Yo los declaro marido y... Larry

Chuck and Larry are buddies and fellow fire-fighters in New York. They are very close and would do anything for one another so, when a problem with Larry's pension arrangements comes up that can be solved by entering into a civil partnership, Chuck agrees to pose as his "husband" in order to solve the admin problem. Sadly a high profile fraud case in another state means that the "couple" are under scrutiny from obsessive investigator Clint Fritzer and must play their roles to the full. Hilarity naturally ensues but can everyone also learn a lesson as well?

It dismays me to hear people praising this film for its "sensitive handling" of the subject of homosexuality and the way it challenges bigoted thinking on the subject – such thoughts can be found in the comments section on this site and they dismay me because sadly to some viewers this film may be the nearest thing to "discussion" on homosexuality that they have had. In this way maybe one could make a case for this film being an effective but blunt tool for the mostly teenage male fan-base of Adam Sandler to be "reached" and "educated" by giving them what they want in terms of crude humour and broad stereotypes but then also leaving them with a message that will teach them the error of their ways. It would certainly be nice to say that but one cannot help feel that this is not the reality and that, rather than using the crude stereotypes as a vehicle to deliver a message to a traditionally homophobic fan-base, the film is actually using the message to facilitate lots of homosexual stereotypes, jokes and clichés.

This is what the film does throughout – it wants to have its cake and then also get to eat it. So, spoiler alert, it turns out that homosexuals are people too. Apparently (according to the film) it is NOT OK to treat them differently and exclude them from things and anyone who does, well, y'know what, ell, turns out those that are do are the real jerks. That is about as sophisticated as the message gets but that is perhaps to be expected and for the target audience maybe that is challenging enough. Unfortunately for the wider audience or casual viewer it will come off as little more than patronising and not make up for the fact that the majority of the film flies in the face of this. What the rest of the film does is draw laughs from the fact that two straight characters have to "be gay" – which of course means all the stereotypical stuff that we all know. So nobody wants to pick up the soap in the shower (because all a gay man needs to be aroused is the sight of someone's ass), disco music is played, finger-snapping is everywhere and so on. Fortunately it is sporadically amusing and provided me with a few chuckles whether I wanted to give them up or not. It is not THAT funny though and the casual viewer will mostly just let the brash, obvious humour wash over them without it doing much.

The cast buy into it well though and do their best to sell it. Sandler is his usual rather annoying self and does his best to prove he cannot act by being the usual "irresistible to women" thing rather than the "creepy man-child" that he would be were his character real. James comes off a lot better I'm not really seen him before although he probably does fit TV better than films but he does have a good comic presence and also does OK with coming over more of a regular guy. Loved Ving Rhames in it – sending up his tough guy image while Buscemi, Aykroyd and a few others are amusing in support. Biel has an amazing body and that is pretty much what she is asked to do – be in underwear and look stunning, both of which she effortlessly does but nothing else comes forward.

This film is not the awful piece of comedy that some critics have said but it is a simple, stereotypical comedy about homosexual clichés that tries to justify it by having a very basic message that most people should have already learnt in the 1990's. While some may praise the film for having this message I find it more concerning that people still see this message as somehow "worthy" rather than "d'uh – of course". Some laughs help it through and Sandler's fans will enjoy it despite the "message" but for the casual viewer it is just another clumsy and crude Adam Sandler film.

This is a film where Adam Sandler literally tries too hard to act manly and cool. This is a very stereotypical movie with a lot of gay jokes thrown in, and has some sexist images of women. Charles "Chuck" Levine (Sandler) and Lawrence "Larry" Valentine (James) are veteran FDNY fire fighters. And during there routine Chuck almost gets killed and Larry saves his life. Soon Larry realizes he has difficulties naming his children as primary beneficiaries in his life insurance due to the death of his wife. So in order to get his benefit he needs to get married. Larry asks Chuck to enter a pretend marriage with him after Larry read a article about domestic partnerships. Chuck declines at first, but is reminded of his debt to Larry so he agrees. The main highlight of this film is when Alex McDonough(Jessica Biel) is thrown into the mix, who play Chuck and Larry's lawyer. I however disliked Adam Sandler in this movie, he just tries way too hard to prove he isn't gay in this film to point it gets a bit annoying and he is like banging every girl that crosses his path in this one, yeah firemen get girls but c'mon. At times it had it's moments and had some funny jokes but it really drags and don't know how to quit. I think it would have been awesome if Chuck and Larry eventually found out they are gay for each other cause Chuck is a sleazy gay character, but I doubt Adam Sandler would do it since he has such a high image of himself which I realized after I finished watching this movie. Basically the film is about Adam Sandler trying really hard to look manly, while there is a bunch of stereotypical gay jokes thrown in. Jessica Biel was really hot and attractive in this and is the main highlight of this film and finds herself in many situations in her underwear. Which is the main point, but her assets is a nice touch, so I can't complain.

