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5.5/10
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Tras sobrevivir a una violación en grupo y a un atraco, una empresaria y su novio más joven planean asesinar a sus agresores, pero se encuentran en conflicto a la hora de llevar a cabo sus p... Leer todoTras sobrevivir a una violación en grupo y a un atraco, una empresaria y su novio más joven planean asesinar a sus agresores, pero se encuentran en conflicto a la hora de llevar a cabo sus planes.Tras sobrevivir a una violación en grupo y a un atraco, una empresaria y su novio más joven planean asesinar a sus agresores, pero se encuentran en conflicto a la hora de llevar a cabo sus planes.
- Dirección
- Guionista
- Elenco
Antony Byrne
- Misha
- (as Anthony Byrne)
Kate Bunten
- Young Alice
- (sin créditos)
Allan Gentleman
- Accountant
- (sin créditos)
Chris Hipkiss
- Wealthy Partygoer
- (sin créditos)
Michelle Jeffers
- Cocktail Party Guest
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I thought this movie started out kind of slow because it was just random sex and nudity and then a brutal attack and nothing happened for like 30 minutes. But then it started to get better about 50 minutes into the movie because things start to happen that are relatively entertaining, but some of the scenes are really unnecessary at times. Altogether I give this a 6 out of 10 because it started slow but got a little better and it had a solid ending too. I wouldn't recommend it, but if u want to see a thriller and your bored, then go ahead and give it a chance because Gillian Anderson pulls off a pretty good performance as a victim out for revenge.
A wealthy businesswoman (Gillian Anderson) and her newly acquired working class lover (Danny Dyer) are viciously attacked while on a drive the woods. Afterwards, the only thing the woman can think of is revenge, and she calculates a plan to fulfill that. This is an intriguing modern-day "rape/revenge" thriller that focuses more on psychology and gender (as well as other social constructs) instead of the violence and action sequences that typically go hand-in-hand with the subgenre. That said, rape/revenge fans most likely won't be disappointed with this one, as it's fairly brutal and shocking. It's a little short, clocking in just over 70 minutes, so by the end I thought to myself, "is that all there is?" Yet the film did have something of an impact on me, because I found myself thinking about it all the next day and recommending it to friends. Gillian Anderson is excellent and does things you would never in a million years think you'd see Gillian Anderson do on-screen. I'll leave it at that. Danny Dyer also gives a fantastic dramatic performance. I'm not sure why he gets such a bad rap in the UK. He isn't quite famous in the States yet, but he's great in the few films I've seen him in. Thumbs up on this thought-provoking thriller, though I can't help feeling there's a chunk of the film missing.
I love these types of film. Where a man or woman gets horrifically abused and goes on a bloody warpath of revenge! I know the plot is usually thin, but it's often exciting and engrossing enough to carry a film. Just the anticipation of seeing the evil b******s get exactly what they deserve. It's often a feeling of satisfaction. But, it certainly isn't the case with "Straightheads". A film the lottery decided to fund for some bizarre reason! I mean I've written a film and I think it's way better than some of the things I've seen, but do I get any lottery funding? NO!
Rape, revenge is usually quite difficult to get wrong. Even if it does go a bit belly-up it's usually fun and entertaining at least. Actually, the majority of "Straightheads" is quite dull, slow and tedious which is unexpected for its surprisingly short running time of 75 minutes or so. That's about the length of "Inside" and "REC" just think about how much incredible excitement is experienced in those minutes! "Straightheads" sort of failed immediately by being not in the least bit plausible. Would you really ask your slacker camera fitter to go to a party with you? And why would the camera fitter not even question the idea? It starts off weirdly to say the least. When the nasty abuse occurs it's shot in the least effective way with too many clumsy close-ups and basically zero lighting to see what's going on! It also feels quite nasty for the sake of it and doesn't have anywhere near of the directional flair that say, "The Ordeal" expressed during a similar scene.
