Un consultor político trata de explicarle a su hija de once años su inminente divorcio y sus relaciones pasadas.Un consultor político trata de explicarle a su hija de once años su inminente divorcio y sus relaciones pasadas.Un consultor político trata de explicarle a su hija de once años su inminente divorcio y sus relaciones pasadas.
- Dirección
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- Premios
- 1 premio ganado y 1 nominación en total
- Visitor from Planet Ordon
- (as Ricky Jay Derby)
- Dirección
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Opiniones destacadas
The little girl is fabulous. Good casting. She's adorable without being perfect. Kevin Kline was an absolute delight as an unapologetic drunken writer/professor who also happens to be quite full of himself. Rachel Weisz (whom I normally do not care for) was completely (and unexpectedly) charming. Ryan Reynolds was also a good casting choice. Unexpectedly believable as a dad.
The bulk of the movie is him explaining to his daughter, bedtime story style (told entirely in flashbacks) about love and how he met her mother, with her being the proverbial "happy ending". Except ... she seems to be the only one who notices that her Dad really isn't happy at all. Isla Fisher also shines. Watching her character grow from someone who is completely devoid of any direction or purpose into a real woman, complete with self-esteem, was a nice touch.
Loved the relationship stories. It's amazing what you don't see when you are in a relationship, only to come to a realization much later. Anyone who has ever traded a trip on the QEII for a proverbial three hour tour on the S.S. Minnow relationship-wise will totally relate.
The fact that Ryan Reynolds sometimes gets so carried away with the story that he forgets he is talking to a little girl leads to a few (ok, so it's a lot) contrived chuckles along with a couple of genuinely funny moments.
It's not going to win an Oscar or break a box office record, but if you want a completely enjoyable two hour escape ... see this movie.
There's a comfort in the romantic comedy formula, in the predictable end of a tried romance. We derive a bit of pleasure as a romance plot drags us along the string of "will they or won't they?" even though we know in our hearts what will happen (because if it doesn't happen, our hearts will be broken and the movie will get bad-mouthed).
"Definitely, Maybe" does as good a job of any rom-com at doing just that. We are sucked into the story with a premise nearly identical to CBS sitcom "How I Met Your Mother," in which young Maya (Abigail Breslin) presses her father, Will, (Ryan Reynolds) into telling the story of how he met her mom. Seeing as the couple is a pair of signatures away from a divorce, he's not thrilled at the prospect of reliving those moments, but for our entertainment, he indulges.
The catch, of course, is that the story involves multiple women, and Maya must guess which one turns out to be her mother. Thus begins a long story that begins in 1992, when young(er) Will sets out for New York City to work on the Clinton campaign and leaves his serious girlfriend, whom he refers to as Emily (Elizabeth Banks), behind.
The '90s American history backdrop definitely gives the film its own flavor. Brooks eventually tries to draw an analogy to the former president, but it's half-hearted. Nonetheless, Brooks uses the opportunity to take an amusing jab at President George W. Bush among other humorous moments of hindsight and it's a welcome aspect of the story.
On the job he meets the copy girl (Isla Fisher), April, one of the mother candidates. She's into rock music and edgier guys, and despite an attraction, things never seem to fall into place for them.
Then there's the woman referred to as Summer (Rachel Weisz), a sophisticated and confident aspiring journalist Will becomes particularly passionate about and eventually starts dating.
So will it be Bachelorette No. 1, 2 or 3? Brooks definitely spent some time crafting this story to constantly bounce back and forth between the women as Will encounters them at multiple points in his life, constantly casting doubt over each one. The three actresses are stellar as well, so it really helps that even if you pick side, you kind of like all the characters for different reasons.
Reynolds holds up well as a romantic lead. He's a rather passive participant in his own love life, which is a bit frustrating but endearing. You genuinely root for his happiness despite fully understanding just why his love life has been so flawed. The impact it has on Maya is also sweet in all its obvious nature. She becomes as engrossed in the story as we do, though with a child-like innocence. Eventually she realizes that love really is as complicated as they say.
The riddle doesn't last nearly as long as it could, but for a romantic comedy it lasts longer than most. At some point the characters have been so fleshed out and certain details put in play that you can start to put the pieces together and figure out exactly how it will end. To Brooks' credit, however, he made what will be seen as a popular choice.
"Definitely, Maybe" hits all over the rom-com spectrum if the left end represents fabrication and tons of cheese and the right is honesty, realism and poignancy. There's a rather cloying scene in which Will and April hang out on April's birthday after her boyfriend ditches her for a gig and the tension is forced and painful, but there are also some extremely normal relationship dynamics at play in Will and Summer's relationship.
