CALIFICACIÓN DE IMDb
6.2/10
10 k
TU CALIFICACIÓN
Un drama ambientado en la década de 1940 en el que un hombre adúltero planea la muerte de su esposa en lugar de someterla a la humillación de un divorcio.Un drama ambientado en la década de 1940 en el que un hombre adúltero planea la muerte de su esposa en lugar de someterla a la humillación de un divorcio.Un drama ambientado en la década de 1940 en el que un hombre adúltero planea la muerte de su esposa en lugar de someterla a la humillación de un divorcio.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I love MARRIED LIFE!! It is a well crafted and beautifully written movie. By appearing to be a traditional noir, the film plays on the audience's expectations of the genre but then turns out to be something very different--something far more sad, funny and soulful. By having the traditional voice-over and haunting music at the outset, MARRIED LIFE subverts the viewer's expectations and draws us into a story that is utterly unique.
Characters in the film are not whom they appear to be--I like how all the leads are introduced as archetypes (e.g., the unhappily married business man, the cad, the long suffering wife, the pretty young widow) but each not only turns out to be different than expected, all four go through some sort of transition that deepens their humanity. They may be imperfect people and lacking in insight, but the audience feels empathy for their struggles. Given their array of poor choices, this is pretty amazing--their yearnings are poignant, even when their actions are deeply misguided. Humans are capable of being incredibly narcissistic and giving at the same time--the movie illustrates this with a mix of humor and pathos. The characters may be unable or unwilling to stop their most primal urges, yet we are rooting for them to find some happiness all the way to the end.
This film is wonderfully shot. Period details are rendered with loving care--whether it is the glorious costumes or the sweeping set design. Performances are top notch -- a true ensemble cast who look and sound like they are from a bygone era. A rich score magnifies the shifting moods without giving you whiplash. This is a complex movie that demands we see the world in shades of gray -- life is never simple. Especially married life!
Characters in the film are not whom they appear to be--I like how all the leads are introduced as archetypes (e.g., the unhappily married business man, the cad, the long suffering wife, the pretty young widow) but each not only turns out to be different than expected, all four go through some sort of transition that deepens their humanity. They may be imperfect people and lacking in insight, but the audience feels empathy for their struggles. Given their array of poor choices, this is pretty amazing--their yearnings are poignant, even when their actions are deeply misguided. Humans are capable of being incredibly narcissistic and giving at the same time--the movie illustrates this with a mix of humor and pathos. The characters may be unable or unwilling to stop their most primal urges, yet we are rooting for them to find some happiness all the way to the end.
This film is wonderfully shot. Period details are rendered with loving care--whether it is the glorious costumes or the sweeping set design. Performances are top notch -- a true ensemble cast who look and sound like they are from a bygone era. A rich score magnifies the shifting moods without giving you whiplash. This is a complex movie that demands we see the world in shades of gray -- life is never simple. Especially married life!
Before I saw this film, I knew two things about it: The 4 lead actors, and it took place in the early 50's. After seeing Patricia Clarkson in "Far From Heaven," I was anxious to see her play in this period again.
I have to say I was pleasantly surprised by this film. At first I didn't know what to make of it, or where it was going. It is a dark comedy. The twists and turns of the film are completely unexpected. It kept me on my toes, and the 4 lead performances were great.
Without going into the synopsis too much (you can find that anywhere) if I had to compare this film to another..... I'd say it's kind of a darker, funnier "Closer", but set in the early 50's.
What I found interesting about the film is that it was incredibly complex, well-written characters, in very complex situations, set in a very simple time.
Let's talk about Patricia Clarkson for a minute. This is an actress who should've been nominated for several Supporting Actress Oscars by now. (The Green Mile, All The Real Girls, Far From Heaven, Lars and the Real Girl.. to name a few). I hope she finally gets some recognition as the Leading Actress in this film.
Rachel McAdams: This proves her acting abilities. She is incredible in this film. She is so beautiful, subtle, and so commanding. Definitely her most mature role to date.
Of course, I expect nothing less from Oscar-winner Chris Cooper. This proves to me though that he can carry a film, and not just be a strong supporting character.
