The Redsin Tower

My immediate reaction to The Redsin Tower was this: ToeTag is going places. Watching this pitch black horror film, i was amazed that the makers of August Underground, which i consider to be the most disturbing film experience i have ever had, have made something completely 180 this time. Redsin Tower will earn them an enormous following. They have made a great, sinister, hard edged movie that has mainstreme appeal, but without sacrificing their dark integrity.

It's hard to gauge Vogel's actual directorial talents from the August films, of course, but he proves a natural behind the camera in his first "traditional" attempt. It is one of the most ambitious independent horror films of recent years, and Vogel and crew take the narrative into astonishingly diverse and original directions. As a filmmaker he has a great eye for Americana, subtle character interactions, color pallete (lots of eerie, Argento esquire blues and reds), pace...and of course, BLOOD AND GUTS!! The movie is on the surface throwback to teen body count films like Slaughter High, The Evil Dead, and Night of The Demons, but i link it thematically to films like Carrie and The Exorcist. This is the most perceptive teen horror film in ages, understanding that all the horror is an extention of awkward young feelings and tumult. Which isn't to undercut the other macabre places this film goes. ToeTag juggles a lot of different themes and styles here, and almost completely succeeds. If this were relased nationwide i can imagine it becoming as successful as Hostel and Saw-it's that professional and well made. I already think Vogel should be placed at the forefront of the "Splat Pack", and this film is just further evidence of his sinister genius.

I won't say anything about the plot. I'll just say any expectations are going to be totally destroyed+the ending is absolute genius. ToeTag is one of the most important genre forces today, and this awesome film should catapult them far past the underground (not that i would ever want them to leave!).

First thing I thought and said after finishing August Underground Mordum was "Well, that was f@ckin stupid." The first thought after watching The Redsin Tower was "Well, that was f@ckin weak." So I guess the difference between the two is one's a really negative remark and the other's a normal negative remark. So I guess, Toe Tag and Vogel did actually make a better film. But that's like me saying that piece of crap doesn't smell as bad as this one.

Redsin Tower is just an average film, flat out. The movie is simply about a group of kids looking for a place to party, have sex and do the cliché things teenagers do in a horror film. They end up choosing the supposedly haunted Redsin Tower. There's another weak and pointless side-story about a psycho ex-boyfriend who has unbelievable investigative skills. God knows how the hell he found the Redsin Tower, or why he went there. Did they mention it? I don't know and I don't care. So yeah, that's the story. And guess what? It stunk. Before complaining about the flick let me say what I "liked". I thought the gore/effects were done pretty well. But can someone tell me what the hell was hanging from the ceiling when the fat kid with the lisp looked up? A flying lizard/dinosaur thing? That on the other hand was not a good effect, it looked like crap. Another thing that I liked.....hmmm...okay I enjoyed one performance. The girlfriend of the Burnout character. She seemed to be the best actress of them all, and actually exuded a "nice girl" feel. Besides that I didn't give a damn about any character. I especially disliked the psychotic boyfriend and goth girl. I also thought it was shot pretty well, it was nice and clear.

But overall, the movie is just a weak, clichéd filled, amateurish movie that delivers no scares, unless the cheap loud sound effect trick was used. It's a completely average movie that a few people will enjoy, most likely independent horror fans. Only check out this flick if you're bored or if you're a fan of Vogel's previous work.

Fred Vogel, director of the (mostly) effective faux snuff August Underground trilogy, takes the basic plot of Sam Raimi's The Evil Dead—a group of people travel to a remote abandoned building where, one-by-one, they fall victim to an evil spirit that possesses their bodies—and gives it the ToeTag treatment: the characters are universally loathsome; there is plenty of swearing and female nudity; and, of course, Vogel (with help from make-up FX guy Jerami Cruise) delivers oodles of violence and general nastiness.

Unfortunately, despite sounding like a gore-hound's dream-come-true, The Redsin Tower is actually a rather disappointing film that suffers badly from an uneventful beginning (a good 40 minutes pass before anything really interesting happens), some rather confusing moments and an unnecessary sub-plot (featuring a psycho ex-boyfriend of one of the girls), and bloody awful lighting that often makes it impossible to see what is going on.

Vogel would have done much better if he'd 'borrowed' more than just the plot from Raimi's 1982 masterpiece for his first stab at a 'real' film. Had he emulated the actual structure and pacing of The Evil Dead, which was a non-stop horror roller-coaster ride, then the result might've been much more successful. Instead, the first half of the film is wasted watching a despicable bunch of losers do nothing but take drugs and talk about sex; the second half is spent watching them stumble around an old building in the dark before being killed. And with absolutely no-one likable in the whole movie, it's hard to give a damn what happens to them anyway.

Even those viewers who settle down to watch this film purely for the gore will end up feeling a tad cheated. Although there are some violent deaths (my favourite being when a pretty goth chick gets axed), everything is shot in such poor lighting that it's almost impossible to see any of the bloodletting clearly. It's a shame that the only special effect that really sticks in my mind is a very silly looking bat creature.

With his undeniably powerful faux snuff movies, Fred Vogel certainly made a name for himself on the underground horror circuit. However, if he wishes to create such a stir with fans of more 'traditional' horror films, then he really needs to come up with something better than this.

The film who brought 'August Underground' and they bought 'The Redsin Tower', Its..It's kinda very a little bit done like demonic movies it's like 'Evil Dead' and 'Night of the Demons' Soo the film was bad, i wish that director 'Adam Wingard' should do any remake this 2006 film 'The Redsin Tower' that could be better than the original worst but little bit film.

This has to be one of the DUMBEST piles of DUMB I HAVE EVER SEEN IN MY LIFE I liked Agust Underground and thought Mordum was OK for what is was. Penance was unnecessary, and this it one of the most poorly directed and scripted, acted, edited films I have seen in my life. Everything in it is just a waste of your life. There is absolutely nothing redeeming or interesting about it. Actually I take that back, it's interesting to see how horrible dull and predicable illogical a film can be. Nothing is shocking the entire movie consists of a guy with a lisp that had me rolling on the floor trying to be scary and getting one of your moderate looking girl friends to take her top off and do her best impression of Evil Dead that she can. Throw Zack Morris in there and a dead end useless plot line and you have this pile or brain damage.