5.5/10

WARNING: I don't know how this film eventually received the PG-13 rating, as there is quite a bit of sexual humor, adult language and male nudity. While for an adult audience this is okay, don't mistakenly think this is a kids movie.

I NOW PRONOUNCE YOU CHUCK & LARRY is a decent time-passer but not a whole lot more. I think most of the problem is that the film makers could have either played the film straight (so to speak) and tried to make it profound or they could have simply played it for laughs. BUT, trying to do both at the same time (like this movie did) tended to lessen the social commentary as well as take away from what could have been a much funnier film. In other words, playing this middle ground, in hindsight, probably wasn't the best idea. As a result, when the film tried to be serious and make gay-positive assertions, it came off as forced and half-hearted.

Considering that the film came out two years ago by the time I wrote this review and by now there are a bazillion reviews already, I won't summarize the film's plot. Instead, let's focus on what I liked. Sandler and James were both very good in the leads--I have no complaints there other than they tried way too hard to make Sandler some sort of stud. If he were NOT a movie star, there is no way he'd be able to get the girls he got in the film (especially pretty and very young Jessica Biel). Some of the supporting actors were very good. I liked Ving Rhames, Dan Aykroyd, the amazing dancing kid and that crazy dancing hobo. However, a few of the supporting actors sucked. Steve Buscemi's character was a caricature with no depth whatsoever as were all the non-gay positive characters--they were one-dimensional and were more like stereotypes than people. Also, how in the heck did Rob Schneider get away with such an awful and offensive performance?! Having him play a Japanese man (badly) hearkens to the days of Sidney Toler and Warner Oland (both Westerners) playing 'Charlie Chan'. I thought those days of having non-Asians play Asians (very broadly) were over--one of the positive aspects of political correctness. Now it is a little-known fact that Schneider's mother is a Filipino, but he still doesn't look the least bit Japanese and his character was MORE over the top than Peter Lorre's 'Mr. Moto'--and was a lot like Brando's impersonation of a Japanese man in TEAHOUSE OF THE AUGUST MOON or Mickey Rooney's in BREAKFAST AT TIFFANY'S (ugghh!!). With Schneider's Moe Howard-like wig, thick classes and buck teeth, he simply is a walking stereotype.

Overall, it's a decent time-passer you can watch if you have Showtime. Otherwise, it's very easy to just skip this one.

LOL Rob Schneider playing a stereotypical asian, everyone using the f-word for gay -- this is one offensive movie -- but damn, if it isn't refreshing seeing something as obscene as this these days.

Everything is so stuck up and cringey and bad but taking itself seriously these days... that a movie like this, that's nothing too special but an average early 2000s comedy felt fresh AF.

It's pretty funny, has some good friendship moments, wholesome moments, offensive moments... I don't know, I kinda liked it. Like I said, it's a breath of fresh air now, eventhough in its day it was probably nothing too shocking.

I sympathize with gay dudes, because I can imagine how difficult it must be to admit you are one in a world where men are expected to adhere to standards that society pretends aren't there anymore but they are. So this movie also raises some good questions for the viewers. It's actually anything but dumb and offensive, it's pretty thought provoking.

OK it is full of stereotypes, yes the movie does old jokes, it is fairly predictable and we have seen it before. The crucial question is this – is it funny? The simple answer is yes. My wife wasn't enthused about this one, but she laughed heartily. For a comedy to be any good you need to laugh out loud at least 6 times. I think I laughed about 10-12 times. Some of the scenes were set up really well and the comedy acting was superb.

OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe – then this one isn't for you. Its as simple as that!