Brosnan is great too in the least "meaty" I'd say of the 4 leading roles. He is very suave, but also provides some unexpected comic relief.
Great film! Go and see this.
I have to say I was pleasantly surprised by this film. At first I didn't know what to make of it, or where it was going. It is a dark comedy. The twists and turns of the film are completely unexpected. It kept me on my toes, and the 4 lead performances were great.
Without going into the synopsis too much (you can find that anywhere) if I had to compare this film to another..... I'd say it's kind of a darker, funnier "Closer", but set in the early 50's.
What I found interesting about the film is that it was incredibly complex, well-written characters, in very complex situations, set in a very simple time.
Let's talk about Patricia Clarkson for a minute. This is an actress who should've been nominated for several Supporting Actress Oscars by now. (The Green Mile, All The Real Girls, Far From Heaven, Lars and the Real Girl.. to name a few). I hope she finally gets some recognition as the Leading Actress in this film.
Rachel McAdams: This proves her acting abilities. She is incredible in this film. She is so beautiful, subtle, and so commanding. Definitely her most mature role to date.
Of course, I expect nothing less from Oscar-winner Chris Cooper. This proves to me though that he can carry a film, and not just be a strong supporting character.
Brosnan is great too in the least "meaty" I'd say of the 4 leading roles. He is very suave, but also provides some unexpected comic relief.
Great film! Go and see this.
The DVD package says this is "a sly & smart comedy", but I have to warn you, that's not exactly what you get. To me, a sly & smart comedy would be "Dirty Rotten Scoundrels" or "Deathtrap" or even "Fargo". While this movie has the same bizarre, criminal elements and intelligent dialogue as the above, I never sensed any outright comedy.
Still, it's well done & definitely worth a watch. Rather than a comedy, I would describe it more as a "drama of errors". The subject of murder is actually handled quite seriously although its casual nature might come across as odd (hence the humour?). There are no real laughs, but the strangeness of the story might elicit a few snorts, chortles, and possibly even a harrumph. But no guffaws.
The acting is excellent, the script is good, the style & direction is smooth & suave, like the 1940s setting it depicts. Some might consider it slow, but I'd say that's a plus because it gives us time to digest the complex themes that are presented such as the incompatible definitions of 'love', the value of loyalty in marriage as well as friendship, and of course the morality of murder.
Overall I liked this film. It's just the dag blasted ending that left me feeling cheated. I won't talk about it except to say that you should watch the alternate endings included on the DVD instead. In particular, Alternate #1 is closer to the book, and it gives us the thematic closure that the theatrical version omits. Alternate ending #1 also has a great piece of acting by Pierce Brosnan which, if it were in the actual movie, would've definitely made me bump up my rating by 1 or 2 stars.
"Married Life" is definitely worth the $2 rental fee. It deviates from the book on several key elements (such as the ending) and as a result doesn't quite wrap things up convincingly. But as far as movies go, it's entertaining, engaging and showcases some great acting talents.
Still, it's well done & definitely worth a watch. Rather than a comedy, I would describe it more as a "drama of errors". The subject of murder is actually handled quite seriously although its casual nature might come across as odd (hence the humour?). There are no real laughs, but the strangeness of the story might elicit a few snorts, chortles, and possibly even a harrumph. But no guffaws.
The acting is excellent, the script is good, the style & direction is smooth & suave, like the 1940s setting it depicts. Some might consider it slow, but I'd say that's a plus because it gives us time to digest the complex themes that are presented such as the incompatible definitions of 'love', the value of loyalty in marriage as well as friendship, and of course the morality of murder.
Overall I liked this film. It's just the dag blasted ending that left me feeling cheated. I won't talk about it except to say that you should watch the alternate endings included on the DVD instead. In particular, Alternate #1 is closer to the book, and it gives us the thematic closure that the theatrical version omits. Alternate ending #1 also has a great piece of acting by Pierce Brosnan which, if it were in the actual movie, would've definitely made me bump up my rating by 1 or 2 stars.
