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Ver Director Park Chan-wook on Weaving Violent and Erotic Themes into 'Oldboy'
Después de estar injustamente presa durante 13 años, y de que le sacaran a su hija, una mujer busca vengarse por medios cada vez más brutales.Después de estar injustamente presa durante 13 años, y de que le sacaran a su hija, una mujer busca vengarse por medios cada vez más brutales.Después de estar injustamente presa durante 13 años, y de que le sacaran a su hija, una mujer busca vengarse por medios cada vez más brutales.
- Dirección
- Guionistas
- Elenco
- Premios
- 13 premios ganados y 14 nominaciones en total
Kim Shi-hoo
- Geun-shik
- (as Shi-hoo Kim)
Young-ju Seo
- Yang-hee Kim
- (as Yeong-ju Seo)
Kim Jeong-nam
- Won-mo's Relative
- (as Jeong-nam Kim)
Opiniones destacadas
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee (Yeong-ae Lee) is released and tries to fix her life. She finds a job in a bakery; she orders the manufacturing of a special weapon; she reunites with her daughter, who was adopted by an Australian family; and she plots revenge against the real killer of Won-mo, the English teacher Mr. Baek (Min-sik Choi). With the support of former inmates from prison, Geum-ja seeks an unattained redemption with her vengeance.
"Lady Vengeance" is a very dark tale of vengeance and search for redemption. The screenplay is confused in some moments, using symbols and metaphors, but the story is engaging blending black humor and unpleasant and bold scenes of torture and death of children with a harsh revenge. Yeong-ae Lee has a magnificently performance in the role of Geum-ja along almost fourteen years of her life. I am a big fan of Chan-wook Park, and I regret that in Brazil the first movie of his trilogy about vengeance ("Boksuneun Naui Geot" a.k.a. "Sympathy for Mr. Vengeance") has not been released yet. My vote is eight.
Title (Brazil): "Lady Vingança" ("Lady Vengeance")
"Lady Vengeance" is a very dark tale of vengeance and search for redemption. The screenplay is confused in some moments, using symbols and metaphors, but the story is engaging blending black humor and unpleasant and bold scenes of torture and death of children with a harsh revenge. Yeong-ae Lee has a magnificently performance in the role of Geum-ja along almost fourteen years of her life. I am a big fan of Chan-wook Park, and I regret that in Brazil the first movie of his trilogy about vengeance ("Boksuneun Naui Geot" a.k.a. "Sympathy for Mr. Vengeance") has not been released yet. My vote is eight.
Title (Brazil): "Lady Vingança" ("Lady Vengeance")
I had the luxury of watching this last night and was awed by it's sheer brilliance. I don't want to delve into the story, as you must see it for yourself to savor the fantastic story like a glass of red wine.
The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.
The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.
If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.
The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.
If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
Revenge is a dish best served cold, in this case some 17 years old, as Geum-ja Lee plots, ways that Mr. Baek rots, it's a beautiful thing to behold.
Cinematic poetry in motion, a sensual blast of emotion, such fortitude and drive, such cunning to contrive, the passion, the focus, intense devotion (can also be said of Woo-jin Lee in Old Boy).
Cinematic poetry in motion, a sensual blast of emotion, such fortitude and drive, such cunning to contrive, the passion, the focus, intense devotion (can also be said of Woo-jin Lee in Old Boy).
10emmily87
i usually don't enjoy movies that contain gore, suspense, and violence. still, sympathy for lady vengeance was undoubtedly, a movie worth watching. even for those who actively dislike movies in this certain genre, sympathy for lady vengeance is an absolute must. out of the trilogy, this one was the one i enjoyed most. there was nothing overly-excessive and/or gratuitous (which i honestly found oldboy and sympathy for mr vengeance had a bit of), and it definitely cannot be considered a brain-candy film. with an extremely intelligent and interesting plot, and visually stunning cinematography, it was a spectacular piece of art, from the start to the finish, and had me thinking about it and talking about it for days afterward.
Just got the Korean 2 DVD set and watched the B/W version first. All I can say is that, this film is a masterpiece! I was very moved and if you do one more thing in your life before you die, see this film!
Of course, I use the term "masterpiece" in its true sense, as the work which reveals an artist's achievement of "mastery" over his or her craft. Don't be confused with the latter conotation that a masterpiece is a "perfect" work. Could there ever be such a thing? Truly, this film shows the original sense of the word, such that I would be nervous seeing any subsequent films from him.
