporting the title of the movie. But Lemalian mentions in Nairobi when he goes with Carola to the Immigration Department that he is a Samburu "murran" (warrior) and he is illiterate, what is a contradiction. The screenplay writer did not do his homework; he should be more careful while writing about a true event and make a research. Unfortunately IMDb censorship did not accept my original review and I needed to rewrite removing the references to the Wikipedia that gave a better explanation to this contradiction. Despite this inconsistency, this movie is engaging and highly recommended. My vote is eight.

Title (Brazil): "A Massai Branca" ("The White Massai")

Based on the novel by Corrine Hofmann, this is the incredible true story of a woman from Switzerland who pursues and eventually marries a Masai warrior in Kenya.

The story itself is riveting, made more impressive and captivating as it is based in fact.

The film contains three languages - German, English, and Maa. But even with this mix of language, the subtitles (which were unfortunately quite poorly done) weren't even a real necessity as so much of the story is so clearly communicated without the need for language.

German director Hermine Huntgeburth expertly captured the beauty and culture of this part of the world.

This by far wasn't the 'biggest' gala presentation at this year's Toronto International Film Festival, but it left the fortunate audience captivated by the story and the visual beauty.

Definitely worth checking out.