After this event, you might think that the characters would become a little more likable? They don't, in fact they become even less likable and don't get developed any further either. Am I supposed to like a man who's stoned out of his mind on the sofa, playing weird chav music with porn on his telly? It also doesn't help that Danny Dyer and Gillian Anderson's acting are more wooden than the forest. I felt zero chemistry between the two characters as well, the whole relationship thing was completely unbelievable. Though it wasn't as unbelievable as the pathetic reason given to why the rape occurred!
The film also seems as if it tries to divert from any possible exciting acting that could've actually been quite fun! There's a promising bit where Danny's hiding in the house and one of the men gets a glance at him on the top of the stairs, but nothing really that exciting comes from it! Similarly, there's a part where a daughter runs out the house shouting for her dog which is swiftly avoided with yet another embarrassing sex scene between Danny and Gillian, but don't worry the camera's so clumsy that you can't see a thing!
When the revenge finally does occur (after about an hour of no-suspense building up to it) it's so quick that it feels even more pointless. I don't know if that's what the director's trying to say, that revenge is pointless, but he did it in such a way that it made his whole film pointless! Has he not seen "7 Days" or "I Saw The Devil" which tries to convey the same message in such a gripping and emotional way? (well obviously not because this came out before those two but..) It's also done in a nasty way that just seems like it's trying to shock for the sake of it. It's cringe-worthy and not in a fun "Saw" way, but in a perverted and "why am I watching this?" way!
"Straightheads" does show effective use of direction in the very last minutes but by then it's far too late to care. "Straightheads" is a dull, nasty, implausible, badly written and atrociously directed thriller that thinks it's being way more effective than it is. If you're looking for rip-roaring, emotionally-charged revenge then I would suggest "Kill Bill", "Oldboy", "I Saw The Devil" and other Korean films. Even the remake of "I Spit On Your Grave" is much more intelligent and effective than this. I'd recommend giving this one a miss.
Rape, revenge is usually quite difficult to get wrong. Even if it does go a bit belly-up it's usually fun and entertaining at least. Actually, the majority of "Straightheads" is quite dull, slow and tedious which is unexpected for its surprisingly short running time of 75 minutes or so. That's about the length of "Inside" and "REC" just think about how much incredible excitement is experienced in those minutes! "Straightheads" sort of failed immediately by being not in the least bit plausible. Would you really ask your slacker camera fitter to go to a party with you? And why would the camera fitter not even question the idea? It starts off weirdly to say the least. When the nasty abuse occurs it's shot in the least effective way with too many clumsy close-ups and basically zero lighting to see what's going on! It also feels quite nasty for the sake of it and doesn't have anywhere near of the directional flair that say, "The Ordeal" expressed during a similar scene.
After this event, you might think that the characters would become a little more likable? They don't, in fact they become even less likable and don't get developed any further either. Am I supposed to like a man who's stoned out of his mind on the sofa, playing weird chav music with porn on his telly? It also doesn't help that Danny Dyer and Gillian Anderson's acting are more wooden than the forest. I felt zero chemistry between the two characters as well, the whole relationship thing was completely unbelievable. Though it wasn't as unbelievable as the pathetic reason given to why the rape occurred!
The film also seems as if it tries to divert from any possible exciting acting that could've actually been quite fun! There's a promising bit where Danny's hiding in the house and one of the men gets a glance at him on the top of the stairs, but nothing really that exciting comes from it! Similarly, there's a part where a daughter runs out the house shouting for her dog which is swiftly avoided with yet another embarrassing sex scene between Danny and Gillian, but don't worry the camera's so clumsy that you can't see a thing!
When the revenge finally does occur (after about an hour of no-suspense building up to it) it's so quick that it feels even more pointless. I don't know if that's what the director's trying to say, that revenge is pointless, but he did it in such a way that it made his whole film pointless! Has he not seen "7 Days" or "I Saw The Devil" which tries to convey the same message in such a gripping and emotional way? (well obviously not because this came out before those two but..) It's also done in a nasty way that just seems like it's trying to shock for the sake of it. It's cringe-worthy and not in a fun "Saw" way, but in a perverted and "why am I watching this?" way!
