Un viudo que se dio cuenta de que la única conexión con su familia era a través de su esposa, emprende un viaje por carretera improvisado para reunirse con cada uno de sus hijos ya mayores.Un viudo que se dio cuenta de que la única conexión con su familia era a través de su esposa, emprende un viaje por carretera improvisado para reunirse con cada uno de sus hijos ya mayores.Un viudo que se dio cuenta de que la única conexión con su familia era a través de su esposa, emprende un viaje por carretera improvisado para reunirse con cada uno de sus hijos ya mayores.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 6 nominaciones en total
- Jilly
- (as Katherine Moennig)
- Young Amy
- (as Lily Sheen)
- Butcher
- (as Kene Holliday)
- Wine Man
- (as EJ Carroll)
Opiniones destacadas
Sure, there are some similarities to Nicholson's wonderful turn in About Schmidt, but contrary to the trailers, this one is no light-hearted holiday fluff. There are deep emotions and more real-life family baggage than most will care to admit (translated, there were quite a few sniffles in the theatre).
Deniro's kids are scattered about leading their own lives after a childhood of pressure, demands and expectations. The differences in how each have handled it is very interesting. Drew Barrymore wants very much to be the daddy's girl, while Kate Beckinsale is the corporate type-A who just can't manage her family. The always excellent Sam Rockwell is the music prodigy enjoying his stress-free live as a symphonic percussionist (instead of a conductor). The youngest is a troubling story line that ends up tying everything together for the Deniro character, as well as the family.
Aside from the mostly atrocious music, this one is an emotional tug-fest that will stimulate a bit of self-analysis from all parents.
*** (out of 4)
Robert DeNiro plays a widower who grows tired of his four children making excuses for not coming to see him so he disregards his doctor's orders and takes a trip to visit all four. Along the way he starts to think about their childhood and where their lives are at now. I remember when THIS BOYS LIFE was released it featured a trailer that would make you think you were walking into one of the greatest family films ever made even though the actual film was a dark one about child abuse. I mention that because this film is pretty much the same effect as the poster, TV ads and trailer makes you think that you're in for a good time but the film is actually an incredibly depressing affair but it finally gives star DeNiro a true character and he does great work with it. Now, I'm not one of those who thinks DeNiro has wasted one performance after another for the past twenty years. I think he's given several very good performances even though many of the characters weren't the strongest items for an actor of his range. The performance here is downright terrific and truly deserves to be called that "old DeNiro" style. DeNiro doesn't need words to show what his character is feeling and he perfectly brings to life this rather sad character who is smart enough to know there's a lot more going on with his children then they're willing to tell him. I found DeNiro to be perfect and one would hope he'd get some Oscar consideration but that probably won't happen considering how the film did at the box office (but I would ask why that should matter). DeNiro gets to interact with various characters and the amount of life he brings this character will make one remember the type of work he was turning in on a consistent basis years ago. I won't ruin DeNiro's big scene towards the end but it's certainly very overwhelming. The supporting cast has Drew Barrymore, Kate Beckinsale and Sam Rockwell playing the children and they all give fine performances and mix with DeNiro very well. I do wish the actual film would have been a bit stronger because it's extremely depressing but at times I felt the film was holding back. I really can't explain what but it just never really felt like a full movie and at times there were some plot details that were a tad bit over dramatic and other times that the film pushes too hard to get its point across. While the film does have its share of problems, the real reason for anyone to watch this is for the return of DeNiro and that alone makes this worth seeing. Again, not the happiest film out there but at least we get to see DeNiro playing his best character in quite a while.
The story revolves around a father(De Niro), who's wife has passed away, and his desire to reunite his four children for the holidays.Now, when he's alone, preparing the house for the upcoming holidays, all of his children cancel the holiday meeting with no explanation.The lonely man sets on a journey around the States to find his children and learn the truth as well as to reunite the family again.The truths, he finds, are more painful, than he could ever imagine.
The story is obvious at the beginning-but then the viewer begins to discover painful truths, the now-grown-kids are keeping away from their loving father.There are some very inventing and innovating twists, that are merely unpredictable.The story is told beautifully, with some poetry in it, which improves on Robert De Niro's brilliant acting.I would say, he deserves a higher praise, for what he has done, because i personally think, that Jeff Bridges wasn't better than him, with all my respect, of course.De Niro's outstanding performance carries the movie until the end.
As for the other cast, i wasn't that impressed.Kate Beckinsale and Drew Barrymore were at the same level of quality, but that just wasn't enough.Sam Rockwell was mediocre, definitely not good enough.I know they were supposed to be cold, but even coldness can be portrayed better than that.
The director did his best, which wasn't that much, considering the cast and script he had to work with.Every director should be able to pull it off, when he works with an amazing actors (again, mostly De Niro in that case), and a solid script.But as a whole, he did a good job.
I felt, that the tragedy was a little to much in the end, but things couldn't have been better revealed than this.It was depressing, but necessary to say the least.And again, i'm looking at De Niro with new eyes now, he touched me so deep.
The pain is deep sometimes.But you have to fight with it to keep your family united, and together, no matter the distance.The distance in your heart is, what really matters.And in the end Everybody's Fine.
My rate: 8.5/10
That said, this is a beautiful, heart-felt, and sometimes painful story of a father recognizing and coming to grips with the reality of his parenting and his lack of control over his children's lives. It is about truth and how we try to spare others pain or discomfort. It is about how many parents still see their grown up children as small children who we are responsible for.
While the supporting cast turn in good performances, this is Robert DeNiro's movie. It is his best performance since Awakenings (he deserved that Oscar, and not just the nomination).
I suspect that this film will get a lot of nominations, but don't think it will win many awards. I base that on the idea that they younger voters have not yet been in the shoes of the older ones and will not be fully able to appreciate the character or his growth and understanding.
¿Sabías que…?
- TriviaBradley Cooper put himself on tape to audition for a role as Robert De Niro's son, with his own mother playing DeNiro's part. He lost out to Sam Rockwell.
- ErroresWhen Frank takes the train from Chicago to Denver he passes some beautiful scenery, including various desert mesas as well as Glenwood Canyon, both things one would see when approaching Denver via Amtrak from the west, not the east.
- Citas
Young Man in Diner #1: I'm 94. I keep away from the doctors.
Frank Goode: Boy.
Young Man in Diner #1: I have three children, six grandchildren. They're busy. They're too busy to talk to me. I gotta make an appointment. They got lost some place. They don't need anybody. People changed, life is changed. Today, you shake hands with somebody, you gotta count your fingers to make sure you got five fingers back.
- Créditos curiososThe photographs Frank took during his journey are shown alongside the end credits.
- ConexionesFeatured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
- Bandas sonorasCatch a Falling Star
Written by Lee Pockriss, Paul Vance (as Paul J. Vance)
Performed by Perry Como
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a Unit of Sony Music Entertainment by arrangement with Sony Music Licensing
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Everybody's Fine
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 21,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 9,208,876
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,852,068
- 6 dic 2009
- Total a nivel mundial
- USD 16,443,609
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1