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The Wire
T1.E5
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The Pager

  • El episodio se transmitió el 30 jun 2002
  • TV-MA
  • 1h
CALIFICACIÓN DE IMDb
8.2/10
6.8 k
TU CALIFICACIÓN
Michael Kenneth Williams in The Wire (2002)
CrimenDramaThriller

Agrega una trama en tu idiomaMcNulty's detail finally gets 'clone' pagers to track Barksdale and his gang, but nobody can crack the codes used by the callers.McNulty's detail finally gets 'clone' pagers to track Barksdale and his gang, but nobody can crack the codes used by the callers.McNulty's detail finally gets 'clone' pagers to track Barksdale and his gang, but nobody can crack the codes used by the callers.

  • Dirección
    • Clark Johnson
  • Escritura
    • Ed Burns
    • David Simon
  • Estrellas
    • Dominic West
    • John Doman
    • Idris Elba
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.2/10
    6.8 k
    TU CALIFICACIÓN
    • Dirección
      • Clark Johnson
    • Escritura
      • Ed Burns
      • David Simon
    • Estrellas
      • Dominic West
      • John Doman
      • Idris Elba
    • 6Opiniones de los usuarios
    • 7Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos12

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    Elenco principal38

    Editar
    Dominic West
    Dominic West
    • Detective James 'Jimmy' McNulty
    John Doman
    John Doman
    • Major William A. Rawls
    • (solo créditos)
    Idris Elba
    Idris Elba
    • Russell 'Stringer' Bell
    Frankie Faison
    Frankie Faison
    • Deputy Commissioner for Operations Ervin H. Burrell
    • (as Frankie R. Faison)
    • (solo créditos)
    Lawrence Gilliard Jr.
    Lawrence Gilliard Jr.
    • D'Angelo Barksdale
    • (as Larry Gilliard Jr.)
    Wood Harris
    Wood Harris
    • Avon Barksdale
    Deirdre Lovejoy
    Deirdre Lovejoy
    • A.S.A. Rhonda Pearlman
    Wendell Pierce
    Wendell Pierce
    • Detective William 'Bunk' Moreland
    Lance Reddick
    Lance Reddick
    • Lieutenant Cedric Daniels
    Andre Royo
    Andre Royo
    • Reginald 'Bubbles' Cousins
    Sonja Sohn
    Sonja Sohn
    • Detective Shakima 'Kima' Greggs
    Peter Gerety
    Peter Gerety
    • Judge Daniel Phelan
    Seth Gilliam
    Seth Gilliam
    • Detective Ellis Carver
    Domenick Lombardozzi
    Domenick Lombardozzi
    • Detective Thomas 'Herc' Hauk
    Clarke Peters
    Clarke Peters
    • Detective Lester Freamon
    Jim True-Frost
    Jim True-Frost
    • Detective Roland 'Prez' Pryzbylewski
    Hassan Johnson
    Hassan Johnson
    • Roland 'Wee-Bey' Brice
    J.D. Williams
    J.D. Williams
    • Preston 'Bodie' Broadus
    • (as JD Williams)
    • Dirección
      • Clark Johnson
    • Escritura
      • Ed Burns
      • David Simon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios6

    8.26.7K
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    Opiniones destacadas

    10snoozejonc

    A man like that, not me, but a man like that..

    Avon gets more cautious and aware he might be under surveillance and Omar shares information about a common enemy.

    This is an excellent episode with clever plotting and great character work.

    There are some key moments in this episode that greatly impact the main narrative of the season. They come with a strong level of irony given the failures by the police detail to fully observe events as they are transpiring. This is tied into some of the main themes of the episode about the need to be careful, organised and alert to the dangers of 'the game'. All the scenes involving Avon, Omar, and the police wiretap of D'Angelo's pager tie in well to this.

    D'Angelo's character further develops in his attitude towards the business and the mentality of people in his life. Two scenes that contrast well are one set in a nice restaurant and the other in Orlando's.

    Herc, Carver and Bodie interact in scenes that both shock and entertain. There is a certain level of amusement in thinking that if they were all on the same team they would be good pals. Also pretty humorous is McNulty in a few scenes concerning his personal life, particularly the way he describes his ex-wife after an irate conversation.

    As ever the production values are superb with great cinematography and editing. The final sequence involving the wiretap technology capturing certain calls taking place is very effective considering you know something terrible and unseen is happening.

    All performances are great as ever with Michael K Williams, Wood Harris, J D Williams, Seth Gilliam, Domenic Lombardozzi, Dominic West, and Lawrence Gilliard Jr with particularly good screen time.

    For me it's a 9.5/10 but I round upwards.
    10MaxBorg89

    Paranoia and retribution

    Things get moving as the first season of The Wire gets to the practical part of the drug-fighting business, not to mention some violent reactions on the dope kingpins' part. It's slow-burning as usual, but it's never dull.

    The main issue at the center of the episode is Avon's growing paranoia, which leads to Stringer telling D'Angelo to cut payments for the week in order to spot possible snitches. Also, the search for Omar and his boy continues without mercy. Meanwhile, Judge Phelan gives Daniels' detail the green light for the cloned beeper operation, and McNulty and Greggs have a meeting with Omar to discuss their common problem: Barksdale. Caught in the middle is the detail's regular informant, Bubbles, who has to deal with the hospitalization of his partner Johnny.

    In keeping with the tradition of previous episodes, it's the little moments that matter. In this case, standout bits include every scene with Omar, the operation being put in action, Prez's brief moment in the spotlight and the tragic epilogue, which sets the tone for some characters' development over the course of the next eight episodes. Most revealing, though, is a scene where McNulty talks about his ex-wife with Greggs and says "a lesser man would just call her a c*nt". It's a rough, uncompromising line, just like the series. No sanitized drama here: this show looks, sounds and feels real.

    Intereses relacionados

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Los Soprano (1999)
    Crimen
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Luz de luna (2016)
    Drama
    Cho Yeo-jeong in Parásitos (2019)
    Thriller

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The conversation Bodie and Poot have about HIV/AIDS transmission is taken almost verbatim from the non-fiction book "The Corner: A Year in the Life of an Inner-City Neighborhood."
    • Errores
      When Omar corners the dealers in an alley, the sound effect is heard of a pump shotgun being racked, but no one is carrying a pump shotgun.
    • Citas

      D'Angelo Barksdale: Yeah but, Stringer, if you don't pay a nigga, he ain't gonna work for you.

      Russell 'Stringer' Bell: What, you think a nigga's gonna get a job? You think... you think it's gonna be like, "Fuck it, let me quit this game here and go to college"? No, they're gonna buck a little, but they ain't gonna walk. And in the end, you gonna get respect.

    • Conexiones
      References Los locos Addams (1964)
    • Bandas sonoras
      Oh My God
      (uncredited)

      Written by Michael Franti and Ramon Lazo

      Performed by Michael Franti and Spearhead

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de junio de 2002 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official site
    • Idioma
      • Inglés
    • Productoras
      • Blown Deadline Productions
      • Home Box Office (HBO)
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h(60 min)
    • Color
      • Color
    • Relación de aspecto
      • 4:3

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