Were the World Mine

I was lucky enough to see this film at the official youth screening at the Vancouver Queer Film Fest. Liked it so much I walked in and stood for the second, sold out, screening that followed. Beautiful scenes, good acting, great concept / plot, absolutely rapturous music... this movie made my heart melt, made me fall in love with the two main characters. This is what movies are supposed to do, and Were the World Mine did this beautifully.

This film realizes many a gay boy's high school fantasy, and does it with style and grace. It's poignant, moving. The actors who play Timothy's two best friends nail it. The drama teacher is a woman to be reckoned with. And the two male leads are both gay in real life. I will be buying this one as soon as it comes out. In the meantime I will be listening to music from the film on their MySpace page.

I just saw this movie at the San Francisco LGBT festival with a packed house at the Castro Theater, where it provided one of those lightning-in-a-bottle moments that sometimes happen at film fests. Yours truly is a cynical old curmudgeon of a film-goer, and when a movie can win me over this way (along with the rest of the audience) it's like a gift from out of the blue; I found myself not questioning or analyzing the experience, just letting myself give in to pure enjoyment. I'm not surprised that it keeps winning audience awards at festivals; people are grateful when a movie sweeps them up into its own world.

How the magic happens here, I don't know, especially since this is a movie by such a relatively inexperienced director. But I think I can put my finger on a few elements that make this mix happen. First, Wendy Robie as the drama teacher. I previously knew her only as crazy Nadine ("silent curtain rollers!") on "Twin Peaks." She's every gay boy's dream teacher from high school, and only gradually do we begin to realize that she must be more than she seems. Second, though the film is called a musical, and there are indeed songs, the use of music is surprisingly sparing. We don't get a big musical number every 15 minutes; instead the songs are used to capture certain states of mind and to introduce magical elements in the story. I actually left the theater wanting more music (a rare experience!). And third, the ugly homophobic elements in the movie at first seem almost jarringly realistic; this serves to heighten the magic of the wish-fulfillment.

Magic doesn't always work in movies or on the stage; not every production of "A Midsummer Night's Dream" can capture Shakespeare's whimsy. But for me, it does work in this movie, and I'm a little awed by the experience.

This utterly adorable fantasy musical is one of those tiny movies made simply in a small town and without pretensions other than to enchant... and if you see it in a crowded cinema keen to enjoy then you are really in for a magical experience. I know I am blathering on about this funny whimsical film in the tone of the title and A MIDSUMMER NIGHT'S DREAM terminology, but as I am having fun here with my descriptions, you will as well if you take the time to see and enjoy it as I described above. With it's heart tight in its lovable hero's hairy teen armpit, this DEAD POET SOCIETY locker room version of MIDSUMMER NIGHT'S DREAM has more than a whiff of the teen spirit from Baz Luhrmann's Leo/R&J and HIGH SCHOOL MUSICAL for teenage boys. If it can be remade with a bigger sound and image quality and retain the hilarious tone and charm then WERE THE WORLD MINE might just cross into mainstream teen and young adult affection with its funny fairy charm intact and actually get world wide applause. Tanner Cohen can certainly sing, Nathaniel David Becker is an ideal love interest for him, and Zelda Williams makes the most hilarious and adorable English teacher with a very keen awareness of what when tweaked will want untold. I loved it and will happily get Pucked again even just for fun.

Though it may be labeled as a gay/lesbian film, this is a witty and lovely takeoff on "A Midsummer's Night Dream." The acting by all the principals, particularly by appealing lead Tanner Cohen, Judy McKane as his mother, and Wendy Robie as the school drama teacher, is first-rate. The art direction, music and especially the cinematography help create a magical quality as the story enters the realm of Midsummer fantasy. Director Thomas Gustafson skilfully develops believable characters, manages complicated plot twists, and never loses the thread of "what if" that is essential to a retelling of Shakespeare's timeless story. Like the characters, you'll be enchanted by this small-budget but high-quality film.

Usually I resent anything that stereotypes homosexuals. I resent it even more when gays stereotype gays. As gay as this movie definitely is (fairies... guys wearing wings... rugby players doing pirouettes), I am -surprisingly enough- completely enamored with it. I am glad that I watched it, then watched it again, and... watched it again.

There is something about this movie that moves past being just a story about fairies - literal and otherwise. Cohen has a strong and beautiful voice. Both he and Becker play their characters way beyond stereotypes. It didn't hurt to have them both be such total hot-ties, either.

It's really too bad that so many people will be put-off by anything to do with same sex relationships. (BTW: this movie is about more than just that.) They are missing a film that inspires the audience to have the courage to be oneself and the courage to let go of what you love, because of that love, at the risk of losing it. -- 12/08/09 Before Puck (Cohen) sings "Sleep Sound" there is a brief moment when the viewer sees Cole's mother obviously disgruntled by her son's apparent homosexuality. She breaks into a gargantuan smile when Cole return to his heterosexual self. Many gays and lesbians live their entire life knowing that, when all is said and done, our parent's continue to feel that we have failed them by not (at least) pretending to be heterosexuals. When it comes to sexuality, it is not uncommon to find our parent's and our friends' love to be very conditional.