"Married Life" is definitely worth the $2 rental fee. It deviates from the book on several key elements (such as the ending) and as a result doesn't quite wrap things up convincingly. But as far as movies go, it's entertaining, engaging and showcases some great acting talents.
Married Life is set in 1949; the story opens into a picturesque, affluent suburb where Harry Allen (Chris Cooper) resides with his wife, Pat (Patricia Clarkson). But there's trouble brewing beyond the perfect picket fences. Harry has fallen deeply in love with a blonde beauty named Kay (Rachel McAdams). He confesses his secret to his longtime bachelor friend, Richard (Pierce Brosnan), and even introduces Richard to the lovely Kay. Unfortunately for Harry, Richard is instantly smitten, and makes up his mind that he will do whatever it takes to win Kay for himself. Harry, meanwhile, continues to plot ways to escape his marriage, though he fears leaving Pat will destroy her. He soon decides the most humane thing would be to dispose of her the old-fashioned way, with the aid of a little poison. While he debates on when to make his move, we learn that Pat actually has a few secrets of her own. Married Life is a very clever take on the trials and tribulations of marriage. It's a dramatic piece that shows what people do for love and the extreme lengths they go so that they can be with someone. One can never truly know what is going trough their partner's mind and people will always have secrets. The film has a very tense atmosphere and could be just as easily described as a psychological thriller. Visually, the film is stunning and the recreation of the era is mesmerizing. The set design is tremendous and so are the costumes. However, the film biggest strength relies undeniably in the extremely talented cast. Chris Cooper is terrific, specially in the second and third act of the film. Rachel Mcadams is adorable as usual and Pierce Brosnan is very charming. Patricia Clarkson also delivered a very solid performance. Overall, a beautifully crafted and highly entertaining film.
7.5/10
7.5/10
Saw this last night at the premiere, and "Straight to Betamax" could not be more wrong. This is actually the first intelligent, smart and wonderfully acted film of the year, and both Patricia Clarkson and Chris Cooper give wonderful performances in a story which is intriguingly told and compellingly filmed.
I will agree with a few others that Pierce Brosnan seems a bit miscast in this picture, but not to the point that it ruins the film. Additionally, some of Rachel McAdams' dialogue seems a bit out of place for a character like her's during the period in which this story is set (it is supposed to take place in 1949), but she gives a great performance overall and her character is, for the most part (other than a few bad bits of out of place dialogue) fairly believable.
But Cooper and Clarkson are really wonderful in this film and Ira Sachs and company have done a terrific job with this story. Bravo.
I will agree with a few others that Pierce Brosnan seems a bit miscast in this picture, but not to the point that it ruins the film. Additionally, some of Rachel McAdams' dialogue seems a bit out of place for a character like her's during the period in which this story is set (it is supposed to take place in 1949), but she gives a great performance overall and her character is, for the most part (other than a few bad bits of out of place dialogue) fairly believable.
But Cooper and Clarkson are really wonderful in this film and Ira Sachs and company have done a terrific job with this story. Bravo.
¿Sabías que…?
- TriviaThe movie that Pierce Brosnan is watching in the movie theater is actually 1951's "Pandora and the Flying Dutchman" starring Ava Gardner and James Mason. There is a visible "Pandora and the Flying Dutchman" movie poster behind Pierce Brosnan as he makes a telephone call in the lobby of the theater. "Pandora and the Flying Dutchman" is in color whereas "East Side, West Side" was in black and white. "Pandora" was made two years after the setting of "Married Life" which starts in 1949.
- ErroresRichard Langley sees the film Pandora (1951) in a movie theater in 1949, two years before movie's release.
- Citas
Richard Langley: I'm not at all certain that one can build happiness upon the unhappiness of someone else
- Bandas sonorasI Can't Give You Anything But Love
Written by Dorothy Fields and Jimmy McHugh
Performed by Doris Day
Courtesy of Soundies. Inc.
By Arrangement with DePUGH MUSIC
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Married Life
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,507,990
- Fin de semana de estreno en EE. UU. y Canadá
- USD 55,851
- 9 mar 2008
- Total a nivel mundial
- USD 2,888,315
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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