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Un extraterrestre adolescente está tratando de secuestrar a un hombre dormido, pero no sabe qué interruptor usar.Un extraterrestre adolescente está tratando de secuestrar a un hombre dormido, pero no sabe qué interruptor usar.Un extraterrestre adolescente está tratando de secuestrar a un hombre dormido, pero no sabe qué interruptor usar.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 nominación en total
Sheb Wooley
- Ernie
- (material de archivo)
- (voz)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Like always Pixar has created another one of a kind short for all of us to enjoy.
Lifted is set in the quiet/peaceful country side. When a flying saucer appears to abduct a sleeping individual with a tracker beam. unfortunately the tracker beam is operated by an alien trainee who isn't doing too well on his first job. And keeps messing up on the job while the professional alien grades him on his performances.
I won't give away any of the good or funny parts. But it is one of the funniest Pixar shorts yet. The use of no dialog, interesting characters and special effects is all made possible by Pixar. Along with the ever popular films, their shorts are very highly acclaim. And each one makes a further break through in animation or experiment a story that hasn't been made into CGI yet.
You're able to see Lifted along with Ratatouie.
Lifted is set in the quiet/peaceful country side. When a flying saucer appears to abduct a sleeping individual with a tracker beam. unfortunately the tracker beam is operated by an alien trainee who isn't doing too well on his first job. And keeps messing up on the job while the professional alien grades him on his performances.
I won't give away any of the good or funny parts. But it is one of the funniest Pixar shorts yet. The use of no dialog, interesting characters and special effects is all made possible by Pixar. Along with the ever popular films, their shorts are very highly acclaim. And each one makes a further break through in animation or experiment a story that hasn't been made into CGI yet.
You're able to see Lifted along with Ratatouie.
You will watch this short in the theatre before the beginning of Ratatouille. And it's very well placed, since it indicates much of the theme that drives Ratatouille. An artist puppeteering an instrument in order to create his art.
This short may be understood as a synonym for the work of an animator. Really really hard to manage, check out the number of buttons in the board of the spaceship. It's hard to learn the job, and while you don't master it, all you do will be a disgrace. But if you get to do it well, you'll do wonders. You'll puppeteer the world below, create and destroy, move and control.
These small appointments (not necessarily short films) are interesting to me because they are explicit indications pointing on how each creator comes out with his own originality and my opinion is, the creations reflect usually every stuff which is very close to the creator, usually his own thoughts and life (It's the second time in a short time i identify these signs, the other was with Miyazaki's Kiki).
The funny thing is when the construction, no matter how simple it is, is honest in its origins, works out very effective, so this short is really really funny.
My evaluation: 4/5
http://www.7eyes.wordpress.com
This short may be understood as a synonym for the work of an animator. Really really hard to manage, check out the number of buttons in the board of the spaceship. It's hard to learn the job, and while you don't master it, all you do will be a disgrace. But if you get to do it well, you'll do wonders. You'll puppeteer the world below, create and destroy, move and control.
These small appointments (not necessarily short films) are interesting to me because they are explicit indications pointing on how each creator comes out with his own originality and my opinion is, the creations reflect usually every stuff which is very close to the creator, usually his own thoughts and life (It's the second time in a short time i identify these signs, the other was with Miyazaki's Kiki).
The funny thing is when the construction, no matter how simple it is, is honest in its origins, works out very effective, so this short is really really funny.
My evaluation: 4/5
http://www.7eyes.wordpress.com
Why are Pixars' movies so fantastic and attractive? Today I would like to talk about this movie, The main character is an alien. This movie shows Pixar's strong point. Pixar's strong point is computer graphic. There is slime character in this movie. It is like live-action. We can feel slimy from screen. It shows Pixar's skill. In this story, alien takes the test. However he is so nervous. He forgets how to operate spaceships. Do you have same experience? My answer is yes. May be many people has same experience. That's why we can sympathize with the main character. Moreover, his character is so cute and lovable. As we see the movie, we cheer him naturally. This is typical types of Pixar's character. Dory is a good example. She is a key character in Finding Nemo. She forgets everything momentously. If you have friends like her, you don't hold good feeling to her. Her lovable character doesn't do so. Pixar is good at making lovable characters. In conclusion, this movie's good point is skills and character. This is important part when we make movie. Pixar has skills of graphic. They also have good imagination. This is why they can make a good film.
I've always thought it fantastic that Pixar precedes their excellent feature-length films with an equally-excellent animated short, since it serves beautifully to settle the audience down and ready them for the coming feature. With 'Ratatouille' currently in cinemas, the short film this time around was 'Lifted,' a brief but amusing tale of an attempted alien abduction that doesn't quite go to plan. It was directed by Gary Rydstrom, a first-time director but incredible seven-time Oscar winner, thanks to his excellent work in the sound department on such films as 'Jurassic Park' and 'Titanic.' Like Pixar's finest short films, the simple plot is propelled forward without the need for any dialogue, relying mostly on effectively-chosen sound effects. Accordingly, Rydstrom was an ideal candidate to direct.