"Straightheads" does show effective use of direction in the very last minutes but by then it's far too late to care. "Straightheads" is a dull, nasty, implausible, badly written and atrociously directed thriller that thinks it's being way more effective than it is. If you're looking for rip-roaring, emotionally-charged revenge then I would suggest "Kill Bill", "Oldboy", "I Saw The Devil" and other Korean films. Even the remake of "I Spit On Your Grave" is much more intelligent and effective than this. I'd recommend giving this one a miss.
Straightheads wants to be a modern version of Straw Dogs but just ends up being low wattage, low grade muddled revenge tale.
Alice (Gillian Anderson) is a high powered businesswoman who enters into a relationship with young Adam (Danny Dyer) who only came round to install a security system in her flat.
Alice probably wants a bit of rough and asks Adam to attend a party in the countryside. On their way home, Adam is attacked by three men, Alice is raped.
A month later, still traumatised after the attack, Alice wants revenge and track the men down.
Even with its short running time, this is a slow tedious film and badly shot. I never bought the relationship between the two people. We initially see Adam spying on her in his monitor as Alice comes home from work. After the attack he feels impotent, smokes dope and watches porn.
Alice (Gillian Anderson) is a high powered businesswoman who enters into a relationship with young Adam (Danny Dyer) who only came round to install a security system in her flat.
Alice probably wants a bit of rough and asks Adam to attend a party in the countryside. On their way home, Adam is attacked by three men, Alice is raped.
A month later, still traumatised after the attack, Alice wants revenge and track the men down.
Even with its short running time, this is a slow tedious film and badly shot. I never bought the relationship between the two people. We initially see Adam spying on her in his monitor as Alice comes home from work. After the attack he feels impotent, smokes dope and watches porn.
Quite a short feature film, although you do not actually notice this when watching. Great to see Gillian Anderson on screen again, and to be honest i would not have predicted this role for her however she was well cast.
Personally i quite enjoyed the slightly comedic satire that ran through some of the scenes, and i think Danny Dyer helped with this. It is hard to tell if the film would have maybe been stronger with a different leading male, but then Dyer plays the 'male struggling with his emasculation.
Definitely lacking depth, i left wishing i had known exactly what happens with Anderson's character and her father, along with simply wishing i knew Dyer's character better.
Some uncomfortable scenes which i felt were not always necessary, although they do help to give the film an edginess that i liked. Basically it was brutally real and honest, very un-Hollywood. I would maybe say rent instead of watching at the cinema.
Personally i quite enjoyed the slightly comedic satire that ran through some of the scenes, and i think Danny Dyer helped with this. It is hard to tell if the film would have maybe been stronger with a different leading male, but then Dyer plays the 'male struggling with his emasculation.
Definitely lacking depth, i left wishing i had known exactly what happens with Anderson's character and her father, along with simply wishing i knew Dyer's character better.
Some uncomfortable scenes which i felt were not always necessary, although they do help to give the film an edginess that i liked. Basically it was brutally real and honest, very un-Hollywood. I would maybe say rent instead of watching at the cinema.
¿Sabías que…?
- TriviaThe film became notorious for Gillian Anderson's frequently nude scenes.
- ErroresWhen the main characters are driving through the woods after the sex scene, they hit a deer which completely smashes the windscreen. Immediately afterward, there is an attack scene, where she is dragged from the car after the windscreen is entirely smashed through. In a shot of the car, the number plate is hanging off, blood is on the windows and the windscreen is shattered. In the next scene, Danny Dyer is seen turning the alarm in the car off with the number plate attached, no blood or dents on the car and a completely intact windscreen which is almost shinier than before.
- Créditos curiososThis film is dedicated to the memory of TOM GRAFTON 1973-2001
- Bandas sonorasImperial
by Lazyboy
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Closure
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 1,800,000 (estimado)
- Total a nivel mundial
- USD 381,203
- Tiempo de ejecución1 hora 20 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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