Jason Bourne esquiva a un implacable agente de la CIA y sus agentes mientras investiga su propia historia.Jason Bourne esquiva a un implacable agente de la CIA y sus agentes mientras investiga su propia historia.Jason Bourne esquiva a un implacable agente de la CIA y sus agentes mientras investiga su propia historia.
- Ganó 3 premios Óscar
- 29 premios ganados y 42 nominaciones en total
Edgar Ramírez
- Paz
- (as Edgar Ramirez)
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Opiniones destacadas
Take Dramamine
Shaky camera the whole way through. I don't know why directors do that- our brains correct for motion while walking so our visual field is not shaky. It seems this movie has few scenes where Matt Damon is talking- it's a lot of running and chasing and other characters chasing.
This is the first Bourne movie to get an Oscar- they probably felt the series was die some awards since the previous movies are so good. This one is missing the soundtrack or really any songs that were prominent in the first two movies. Only repeated violin sounds.
Even the martial arts scenes you can't really see because of shaky camera.
This is the first Bourne movie to get an Oscar- they probably felt the series was die some awards since the previous movies are so good. This one is missing the soundtrack or really any songs that were prominent in the first two movies. Only repeated violin sounds.
Even the martial arts scenes you can't really see because of shaky camera.
One Great Thriller
Here we have one of those rare franchises that constantly gets better and better. The great thing about it is that Director Paul Greengrass is back and better than ever. He brings more realism and technique in this sequel than he did in the last film.
Matt Damon has gotten older and into the character more perfectly to where he seems to be living the role and realistically the character. I can't really picture anyone else in the role at this point. David Starthairn is just magnificent and Julia Stiles was surprisingly quite excellent.
The chases sequences are some of the best, and the like it or hate the shaky cinematography – it does exactly what is necessary and right on point. The intent is to be agitated as you watch the film, which is exactly the point. The intent is to feel and experience what Jason Bourne is experiencing and feeling. The cinematography technique works brilliantly.
I have always felt that one of the possible issues for people, as it was for me, was that my expectations were extremely high. This is by far the best of the trilogy, and one great thriller. I loved the fact that the film was not over the top and is so grounded like a documentary.
Matt Damon has gotten older and into the character more perfectly to where he seems to be living the role and realistically the character. I can't really picture anyone else in the role at this point. David Starthairn is just magnificent and Julia Stiles was surprisingly quite excellent.
The chases sequences are some of the best, and the like it or hate the shaky cinematography – it does exactly what is necessary and right on point. The intent is to be agitated as you watch the film, which is exactly the point. The intent is to feel and experience what Jason Bourne is experiencing and feeling. The cinematography technique works brilliantly.
I have always felt that one of the possible issues for people, as it was for me, was that my expectations were extremely high. This is by far the best of the trilogy, and one great thriller. I loved the fact that the film was not over the top and is so grounded like a documentary.
Edge of the seat stuff
Jason Bourne sits in a dusty room in with blood on his hands, trying to make sense of what he's just done. Meanwhile, a CIA chief in NYC outlines the agency's response to what's just happened on screen. An American flag stands proudly on the centre of his desk in the foreground of the shot, but as he speaks, it slips out of focus as his plan veers into morally dubious territory, as if it doesn't want to be associated with the course of action the government man decides is necessary in the interests of national security.
This shot effectively captures the mood of the film. As well as portraying Bourne's quest to find out how he became Jason Bourne, Ultimatum is also an examination of the human costs of the measures taken to protect us in the interests of stability and security.
It is also probably the best film you'll see in the cinema this year.
It's just so intense. Bourne says to Simon Ross (Considine) "This isn't some newspaper story, this is real" and in the audience you almost believe him. The camera shakes, but remains steady enough for you to see everything and feel like you're there with Bourne as he tries to elude his pursuers, and the performances are so good that these guys seem as though they are the characters they're portraying, instead of just being actors performing well-written roles. The action scenes are so brutally fast-paced and well choreographed that they seem instinctive instead of planned to the minutest movement; the stunt-work is nothing short of amazing.
The pacing is just incredible. It keeps driving forward towards its conclusion, but not so fast that it leaves you struggling to piece together the plot; the script delivers the information you need as quickly and clearly as possible before moving on to the next tense action set-piece. While they're often simple (the Waterloo sequence is essentially just a man on a phone being watched by a man on a phone) they're charged with such dramatic intensity that you can't take your eyes off them. The film is just so focused on powering forwards that you can't help being swept along by it.
With its intense action set-pieces, brilliantly paced storyline, and intelligent examination of the decisions made in the name of national security, the Bourne series is one that accurately captures the ambiguities of our age. Ultimatum is its peak.
This shot effectively captures the mood of the film. As well as portraying Bourne's quest to find out how he became Jason Bourne, Ultimatum is also an examination of the human costs of the measures taken to protect us in the interests of stability and security.
It is also probably the best film you'll see in the cinema this year.
It's just so intense. Bourne says to Simon Ross (Considine) "This isn't some newspaper story, this is real" and in the audience you almost believe him. The camera shakes, but remains steady enough for you to see everything and feel like you're there with Bourne as he tries to elude his pursuers, and the performances are so good that these guys seem as though they are the characters they're portraying, instead of just being actors performing well-written roles. The action scenes are so brutally fast-paced and well choreographed that they seem instinctive instead of planned to the minutest movement; the stunt-work is nothing short of amazing.