There are two versions of the film. I checked the colour version, and besides the opening credits being slightly different, and the much talked about retaining of colour throughout, it appears to be exactly the same.
I am sure your are all familiar with the premise, but I think that the less you know, the better. At it's basic level, this film follows in the classic "quest for revenge" schema. A beautiful woman is condemned to 13 and a half years of incarceration for the kidnapping and murder of a young boy. By this theme, the film connects to the previous entries in the now Vengeance "Trilogy", but it is in no way a rerun.
Just like the other two films, (Sympathy for) Lady Vengeance is gorgeous. The design in the film is extraordinary, and there are so many frames that are simply beautiful. The use of colour and light is inspirational in some parts, and I really can't think of watching any version but the "fading" one. Maybe it's because I saw that version first, but I didn't find the colour version as deeply affecting.
I think that which is better will be a personal decision for all who see this film. There are a some points where the fading version is very effective with what becomes subdued spots of colour. Yet, the characters in the film are also colourful, and fleshed out enough so that the viewer gets to know them, but not enough that they know them completely.
The past is something hidden for these characters, in many ways that is a thematic point of the film. The film is truly about redemption, and as we follow the moving drama within we may even come to understand something within ourselves. It is truly a fitting end to this three film exploration into hate remorse and revenge.
Of course, I use the term "masterpiece" in its true sense, as the work which reveals an artist's achievement of "mastery" over his or her craft. Don't be confused with the latter conotation that a masterpiece is a "perfect" work. Could there ever be such a thing? Truly, this film shows the original sense of the word, such that I would be nervous seeing any subsequent films from him.
There are two versions of the film. I checked the colour version, and besides the opening credits being slightly different, and the much talked about retaining of colour throughout, it appears to be exactly the same.
I am sure your are all familiar with the premise, but I think that the less you know, the better. At it's basic level, this film follows in the classic "quest for revenge" schema. A beautiful woman is condemned to 13 and a half years of incarceration for the kidnapping and murder of a young boy. By this theme, the film connects to the previous entries in the now Vengeance "Trilogy", but it is in no way a rerun.
Just like the other two films, (Sympathy for) Lady Vengeance is gorgeous. The design in the film is extraordinary, and there are so many frames that are simply beautiful. The use of colour and light is inspirational in some parts, and I really can't think of watching any version but the "fading" one. Maybe it's because I saw that version first, but I didn't find the colour version as deeply affecting.
I think that which is better will be a personal decision for all who see this film. There are a some points where the fading version is very effective with what becomes subdued spots of colour. Yet, the characters in the film are also colourful, and fleshed out enough so that the viewer gets to know them, but not enough that they know them completely.
The past is something hidden for these characters, in many ways that is a thematic point of the film. The film is truly about redemption, and as we follow the moving drama within we may even come to understand something within ourselves. It is truly a fitting end to this three film exploration into hate remorse and revenge.
¿Sabías que…?
- TriviaThe snow during the closing scene is not real. They brought two trucks of salt and scattered it all over the street; the falling snow is CGI.
- ErroresTodas las entradas contienen spoilers
- Citas
Geum-ja Lee: Listen carefully. Everyone make mistakes. But if you committed a sin, you have to make an atonement for that sin. Atonement, do you know what that means? Big Atonement for big sins. Small Atonement for small sins.
- Versiones alternativasThere are two different versions of the film. One is full color. The other, called "Fade to Black Version", shifts from color to B&W over the course of the movie. Like Sin City, there are color highlighted, even in the B&W scenes. The second version is what the director intended, but he was not able to complete it properly until the Korean DVD (which includes both versions).
- ConexionesFeatured in MsMojo: Top 10 Best Female Revenge Movies of All Time (2022)
- Bandas sonorasMareta no'm faces plorar
Composed by Jordi Savall
Vocal by Montserrat Figuera, Arianna Savall
Baroque Guitar by Xavier Diaz-Latotte
Baroque Flutes Traversieres by Mare Hantai
Bass Viola da gamba by Jordi Savall
Courtesy by Alia Vox
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- How long is Lady Vengeance?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- KRW 4,200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 211,667
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,850
- 30 abr 2006
- Total a nivel mundial
- USD 23,835,242
- Tiempo de ejecución1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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