The film does the balancing act of fantasy and reality quite well. If all rom-coms were brutally honest, we wouldn't see many of them if any off the indie circuit. "Definitely, Maybe" is pretty much mostly sincere, however, and it's mystery hook — though contrived — is sorta certainly the key to making it all work.
~Steven C
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I like the idea of mysterious romantic comedy. Where we don't quite know who the mother is. But it is pretty clear who he wants to be with. And you know that's enough. The story was well crafted, the players were phenomenal, and the experience unforgettable. I really enjoyed this movie because, well, it's the guys point of view. All "chick flicks" are from the woman's point of view, it degrades the man in most cases except for "the one" that the girl is meant to be with but he does something to tick her off so therefore all men are scum. In this, yes we address the issue of men are scum, but we move into the unfamiliar territory of men and their emotions. We don't want women to know that we have a side like that but it is there just the same.
Oh! Whoops! I loved the interplay between Ryan and his on-screen daughter. Where he would go off into something that he should be changing and then realizes it is much to late to go back, so he does what any normal parent would do. He lies. He lies his butt off to dig himself out of the hole he is burying himself in.
The end of the movie is good to... but I won't go into that here. See the movie when you can. I think you'll enjoy it.
And found again.
Ryan Reynolds (one of my all-time favourite performers) has seldom been better, Abigail Breslin (who appears frequently to comment on the story being told) is as genuinely charming as ever, and all three girlfriends are wonderfully cast. The story moves along at brisk pace and it's easy to see why the hero would fall in love with each in turn (at various stages in his life). What's not as easy to see is which one he will eventually marry. And, as well as successfully concealing the identity of the mother, the film makes you wonder many times how it will all end. Yes, it's a romantic comedy, so you're conditioned to expect a happy ending, but this isn't your typical romantic comedy so you're expecting a non-typical ending.
And you're right.
The ending is just as clever as the rest of the movie and it makes for a great story overall. It's a very modern story. I think it would have been called "a sophisticated sex comedy" in bygone days. Which just means the characters are a bit more mature and closer to real life than you normally find in this genre.
What could have been an enjoyable B-grade rom-com is lifted up by unconventional storytelling and a little extra effort spent to get the ending just right. Grade "A" from me.
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¿Sabías que…?
- TriviaWhen doing publicity for the movie, Ryan Reynolds went on Live with Regis and Kathie Lee (1988) with guest host Neil Patrick Harris (Episode dated 15 February 2008 (2008)). Because of Harris' involvement in How I Met Your Mother. Cómo conocí a tu madre (2005), Reynolds tried really hard not to say that phrase while describing the movie.
- ErroresAt the beginning, Will is narrating and says that his favorite days are Tuesdays and Fridays because he leaves work early to pick up his daughter Maya from school. (This particular day is a Friday, evidenced by the fact that Maya does not go to school the next day.) When Maya's mom is taking her home from the park the next day, Will says, "See you Wednesday", but he should have said "See you Tuesday", unless he and Maya's mom changed plans.
- Citas
April: Oooh? What are you gonna say?
Will Hayes: I'm still working on it I don't know
April: OH! You should work it on with me you should practice with me; I'm really good at that.
[Walks over to the railing]
April: I'll be Emily.
April: I'm Emily your college sweetheart is there something you wanted to ask me?
Will Hayes: Emily...
April: Wait! You gotta get down on your knee
Will Hayes: No I'm not getting down on my knee
April: [Walks towards Will] She'll like it; she'll like seeing you down on your knee...
Will Hayes: I'm not getting down on my knee
April: [Rolls her eyes and walks back to the railing and turns around] Such a mistake! Okay
Will Hayes: Emily...
April: Yes William?
Will Hayes: Don't make me laugh! Emily will you... um... marry me?
April: No
Will Hayes: Oh my god...
April: What do you mean, 'Will you, um, marry me?' I haven't seen you in weeks! You don't look happy or excited about the prospect of our marriage! You're asking me to give up my - my freedom, my joie de vivre for an institution that fails as often as it succeeds? And why should I marry you anyway? I mean, why do you wanna marry me? Besides some bourgeois desire to fulfil an ideal that society embeds in us from an early age to promote a consumer capitalist agenda?
Will Hayes: Oh! Oh, my God.
April: You should've got on your knee.
Will Hayes: Just shut up! Here... I wanna marry you because you're the first person I wanna look at when I wake up in the morning, and the only one I wanna kiss goodnight. Because the first time that I saw these hands, I couldn't imagine not being able to hold them. But mainly, when you love someone as much as I love you, getting married is the only thing left to do. So, will you, um, marry me?
April: Definitely. Maybe.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Definitely, Maybe
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 32,241,649
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,764,270
- 17 feb 2008
- Total a nivel mundial
- USD 55,990,299