The pacing is just incredible. It keeps driving forward towards its conclusion, but not so fast that it leaves you struggling to piece together the plot; the script delivers the information you need as quickly and clearly as possible before moving on to the next tense action set-piece. While they're often simple (the Waterloo sequence is essentially just a man on a phone being watched by a man on a phone) they're charged with such dramatic intensity that you can't take your eyes off them. The film is just so focused on powering forwards that you can't help being swept along by it.
With its intense action set-pieces, brilliantly paced storyline, and intelligent examination of the decisions made in the name of national security, the Bourne series is one that accurately captures the ambiguities of our age. Ultimatum is its peak.
A trilogy that stays true to the story
In order to fully appreciate 'The Bourne Ultimatum', one must have to have seen 'The Bourne Identity' and 'The Bourne Supremacy'. Like it's prequel's, it is slick, action packed, suspenseful and has an engaging screenplay. I particularly loved the chase scenes shot in Tangier. Director Greengrass just keeps the right pace without making it boring or too fast to follow. A fine ending to a trilogy, I preferred it over the overrated 'Lord of the Rings: The Return of The King' and the abysmal 'X-Men: The Last Stand'. 'The Bourne Ultimatum' has done justice to the first two films. Cinematography deserves special mention, whether it's the shaky camera or the zoom-lens, it certainly adds to the 'fun' of the ride supported by brilliant background score. The dialogues and characters are very well written. This is especially a plus because character development seems to be lacking in action films of today. Damon again looks the part and his acting is fantastic as he completely owns the role. Supporting cast that boasts of talented names like Joan Allen, Paddy Considine, Albert Finney and David Straitharn all stand out. A brilliant conclusion, it makes the whole trilogy stand out. Filmmakers (especially that guy who made 'X-Men: The Last stand') should learn how to make a trilogy interesting and intelligent. 'The Bourne Ultimatum' is an intelligent, slick, well-paced action film that respects the trilogy.
Smart and Gripping
The Bourne Ultimatum is the third and final outing for super-spy Jason Bourne, a man who is out to kill the people who made him into a killer. The Bourne series is one of the highest regarded trilogies by critics (Ultimatum has an 85/100 on metacritic.com, meaning it's status is "universal acclaim) and for good reason- the fighting is choreographed very well and the deep story can be very engrossing.
First, I highly advise you watch The Bourne Identity and The Bourne Supremacy, the two fancy-titled prequels to Ultimatum. There may be three different movies, but in reality they are all a continuance of one another: missing one leaves you stranded and confused, just like I was. You will still be about to enjoy the action and fight scenes of Ultimatum if you missed the first two, but then the story will definitely lead to some confusion.
If you were lucky enough to view the prequels to this movie, you probably had a treat watching Bourne take down his enemies and track down the man who screwed him from Supremacy. Jason Bourne is played very well by Matt Damon. Damon does nothing to deserve an Oscar nod, but his work here is good enough to hold it's own. Bourne's adventures take place in many different cities; the cities are all varied enough to keep the movie from becoming bland at times. The agency tracking Bourne takes advantage of every technological tool known to mankind to track him down.
I won't go into detail on the characters because they are continuations off of the first two movies. However, it wouldn't hurt the movie to spell a few things out for the audience- not every viewer is a die-hard movie watcher who can pick up on every little hint about story development. Ultimatum wouldn't have been harmed at all if the story was a little more up front.
It seems most people agree that Ultimatum was a success of a film: the movie opened to $69 million, and -box office total now is up to $216 mil- is currently still going very strongly for a movie that has been in theatres since August 3. It's the best action movie I've seen since Live Free or Die Hard.
Good) Damon is solid but not spectacular, very smart movie Bad) Story is like many others
First, I highly advise you watch The Bourne Identity and The Bourne Supremacy, the two fancy-titled prequels to Ultimatum. There may be three different movies, but in reality they are all a continuance of one another: missing one leaves you stranded and confused, just like I was. You will still be about to enjoy the action and fight scenes of Ultimatum if you missed the first two, but then the story will definitely lead to some confusion.
If you were lucky enough to view the prequels to this movie, you probably had a treat watching Bourne take down his enemies and track down the man who screwed him from Supremacy. Jason Bourne is played very well by Matt Damon. Damon does nothing to deserve an Oscar nod, but his work here is good enough to hold it's own. Bourne's adventures take place in many different cities; the cities are all varied enough to keep the movie from becoming bland at times. The agency tracking Bourne takes advantage of every technological tool known to mankind to track him down.
I won't go into detail on the characters because they are continuations off of the first two movies. However, it wouldn't hurt the movie to spell a few things out for the audience- not every viewer is a die-hard movie watcher who can pick up on every little hint about story development. Ultimatum wouldn't have been harmed at all if the story was a little more up front.
It seems most people agree that Ultimatum was a success of a film: the movie opened to $69 million, and -box office total now is up to $216 mil- is currently still going very strongly for a movie that has been in theatres since August 3. It's the best action movie I've seen since Live Free or Die Hard.
Good) Damon is solid but not spectacular, very smart movie Bad) Story is like many others
¿Sabías que…?
- TriviaThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- ErroresWhen Bourne follows Desh on the scooters in Tangier, Desh receives a phone call. He handles the cell phone with his right hand which controls the throttle on the scooter. By taking his right hand off the throttle, the scooter would suddenly have slowed down.
- Citas
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- ConexionesEdited from Identidad desconocida (2002)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Bourne Ultimatum
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 110,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 227,471,070
- Fin de semana de estreno en EE. UU. y Canadá
- USD 69,283,690
- 5 ago 2007
- Total a nivel mundial
- USD 442,824,138
- Tiempo de ejecución
- 1h 55min(115 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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