CALIFICACIÓN DE IMDb
6.7/10
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TU CALIFICACIÓN
Un viaje por carretera a través de Louisiana transforma a tres extraños que originalmente se unieron por sus respectivos sentimientos de soledad.Un viaje por carretera a través de Louisiana transforma a tres extraños que originalmente se unieron por sus respectivos sentimientos de soledad.Un viaje por carretera a través de Louisiana transforma a tres extraños que originalmente se unieron por sus respectivos sentimientos de soledad.
Emanuel Cohn
- Doctor Leonard
- (as Emanuel K. Cohn)
Lucy Faust
- Snotty Girl
- (as Lucy Adair Faust)
Aimée Spring Fortier
- Teenage Mother
- (as Aimee Fortier)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film rewards you....it is worth every moment of your watching time. The beauty of its title, the sweetness and affirming image of a yellow handkerchief...like a yellow ribbon is about waiting,welcome and coming home. The Yellow Handkerchief is a road trip movie. It is a quiet, quirky ride around the roads of Louisiana. It plays like real people who make real reconciliations and whose lives keep us captured and moving and flowing forward. William Hurt gives a performance of a supreme subtlety and beauty. Kristen Stewart, Eddie Redmayne and Maria Bello breath life into their characters. It is so rare to find such a sensitive cast that really click...a great ensemble piece ...all with a quiet nobility. Watch it.
Road trips in American film have often been flamboyant metaphors—Easy Rider and Thelma and Louise come quickly to mind. The Yellow Handkerchief will not be remembered so readily given its low-key, Southern slow delivery. Yet it has a subtle power to inform the Louisiana bayou landscape with meaning as three strangers embark by auto for destinations barely known.
Brett Hanson (William Hurt) has just been released from 6 years in prison for manslaughter. Ignorant of this fact is Martine (Kristen Stewart), a fifteen year-old runaway, who invites Brett to ride with her and Gordy (Eddie Redmayne), who is a stranger and a strange young man having the advantage of a convertible and enough cash for a trip that might end up in New Orleans.
Like a European film, Handkerchief takes it time to reveal character, meet a conflict and climax, and settle down to its title, which is unsubtly tied to the handkerchief and a pop tune about an ex-convict "comin' home." Hurt, one of America's finest actors, brings gravity and melancholy to a role that requires sorrow and redemption to ride along with hope. I hope he receives a well-deserved Oscar nod and the grand prize—think of Jeff Bridges' win for Crazy Heart, a more histrionic part than Hurt's understated torture.
While I'm still trying to warm up to Kristen Stewart as anything but a vampire lover of little acting range beyond a hesitating delivery, Maria Bello as May, Brett's love interest, is plain persuasive as the one who tries to understand and work with the eccentricities of Brett.
Of course, Katrina as family wrecker is quietly in the background, and because this is a story of the search for family, or "belonging to something," the hurricane informs every grasp for lost love as the vanished twin towers might do. If you want slow exposition that offers character development of the first order, then ride along with these three misfits to find a bit of yourself in the journey.
Brett Hanson (William Hurt) has just been released from 6 years in prison for manslaughter. Ignorant of this fact is Martine (Kristen Stewart), a fifteen year-old runaway, who invites Brett to ride with her and Gordy (Eddie Redmayne), who is a stranger and a strange young man having the advantage of a convertible and enough cash for a trip that might end up in New Orleans.
Like a European film, Handkerchief takes it time to reveal character, meet a conflict and climax, and settle down to its title, which is unsubtly tied to the handkerchief and a pop tune about an ex-convict "comin' home." Hurt, one of America's finest actors, brings gravity and melancholy to a role that requires sorrow and redemption to ride along with hope. I hope he receives a well-deserved Oscar nod and the grand prize—think of Jeff Bridges' win for Crazy Heart, a more histrionic part than Hurt's understated torture.
While I'm still trying to warm up to Kristen Stewart as anything but a vampire lover of little acting range beyond a hesitating delivery, Maria Bello as May, Brett's love interest, is plain persuasive as the one who tries to understand and work with the eccentricities of Brett.
Of course, Katrina as family wrecker is quietly in the background, and because this is a story of the search for family, or "belonging to something," the hurricane informs every grasp for lost love as the vanished twin towers might do. If you want slow exposition that offers character development of the first order, then ride along with these three misfits to find a bit of yourself in the journey.
I really enjoyed this movie! The performances were subtle, layered, charming and fascinating and I'm surprised this movie didn't get noticed during the awards season. The raw landscapes, isolated buildings and the retro car they make there journey to a fresh start all make a hauntingly beautiful setting. The movie has a quiet confidence, artistic and a involving, star crossed story that for the first half leaves you in suspense, it follows Brett Hanson played by William Hurt who was recently released after 6 years from prison for manslaughter and hitches a ride to go back home to his wife with a young duo Martine and Gordy played Kristen Stewart in another great indie performance and she was stunning in this movie, Eddie Redmayne plays an awkward oddball but in a touching way and Maria Bello who isn't seen as much plays the wife May was excellent as always and man is she sexy. It just has a great story told in a real, beautiful way and is very relatable that makes it even more effective topped off with a very satisfying and touching ending that makes this an almost flawless indie. Highly recommended! More of a 4.5 out of 5 stars.
We saw this as part of a preview cinema club we belong to. And we're happy we did.
The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.
This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)
Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.
Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.
Watch it!
The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.
This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)
Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.
Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.
Watch it!
Great Love story, I like it when you Americans put a bunch of characters on a road trip. Classic!. This film takes you beyond the bitter part of life back into the sweet.
The music just blend in, the camera capture is somewhat 'spiritual'.
Simple movie, brought tears to my spirit's eyes. This one truly touches the heart. One great movie making!. Salute. The cast is perfect in their place.
People may shine only in a moment in their life. And that moment will shine forever in whosoever is touched by it. I almost give up on Hollywood, but this shows, you still can do it right!
Salute ^ ^
The music just blend in, the camera capture is somewhat 'spiritual'.
Simple movie, brought tears to my spirit's eyes. This one truly touches the heart. One great movie making!. Salute. The cast is perfect in their place.
People may shine only in a moment in their life. And that moment will shine forever in whosoever is touched by it. I almost give up on Hollywood, but this shows, you still can do it right!
Salute ^ ^
¿Sabías que…?
- TriviaTo prepare for the role, William Hurt spent a night in Louisiana State Penitentiary - better known as Angola.
- ErroresAt the beginning of the movie, after Brett enters the shop he request a beer. The woman brings him the beverage she pour into the glass and leaves the bottle on the table. A few shots later the bottle disappears.
- ConexionesRemake of Shiawase no kiiroi hankachi (1977)
- Bandas sonorasBlack Bayou
Performed by Ida Guillory and Al Rapone
Written by Al Rapone (as Albert J. Lewis)
Published by Neil Music Corp. and LaBonne Musique, administered by Neil Music Corp.
Courtesy of GNP Crescendo Records
By arrangement with Ocean Park Music Group
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- How long is The Yellow Handkerchief?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Noran Sonsoogeon
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 318,623
- Fin de semana de estreno en EE. UU. y Canadá
- USD 37,296
- 28 feb 2010
- Total a nivel mundial
- USD 318,623
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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