Before the Rains

Stunning, superb film. Completely deserving of having won "Best Picture" at the Worldfest film festival. This romantic drama/tragedy, set in the Colonial India of the 1930's is compelling, and is even more poignant when put in context of the emerging Independence movement in India at that time. The powerful subtext is the end of Colonialism. The performances by the actors are outstanding - particularly Linus Roache (of Law and Order fame), Rahul Bose, Nandita Das and Jennifer Ehle.

Energizing the story are four magnificent performances. Linus Roache as the English planter Henry Moores is trapped by a slowly debilitating moral choice, and his gradual moral deterioration is a symbol for every good Englishman whose moral shortcomings were tested in the era of empire. Nandita Das's wonderful portrayal as Henry's mistress Sajani is remarkably sensitive and very poignant. She is head-strongly in love, yet naive as to the ramifications of her reckless love affair. Her natural empathy for her character turns a potential victim into an emblem of feminine struggle. Jennifer Ehle as Herny's wife is probably the scene stealer of the movie.

A marvelous performance is delivered by Rahul Bose, as the man caught in the middle - T.K. Neelam, the planter's trusted foreman and friend, who is caught in the middle as his two worlds collide. A Western educated man but with strong roots in his tribal village, TK has to choose whether is it right to betray a friend or one's own people? T.K. final choice forms the climax of the film when he forsakes both worlds for the Gandhian Independence movement.

Santosh Sivan demonstrates his genius behind the lens, with breathtaking Cinematography, and Mark Killian outdoes his score from the Oscar winning film - Tsotsi. A MUST SEE FILM.

A mixture of social commentary and period-piece melodrama, "Before the Rains," directed by Santosh Sivan, takes place in India in 1937 during the waning days of British rule.

Henry Moores (Linus Roache) is an English businessman living with his wife (Jennifer Ehle, the ghost-wife from "A Gifted Man") and young son (Leo Benedict) in the Madras district of colonial India, where he is supervising the construction of a road that must be completed before the monsoonal rains begin to fall. Moores is also having a clandestine affair with a beautiful Indian housekeeper named Sajani (Nandita Das), who is herself married to an unloving and abusive husband from the village. Through a series of tragic circumstances, the affair manages to have lasting repercussions not only for Moores and his family but for Anglo-Indian relations in the area as well.

The story by Cathy Rabin serves as a microcosm for what was occurring on a national scale at that time, as the oppressed natives were just beginning to assert their right to oust the British and become the leaders of their own nation. Thus, Moores' dilemma becomes much more than just a personal one of love and marital infidelity due to the extraordinary circumstances taking place around him. For not only is Henry breaking his own marriage vows with the affair; he is violating any number of social taboos involving race and class structure as well. The situation becomes even more complicated when another of his servants, T.K. Neelan (Rahul Boss), becomes a pawn in Moores' game to extricate himself from the consequences of his actions, and T.K. is finally forced to choose between his desire to be a part of a growing future promised by the Brits and his innate loyalty to his own people who serve under them. The triumph of the screenplay is that each of these characters emerges as a well-meaning but often flawed individual caught in a world greater than his or her own private passions.

Even though there are times when the gravity of the social issues feels a bit diminished by the contrivance of the plotting – as if the melodrama were not commensurate in importance and value with the seriousness of the subject matter - on the whole, this is a well-acted, thoughtful and gripping drama that makes important points about colonialism, class structure, personal morality and the untamable nature of the human heart.

Being a native of Kerala and not knowing much of this movie, I went because my favorite Indian actors Nandita Das and Rahul Bose were in it. My hubby and I were in for a stunningly visual treat of our home state in India and were jumping for joy. Every frame was pure, with shadows and light and filters that just transported you and wanting to see more. I would liked the movie more if it had been stretched a little longer and see more deeper delving into the characters and the village life. Instead a limited dimension was presented. I was a little disappointed and left feeling like something wasn't complete in the application of the story. While the film focuses around the central characters,not enough time was spent on how the setup started but the movie picks-up almost mid-stream it felt like and therefore a little incomplete. There were seeming contradictions in the movie. exploration of each of the characters could have been done more deeply. I was sorry to see that Nandita Das was relegated to such a minimal role. Rahul Bose whose phenomenal acting could have been explored profoundly was also limited to more of a silent portrayal while his eyes spoke volumes. I wasn't sure where his loyalties were or whether he was really trying to live in two worlds and ultimately what is it that he stood to gain in the way of empowerment. The storyline is simple and did a good job around Roach's role and his moral conflicts. The actress who portrayed his wife as brief as it was very good and believable. The supporting actors all acted well (kudos to Indrajit and Lal and Mr.Thilakan as well-it was awesome to see these phenomenal actors on the big screen through such an artistic lens. It was a little discomforting to see the far from the truth portrayal of the tribal ritual. My huge kudos to Mr. Sivan- the quality of the cinematography is pristine and flawless and timeless. I hope you'll blaze forward with more courage at exploring in-depth portrayals of Kerala even more.

Santosh Sivan has already made a name for himself as an established cinematographer. With 'The Terrorist' he proved to be a competent director. Now comes another sensational directorial ventures, 'Before the Rains'. Visually, it's a feast for the eyes. Sivan's way of capturing the beauty and atmosphere of the natural rainforest setting as he stresses on the details to each and every one of his shots is simply amazing.

The intriguing premise of the story is derived of a novel concept. Sivan sensibly tackles themes such as love, class distinction, despair, guilt and betrayal and layers them well within the story and characters. He never goes over the top as he wonderfully manages to keep a low tone. Just when one would think the story would turn towards a predictable path, Sivan throws a surprising turn while staying true to the film. He extracts some incredible performances from his principle cast that includes Linus Roache, Rahul Bose, Nandita Das and Jennifer Ehle.

Overall, Santosh Sivan has improved as a director and continues to be a superb cinematographer. It's definitely a much better movie than 'Asoka'. I would like to see this director make more such films rather than opt for the usual loud Bollywood masala like 'Asoka'.

This gentle yet dramatic story of an ill-fated love affair between a colonial Brit (Linus Roach) and his beautiful Indian servant (Nandita Dass) reminds me of films of another era, perhaps Michael Powell's masterful Black Narcissus, where the mystical allure of India is powerfully dramatized. This simple yet effective story of longing, love, and sensuality, corrupted by jealously and betrayal, equally offers the viewer a canvas of raw color, dripping textures, and curious mysteries concealed within light and shadow. Films don't look like this any more, it is vivid and alive, and often reminds me of David Lean or John Ford. If the modern film world is harsh and uncompromising, this film's world is subtle and timeless... like India. The cast is superb, and I love the quiet torment and emotions of Rahul Bose, the man-servant with big trouble on his hands, and difficult choices to be made. Go see it for a movie experience long absent at the multiplex. Don't wait for the DVD - you won't be disappointed!