Una adinerada neoyorquina lucha con la decisión de dejar a su marido infiel, pero ella y sus amigas descubren que las mujeres realmente pueden tenerlo todo.Una adinerada neoyorquina lucha con la decisión de dejar a su marido infiel, pero ella y sus amigas descubren que las mujeres realmente pueden tenerlo todo.Una adinerada neoyorquina lucha con la decisión de dejar a su marido infiel, pero ella y sus amigas descubren que las mujeres realmente pueden tenerlo todo.
- Premios
- 4 premios ganados y 4 nominaciones en total
Argumento
¿Sabías que…?
- TriviaTanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: "True Blue" and "Papa Don't Preach" (1986), "Deeper and Deeper" (1992) and "Music" (2000).
- ErroresBefore the fashion show, Mary's mother asks Mary to rethink how she is presenting the coats for the show. When we view the fashion show, there are no coats modeled, only dresses.
- Citas
Catherine Frazier: It feels like someone kicked you in the stomach, feels like your heart stopped beating, feels like that dream, you know the one, when you are falling and you want so desperately to wake up before you hit the ground but it's all out of your control, you can't trust anything anymore, no-one is who they say they are, your life is changed forever, and the only thing to come out of the whole ugly experience is no-one will be able to break your heart like that again.
- Créditos curiososMeg Ryan, Annette Bening and Carrie Fisher were all in Postcards From The Edge, the film made of Fisher's book.
- Bandas sonorasEverything Good Goes Away
Written by Ruby James and Rene Reyes
Performed by Ruby James
Courtesy of Ruby James, LLC
They have nothing to do with each other.
The original one is a classic, I love it fondly. This movie is based on the same novel, but it's absolutely contemporary. Another time, another way of thinking, another set of rules to move in society with.
The old elegance in clothes, the distinguished looks, the excellent manners, all gone..., gone with the wind. But let's face it, our concept of contemporary elegance is what it is, nothing will make us go back to the 1930s idea of elegance, or manners, and if somebody resents that fact..., MMMmmmm, I'm afraid they are out of sync. with the present.
Meg Ryan looks lovely; somebody complained that she cannot move her face... come on! what do you want her to do with it, a Cheeta number?? Her figure, and her legs! are first-class (so are Anne Benning's!!).
The cast is excellent and as everybody complains about Eva Mendez, the original character is exactly like her. Joan Crawford in the old movie couldn't --at the time-- play it so coarse, because of censorship and simply because at that time they didn't portrayed reality as harsh as we use to do it today. Period.
The movie is extremely entertaining, have some good laughs, the timing is excellent..., the photography flawless, the lighting impeccable, the sound perfect... anything else, El Exigente?
I don't think these crew made this film pretending to surpass Antonioni, Visconti or Bergman. I enjoyed very much the 'women alone' dialogs, since they never act like that when even just one man is present. And the speed, spontaneity and sincerity of these dialogs indicate that only a woman could have directed this film.
These group of women --with fantastic openness (something you will never find among men) when talking their hearts out, is so believable and attractive (at least to me), that I wanted this movie to go on forever!!
They made a light --very light-- piece of entertainment, that's all. What really bothered me reading the critics written by men, was their necessity to clarify before hand that "This isn't the kind of picture I would go to see by myself... ME, such a macho man..., I saw it because..." (some excuse or other). Wow! are we tied up in knots, guys!! What is happening out there with those old fashioned ideas about what a man is about!!
Wake up men, or we'll end up missing the boat irremediably!!
- davidtraversa-1
- 20 jun 2009
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Detalles
Taquilla
- Presupuesto
- USD 16,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 26,902,075
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,115,210
- 14 sep 2008
- Total a nivel mundial
- USD 50,007,546
- Tiempo de ejecución1 hora 54 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1