Recortes de mi vida

Irritating at times but only at times when the writer, director, producer puts himself in front of the camera and all we see it's him. But, most of the time this is a surprising, smart comedy of pains with a sensational Annette Bening - her best performance without a doubt - her disintegration is, apart from everything else, shattering and absurdly entertaining. She descends her psychic road wrecking havoc wherever she wants to do "the best thing for you". Under the effects of the medication and the advise of her con-shrink she slides away, brilliantly. Alec Baldwin has three little moments that he manages to wrap with so much truth that his character lingers in my mind. Well, there you are, I'm talking about the performances because that's what makes this movie really fly. Jill Claybourgh, Joseph Finnes, Brian Cox, Gwynneth Paltrow, Evan Rachel Wood and Joseph Cross with his literary future and his thing for hair, they all transform this stranger than fiction real life tale into something memorable, yes, memorable. I don't quite understand why this film was so mistreated by critic and public alike. I found more rewarding elements here than in most of what 2006 had to offer at the movies. Give it a try.

Well, one thing you can't say about this film is that it doesn't try to be different, even if it ultimately resembles a number of independent US 'dysfunctional family' movies. The trouble is it sometimes comes across as being too clever and, for all its quirky characters - who should be drawing you into their world and lives - the film stubbornly holds the audience at arm's length. This is a major weakness, because it leaves you feeling like you're watching animals in a zoo or specimens under a microscope rather than real people with real emotions.

The immediate suspicion about memoirs is that they are the memories (real or manufactured - but that's an entirely different can of worms) of just one person in the story, and that the other characters have no opportunity to provide their side of that story. The real-life Finch family brought legal action against Augusten Burroughs for the way they were portrayed and the case was settled out of court by Burrough's publishers. This could have been because they didn't want to get involved in a potentially damaging and expensive court case, or it might have been because the Finches had a strong case - either way the fact of the settlement is bound to cast some doubt over the truth of Burrough's tale.

With regards to the film itself, it's something of a trudge for the most part. This is despite the fact that every single part is played to perfection by an eclectic cast. Brian Cox, whose career appears to become more successful the older he gets, is especially good as the crackpot psychiatrist who adopts the 15-year-old Burroughs (Joseph Cross), welcoming him into an eccentric and disturbed family. Annette Bening also gives a terrific performance, even though her character becomes increasingly annoying as the film goes on (only Jill Clayburgh and Alec Baldwin's characters emerge with any kind of dignity). Although the film tends to drag at times, when it shines it really shines, especially with the use of some well-chosen songs from the 70s. The sequence played out to Al Stewart's Year of the Cat is particularly memorable, and it's a shame that these moments are distributed so sparingly amongst the more pedestrian material.

If ever a movie taught me not to let critics influence my decision to see something, this is it.

I remember when this came out in the theater and the overall consensus of the major critics was that this film was a huge disappointment, if not a complete failure. Wow. (scratches head)

Having been a huge fan of the book (I read it twice before I saw the film) I went to see it anyway without high expectations, and was surprised to say the least. I love this film, and it brought me to tears several times. And like other posters, I thought that it was a rare film adaptation that does justice to the book and then some.

Aside from the fact the film remains true to the book, which will please many fans, the performances are excellent across the board. Annette Bening, in my humble opinion, was robbed of an Oscar nomination. She delivers nothing less than a tour-de-force. I mean, it truly amazes me how she was overlooked along with this whole movie. And Joseph Cross should have had a nomination as well. He shines the light and the heartbreak in this boy with dead-on accuracy. This is a remarkable story that I guess is hard to believe for many people, even in the strange, dysfunctional world we live in. I think all of the actors made this story truly believable. Even Gwyneth, who has very little screen time unfortunately, makes the most of it, with a wonderfully low-key, quirky turn. Her scene cooking "the stew", in braids, is one of my favorite moments. And how could they not notice Jill Clayburgh??!! She manages to ground this story, ironically, with sanity. She conveys grace and maternal love and kindness, wringing these emotions from an almost grotesquely-written character. No easy feat. I will admit Evan Rachel Wood is the only actor I felt was a bit miscast if you are being true to the book. She's just cooler and sexier than I imagined the character to be. But she reminded me of someone else i grew up with in an uncanny way, that's how good she is at balancing smart and damaged, as a girl who grew up too fast for her own good, but somehow manages to prevail. I loved her nonetheless, just in a different way than I did in the book.

