Ex Máquina

"I am become death, the destroyer of worlds." Caleb (Domhnall Gleeson)

Ex Machina is a thoughtful science fiction about Artificial Intelligence, whereby, to no fan's surprise, the current female robot, Ava (Alicia Vikander), has human qualities that cause trouble for inventor, Nathan (Oscar Isaac), and visitor, young Caleb. If you know anything about these stories, you could write the screenplay, but you'd need these actors to make it the impressive sci-fi it is.

Poets and philosophers have been intrigued by just this story about AI gone astray after interacting with humans. The Frankenstein motif is alive and dangerous, and the spirit of Spike Jonze's Her, with the seductive operating system, is very much a part of Ava's approach to Caleb. The destructive force of Nathan's creation is more subtle than in Dr. Frankenstein's creation, but menacing nevertheless: "Isn't it strange, to create something that hates you?" Ava to Nathan

Brainy Nathan has a compound somewhere in an Alaskan refuge as modern as could be with ID cards and glass walls and doors to give the impression of peace and transparency. Caleb is chosen to help Nathan use the Turing Test to judge the quality of the AI-human experience.

As in real life, nothing is as it appears because neither Nathan nor Ava can refrain from lying. Yet, even Caleb is drawn into lies as he gets closer, even romantically, yikes! to Ava. Once again for science fiction, as soon as the robot gets to enjoy being like a human, trouble ensues. However, even if this film seems like a retread, say, of Never Let Me Go, very few filmmakers could match the ultra modern, yet still sexy, set design. And Isaac's character is so mercurial, at once comforting then tyrannical, that the film could be remembered if only for his star turn as the mad but charming scientist.

After all, Ex Machina is as much about a scientist playing God as it is about the bridge between robot and man. Each topic could, and has been, treated on its own. Here it is an exciting return to modern man as god and monster:

"I am God." Nathan

Ex Machina, directed by Alex Garland, delivers a visually striking exploration of artificial intelligence that is elevated by exceptional acting and a hauntingly atmospheric score. Alicia Vikander's portrayal of Ava, alongside Oscar Isaac's enigmatic Nathan and Domhnall Gleeson's relatable Caleb, creates a compelling dynamic. The film's minimalist yet futuristic setting and deliberate pacing contribute to its thought-provoking nature, although some may find the pacing slow. While Ex Machina excels in posing profound questions about AI and humanity, it leaves room for deeper character development and a more engaging narrative, earning its 7/10 rating as a visually arresting and intellectually stimulating sci-fi thriller.

Ex Machina has a very fitting sense of false intimacy. This is done visually as many of the close-ups are seen through glass. No matter how close we get to the subject on-screen, there always seems to be at least one wall of glass between us and it or them. The film also makes a very distinct contrast between it's interior and exterior shots. Outside of the facility is breathtaking landscapes. It is big, beautiful, refreshing and vibrant. Inside seems like an endless futuristic maze of glass, mirrors, plastic, chrome and dim lights. It is clean, cold and claustrophobic. A perfect setting for the subject that is explored in this tight, tense sci-fi thriller.

Ex Machina is the best science fiction film on artificial intelligence since Blade Runner. While Blade Runner is an action thriller that relies more on it's epic visuals to tell it's story, Ex Machina is a dialogue-driven psychological thriller that slowly works it's way under your skin. Thought-provoking and terrifyingly suspenseful, an induced state of paranoia may linger long after the end credits begin to roll.

The less you know going into a film like this, the better your experience will be. Alex Garland has given us a modern science-fiction masterpiece. Performances from all three leads are flawless and every other aspect of the production, from the cinematography to the soundtrack, is perfectly suited for the story. Not only is Ex Machina an amazing achievement for a directorial debut, it's Alex Garland's best written work to-date.

A wealthy CEO and pioneer of AI enlists the help of employee Caleb, to see if his latest creation, Ava, can pass off as human, The Turing test.

It remains a pretty great watch still, of course it's pure sci fi, but it's a glimpse into a future scenario that seems to be perfectly feasible, you need only Google AI, and you'll see some incredible content, good or bad, after this film you may change your opinion.

This film is so intriguing, I find it quite unique, it's disturbing, but more than that it's a story of paranoia, of power, but in a bizarre way it's a story of hope as well. It's pure fantasy, it's almost like a Disney story rehashed and turned into sci fi, it's crazy at times, but it works.

The special effects and visuals are incredible, Ava looks amazing, she's different enough, but has enough human qualities to allow you to engage with her human side.

It's quite dialogue heavy, it's not a typical action sci fi, so fans that enjoy the faster paced, action driven movies may find it slower at times, but if you're into movies with twists and turns, tension, psychological thrillers where character development is important, I think you'll enjoy this.

The three main actors are all excellent, you can't put a pin between them, each of the three really deliver, every character gets under the skin, in a way I never expected.

This film never fails to impress, 8/10.

Don't mean to insult here, but who else wants to love a machine. Bear with me: this movie has a deep insight to communicate, whether intended or not is open to question.

The story is a modern telling of Bluebeard's Castle as the correct version of Beauty and the Beast. In other words, it seems to be about impotence. Except that this is geek love, love at an impossible distance, that is eroticism. And the movie itself tells you all you need to know about eros.

The insight. Ex Machina is ostensibly about Turing's Test, the thesis that a machine might be so human as to fool a human being. Does Ava pass this test? Depends on how you perceive the test. Ex Machina actually implies a more relevant Test: could a machine seem so human as to make the human being inteacting with it come to believe that he himself is a machine?

And the insight? It might be that the solution to the AI/human interface may not involve the humanising of robots, but the robotisation of humans.

Only 8/10 because it is not clear that this insight was actually part of the plot. But whether you find eros or AI in this movie, you will have a rewarding journey.