Death Defying Acts

What had drawn me to watch Death Defying Acts, is that it's a story with Harry Houdini, arguably the greatest illusionist and escape artist of our time. A few days ago I was browsing through a book which revealed the secrets behind his brand of death defying acts, and really he's a man of science, engineering and most of all, a performer to bring to life the act of fooling an audience into believing his stunts. Sure there's an element of danger, but with proper risk assessment and safeguards, they strip away all the mystique that serves to confound.

But contrary to the title, there's nothing really death defying about the movie, as it treaded on safe ground and doesn't dwell any more on the illusions that it has to. In fact, you can count the number of stunts which involve Harry Houdini, and the filmmakers left that for another biographical movie that someone else should pick up on. What we have instead are glimpses into the man's personal life, and Guy Pearce provided quite an intense and charismatic Houdini with personal demons of his own to do battle with, though the story seemed to rein him in from dwelling too much on that aspect, and preferred to have a more romantic tale weaved in.

The romanticism of the movie is not with his illusions, but with a single parent who's a psychic of sorts, relying on her street smarts to get her own act going. Catherine Zeta-Jones plays Mary McGarvie, who has to rely on her wits to build credibility for her stage character. Together with daughter and sidekick Benji (played by Saoirse Ronan of Atonement fame), the mother and daughter team tries hard to make a living from their acts, but realize that they're by no means close to Houdini's widespread fame and fortune.

However, Houdini himself throws a gauntlet to all psychics far and wide, that whosoever can accurately reveal what his late mother had last said to him, will inherit US$10,000. His purpose it seems is to reveal that the majority of these soothsayers are tricksters in disguise, until of course he meets the luminous Mary, and affairs of the heart throws him off course. Naturally, Mary and Benji find themselves up against the best in the business, but when your back is against the wall, there's nothing much to lose it seems.

As mentioned earlier, this movie's more of a character study of the master magician, and explores things like his guilt because of dedication to his craft and performance, as well as his questionable motives in being attracted to the fictional Mary McGarvie. Narrated by the character of Benji, we see things through a child's eyes, and perhaps therein lies the loss of some pathos in the romantic angle of it. On one hand, it isn't your classic romantic story, while on the other, it doesn't seem to want to preach the method, rationale and mindset of Houdini himself.

So what emerged is a mixed bag. Beautifully shot, but again falling on the emptiness of its effort in trying to allow the audience to feel for the characters. At least Timothy Spall, who plays Mr Sugarman, Houdini's manager, allowed for some light moments as the guarded and wary person that he is. And credit goes to keeping the ending quite right too.

This film is about a woman who works as a con artist trying to deceive Harry Houdini into believing that she has psychic powers.

"Death Defying Acts" sounds like an action movie, but the poster looks more like a romantic film. In fact it is neither. It is a slowly unfolding drama about how Mary attempts to con Harry, and how harry falls for her.

As Houdini is the greatest escape artist of all times, a film about him should have been exciting, thrilling and even death defying. However, this film has none of these attributes. The plot is slow, plain and not exciting at all. There is not much tension or drama to captivate me. I do not care about the characters, and whatever relationship they have between them. There is little chemistry between Guy Pearce and Catherine Zeta-Jones. Frankly, I think they are both miscast. Fortunately, Saoirse Ronan is delightful as the psychic sidekick. She is the one who save the film.

"Death Defying Acts" turns out to be a bore. I am quite disappointed by it.

Gillian Armstrong makes fine movies: she is a director who knows how to tell stories and enhance what appears on the surface to be reality with a healthy dose of fantasy. Her sense of pacing and image creation adds substance to her tales that sometimes border on bizarre.

DEATH DEFYING ACTS uses the character of Harry Houdini as the stimulus of to tell a story about the folk of Edinburgh, Scotland at a time when stage shows were embraced much the way America was using vaudeville - an escape from the rather dreary state of living to a world of entertainment and love of magic. Mary McGarvie (Catherine Zeta-Jones) and her daughter Benji (Saoirse Ronan) survive in Edinburgh by picking pockets not merely for cash but for information to use in their act in the little theaters. Mary does exotic dances then uses her 'gifts' to see into the 'other world' of people in the audience ( Benji does the investigative work and is the prompter for the séance like acts Mary performs). Their idol is Harry Houdini (Guy Pearce) and when they learn Houdini is coming to Edinburgh to 'perform', they discover Houdini is promising $10,000 to anyone who can prove they have the ability to look into the future (or past). Houdini's manager Sugarman (Timothy Spall) arranges Houdini's water tank escape acts and other acts of 'magic', and when Mary and Benji arrange to meet Houdini, Sugarman is aware they are charlatans. How Mary and Benji work their way into Houdini's belief system and love life with their con game forms the meat of the sparing.

The atmosphere of the film is well captured by cinematographer Haris Zambarloukos who understands who to balance the mire of the streets of 1926 Edinburgh with the gorgeous fantasies used during Houdini's escape acts. The musical score by Cezary Skubiszewski is a terrific mixture of Scottish tunes and instruments with solid melodramatic mood music. Pearce, Zeta-Jones, Spall and Ronan turn in excellent performances. This is an unjustly overlooked film that, while not being a masterpiece, serves up a fine story well told. Grady Harp

Another magician movie? But The Illusionist and The Prestige were great movies, so why not? Catherine Zeta Jones plays a foxy, yet poor, mother, scamming away through life pretending to be a psychic. When Guy Pearce's Houdini comes into town to prove or disprove the existence of the paranormal, they come into contact.

It is both a sad and a hopeful movie. A little too "psychic" for me and too little about the true nature of Harry Houdini except his fascination for his dead mother. The script itself does not lend itself to praise, but the atmosphere and realisation are top notch.

Bottom line: watch it when you are in a mood for a rom-drama, but you don't care much about the subject.

It sounds like a great idea for a film: a Scottish con-woman, with the manners and mannerisms of a Morningnside lady but a heart of cold steel inside, attempts to con the great Harry Houdini. And Catherine Zeta Jones, in the lead female role, does a surprisingly great job in spite of being Welsh. Unfortunately, Guy Pierce manages to make one of the most intriguing figures of his team seem boring with his shallow performance, Timothy Spall (playing Houdini's manager) seems surprisingly ill-at-ease in a role you might have thought he was made for (and struggles throughout with his accent), while role of the con-woman's daughter is written as wholesome where a little malevolence might have spiced up the plot. In fact, this character provides a narration that seems wholly unnecessary., except to cover up the paucity of actual happenings and pad out the film. The story has notes of whimsy (the con artist, in spite of being a successful public entertainer, lives in a bizarrely Arcadian graveyard), but is never quite fanciful enough to work as fantasy; as a realist story, it's duller than it's premise suggests.