Bernard and Doris

and the pairing of Ralph Fiennes as Bernard Lafferty, her trusted butler and confidante is quite interesting. I have read the biography "Too Rich, the story of Doris Duke", and this film seems by far, more accurate and even amusing (as life often is). If we for example, compare this to the mediocre Lauren Bacall version, which does not portray Lafferty as human, rather as a murderous bottom-feeder. Too extreme, and probably unrealistic.

Yes, Ms. Duke did apparently have a very unusual life, but we see her here, as Sarandon plays here, she also enjoyed and cherished life. We see her working fervently on her orchids, all the foundations she was passionate about, and her general intelligence. She was clearly a brilliant businesswoman, as Lafferty interjects.

This film portrays real people, yes, she had an issue with drinking, as did Lafferty. However there was a tenderness and relationship which seemed to have developed between the two. Overall an interesting commentary with excellent performances and lush cinematography, attention to set decoration. 9/10.

Bob Balaban has made and contributed to an array of interesting films as writer, director and actor. His directorial venture focuses on the relationship of billionairess Doris Duke and her loyal butler Bernard Lafferty. Hugh Costello's writing is solid. The characterization seems accurate enough (at least based on what I've read about Duke and Lafferty). Both are portrayed as strong yet vulnerable humans. Duke did live an unusual life that involved alcohol and casual sex but she enjoyed the freedom of life and travelling. She lived with passion and believed strongly in causes to set up foundations. She was also an excellent businesswoman and loved her plants, especially her orchids. And, this film captures that brilliantly and one can see why a shy Bernard who also shared the same weakness with alcohol would be so taken by a woman like Doris Duke. She can be a difficult woman, especially to those working for her but her appealing sense of liveliness, passion and devotion was admirable and Bernard appreciated that. The tenderness and care in their relationship is portrayed beautifully. Susan Sarandon and Ralph Fiennes are stupendous. Both have effectively captured the essence and strength of their characters delivering strong performances. In addition, the cinematography and art direction are brilliant. Overall, Balaban and Costello have presented an interesting perspective and an intriguing account of a fascinating woman and her relationship with her butler.

"Bernard and Doris" is a quiet story about a billionairess and her butler brought to life by great actors, a good script and a director that let's them be. Doris Duke inherited millions of tobacco money at a very early age and tried to live a life. Bernard Lafferty was Irish-born, barely literate and simply wanted to do his job -- take care of Doris. He was rewarded, upon her death, with controlling interest in her estate. He died three years later of complications of alcoholism, a disease that plagued him throughout his life. This movie, directed by character actor Bob Balaban and starring Susan Sarandon and Ralph Finnes, is steady and clear in its purpose -- to show us who these people were. Duke was shrewd with her money and philanthropic, too. She gave generously to the arts and education. Her personal life was a mess. She paid for sex with a very young piano player, much to Bernard's displeasure. Rarely do I talk about the soundtrack. It's usually a "heard but not noticed" kind of thing. In "Bernard and Doris" the soundtrack is integral. Wonderful jazz. Bernard worked for Peggy Lee at one point. He knew music and Doris even performed as part of a gospel group. Music was important to this pair. There's even sexual tension here, despite the fact that Bernard was gay. Frankly, that makes it all the more interesting. Finally, there isn't much excitement in "Bernard and Doris." It's all about characters. I found it a joy to watch two of the best actors on the planet become them.

This movie was OK. I don't know much about Doris Duke, so I don't know how accurate it was. But what I do know is that I found this HBO movie entertaining and a lot better than a lot of movies that get released in theaters. Susan and Ralph were very good in their roles. The movie shows Doris in her later years. She chases younger men and drinks a lot and moves between all her homes and fabulous vacations. She becomes friends with her butler Bernard. She probably likes the fact he likes to drink too and loves to kiss her @ss. She doesn't even mind when she catches him stealing her boos when she states any help stealing from her will get fired. Her death was controversial as to weather Bernard played a role in it and if he had anything to do with her will changing. He got 5 million plus control over her estate and foundation. But he didn't live to many more years after she died.

FINAL VERDICT: Interesting, amusing. Susan and Ralph were good together and what made this film work.

All right: Susan Sarandon does not resemble the real Doris Duke and is a good 15 years younger and a lot healthier looking than Duke was in the mid-1980's through 1993, when the story takes place; and granted, Ralph Fiennes is far more charming and appealing than the actual Bernard Lafferty. But this movie works because of those two central characters on which the scenario focuses to the exclusion of almost all else. The screenwriter deftly conveys the jet-set lifestyle and grandly tumultuous history of Doris Duke without actually moving us from location to location and decade to decade and we are able to concentrate on what is really a peculiarly moving love story. Duke's relationships with various hangers-on and an adopted daughter are left out entirely. If you are looking for a faithful bio, forget it. If you are looking for a solidly pleasing film with top-notch performances, pounce!

Sarandon delivers the goods in spades, creating a shrewd and intelligent, bristling flesh and blood woman so wealthy and powerful she answers to no one but suffers from those psychic afflictions known only to the super-rich. Her self-administered therapies include astrology, a fanatical devotion to the care of exotic plants (particularly orchids), travel, indiscriminate sex with a succession of boy toys, and of course massive doses of booze and other drugs to keep going from one day to the next. But she is also intelligent, shrewd, a remarkable businesswoman and connoisseur of the fine arts, all convincingly depicted in this film. It's damned entertaining to watch her but if you think about it, no one of her age with that kind of serious drug dependency could look that good. Fiennes matches her every step of the way with a kind of perturbed restraint as the lonely, passive, alcoholic butler. He says at one point that what he wants from Duke is not her money, but just to take care of her. This utterance is completely believable. Unlike the 1999 TV movie about the same pair starring Lauren Bacall and Richard Chamberlain, this butler is much more ambiguous and definitely not a sadistic manipulator.