The pacing, the tone, the lighting, the music, the respect the director showed this story is really stunning as well. Anyone who grew up in the late 70's (like myself) in a dysfunctional home with a rather eccentric mother will probably experience this as movie magic, and feel uncomfortably at home watching this, like being transported back in time. You may even smell your mother's shag carpeting and scented candles like I did. The clothing the characters are wearing, especially Augusten, made me feel like I was back in grade school myself...wearing a polyester plaid vest and tie and out-of-synch with my peers. The imagery really rang true for me, along with "Your the poetry man" playing in the background.

Maybe the problem was that not a lot of people can relate to this story, and it seems too preposterous for them to even suspend their disbelief for a couple of hours? I've never felt compelled to write a commentary up here until now because I really believe this work was done an injustice by the critics. However I don't think, as a viewer, you would necessarily need to relate to this story to enjoy the film. But I can't help but wonder if I'm wrong about that, because it might explain the poor reception from so many critics.

I also trust completely that over time many will discover this movie and be moved to both laughter and tears, and be completely absorbed in it. It's a twisted, sometimes hilarious but mostly heartbreaking tale, based on true events, and it is, in my opinion, a beautiful film. It's a gem.

Amusing but unsatisfying adaptation of Augusten Burrough's autobiography. Burrough's mother (played by Annette Bening) fancied herself a poet. After constant fighting with her husband (Alec Baldwin) she becomes entangled with a quack psychologist (Brian Cox), who drugs her up and convinces her to give custody of her son over to him. Augusten (Joseph Cross) lives between his mother and the psychologist, along with his quirky family (Jill Clayburgh, Gwyneth Paltrow and Evan Rachel Wood). He also becomes romantically involved with the doctor's other adopted son (Joseph Fiennes, whom I didn't recognize at all). The film has a hard time deciding whether it's a comedy or a drama. I imagine Augosten Burroughs had a hard time deciding which category his life fit into, as well, if this is how it all went down! The doctor and his family are endlessly quirky. The man graduated from Yale, but lives in a hell-hole where nothing is clean, Christmas decorations are kept up all year around, and the doctor's wife eats dog food while watching Dark Shadows. Oh, and the guy interprets his stool to tell his fortune. But then, this is supposed to have really happened, so it certainly has a tragic angle to it all. The doctor doped Burrough's mother into oblivion and stole all her money, and the child support his father sent. The movie is often very funny, especially near the beginning, before we realize the tragic aspects of it. It does also contain one of the funniest lines of the year, concerning the doctor's private room, which he refers to as his "masturbatorium", read with aplomb by Brian Cox. The movie starts falling apart when the drama and comedy don't mix. Several scenes don't work well at all, especially a completely nonsensical montage mixing three disparate events together, at least one of which doesn't fit into the movie whatsoever. The pop music score is especially amateurish, even worse than the one in The Departed. The movie is far from great, but it's worth seeing for the performances. Everyone is very good here. Wait for video, though.

Black comedies can be very subjective to an audience. Running With Scissors isn't for everyone. The humor comes from the often shocking dysfunction the characters struggle with. Annette Bening plays a woman so selfish, egotistical and full of anger that she would destroy her family to satisfy her needs. Ms. Bening's performance is raw and spontaneous. Brian Cox plays the doctor she turns to who may or may not be an out and out quack, another stellar performance. Natalie Rachel Ward stands out as the doctors younger daughter while Gweneth Paltrow seems lost amongst the fine acting surrounding her, and although it is always good to see Jill Clayburgh in anything, I was not as impressed with her as I have been in the past. Alec Baldwins turn as Bening's husband is small, but he holds his own. In the midst of all the over the top, almost Gothic insanity is Bening and Baldwin's son, based on the author, subtly played by Joseph Cross. Joseph Fiennes has a difficult time with a difficult character, another victim of the doctor's "treatment".

I would agree with another commenter who stated that the director Ryan Murphy uses every trick in the book when it comes to film making and then some. I fully expected a musical number or a dream sequence. As evidenced in Nip Tuck, Murphy relies on music to enhance a mood. The art direction and costumes capture the seventies and all it's weirdness. As others have said RWS also reminded me of American Beauty in it's anti-American dream nature. This movie covers dark territory, doesn't have obvious comedy and doesn't follow any typical scenario although it did suffer from "sappy" moments. I can guarantee that you'll walk out of the theater happy that you aren't anyone in the film.