In a quiet country farmhouse, a human sleeps peacefully, blissfully unaware that an immense UFO has stationed itself outside his house. Inside the spaceship, a young alien, named Stu, is trying desperately to remember which unlabeled toggle switches to press, presented with a vast selection across a large control panel. Stu's instructor, Mr. B., watches over him menacingly, his expression offering not a hint to the correct procedure and answering every mistake by scribbling briefly onto his notepad. Meanwhile, as Stu fumbles tentatively with the controls, the unfortunate human finds himself lifted from his bed by the spacecraft's tractor-beam and tossed violently against the wall and ceiling, never waking from his slumber.
I thought it was rather ambitious that the filmmakers decided to show the beings inside the UFO, since it is rare that we actually get to see a cinematic alien fiddling with buttons and levers behind a control desk. Not only this, but the two extraterrestrials in just five minutes become relatively well-developed characters: we immediately sympathise with poor hapless Stu, and Mr. B. discovers a streak of compassion that we hadn't originally expected of him. The comedic timing is just about perfect, and we hold our breath as Stu moves to press another button, before laughing at the unexpected consequence of this upon the unlucky human his movements largely represented by a holographic blip above the control panel. The sound effects are cleverly-chosen, and the addition of the Wilhelm scream at the very end was a nice touch.
In a quiet country farmhouse, a human sleeps peacefully, blissfully unaware that an immense UFO has stationed itself outside his house. Inside the spaceship, a young alien, named Stu, is trying desperately to remember which unlabeled toggle switches to press, presented with a vast selection across a large control panel. Stu's instructor, Mr. B., watches over him menacingly, his expression offering not a hint to the correct procedure and answering every mistake by scribbling briefly onto his notepad. Meanwhile, as Stu fumbles tentatively with the controls, the unfortunate human finds himself lifted from his bed by the spacecraft's tractor-beam and tossed violently against the wall and ceiling, never waking from his slumber.
I thought it was rather ambitious that the filmmakers decided to show the beings inside the UFO, since it is rare that we actually get to see a cinematic alien fiddling with buttons and levers behind a control desk. Not only this, but the two extraterrestrials in just five minutes become relatively well-developed characters: we immediately sympathise with poor hapless Stu, and Mr. B. discovers a streak of compassion that we hadn't originally expected of him. The comedic timing is just about perfect, and we hold our breath as Stu moves to press another button, before laughing at the unexpected consequence of this upon the unlucky human his movements largely represented by a holographic blip above the control panel. The sound effects are cleverly-chosen, and the addition of the Wilhelm scream at the very end was a nice touch.
A remote farm-house (probably in the Midwest) is suddenly bathed in a bright, clean light and the sleeping farmer is picked up from his bed and carried towards the window, where an alien craft awaits. Unfortunately for him, the abduction is being undertaken by a trainee, who really needs more hours in the simulator before tried to do it on a live subject.
This short film was screened before the feature Ratatouille and worked well in getting the audience in the laughing mood. Like the equally good "For the Birds" this short film delivers constant laughs in a short time before bowing out with a strong finish. The former short focused on a big tall bird, this film focuses on a trainee alien but the approach is the same have one weakness or failing be the subject of the short. Here the trainee cannot get the man out the window with the controls and the repeated failures are simple but also very funny. This continues to the end, which is a nice big laugh at the end. The animation is typical Pixar, very clean, professional and impressive with plenty of cultural references in the alien abduction itself for film fans.
Overall then a very clever and funny short film that works very well because it knows just what it needs to do and does it in a ruthlessly efficient manner.
This short film was screened before the feature Ratatouille and worked well in getting the audience in the laughing mood. Like the equally good "For the Birds" this short film delivers constant laughs in a short time before bowing out with a strong finish. The former short focused on a big tall bird, this film focuses on a trainee alien but the approach is the same have one weakness or failing be the subject of the short. Here the trainee cannot get the man out the window with the controls and the repeated failures are simple but also very funny. This continues to the end, which is a nice big laugh at the end. The animation is typical Pixar, very clean, professional and impressive with plenty of cultural references in the alien abduction itself for film fans.
Overall then a very clever and funny short film that works very well because it knows just what it needs to do and does it in a ruthlessly efficient manner.
¿Sabías que…?
- TriviaThere are exactly 2,000 switches on the abduction console.
- Créditos curiososAt the end of the opening Pixar credit, the shining face of Luxo Jr. dissolves into a full moon in the night sky of the establishing shot.
- ConexionesFeatured in The 2006 Academy Award Nominated Short Films: Animation (2007)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Lifted
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 5min
- Color
- Mezcla de sonido
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