Vision - Aus dem Leben der Hildegard von Bingen

Films about spiritual teachers tend to be solemn affairs, although anybody who has spent time with a mystic knows they often possess charismatic charm and a subversive sense of humor. 'Vision' is an uninspired biopic about Hildegard Von Bingen, who was a Benedictine nun in medieval Germany. History relates she taught her own method of contemplation, became the 'magistra' of her order, founded two convents, and wrote books on medicine and musical composition. Her teachings discouraged severe ascetic practices, reflecting her belief that God intended humans to pursue contented lives devoted to hard work, charity and spiritual invocation.

'Vision' focuses on various intrigues within Hildegard's world of nuns, monks and bishops, as well as the nobility who provided financial backing for cloistered orders. No doubt there was some jealousy within that circle which obstructed some of her endeavors, but she was a formidable figure in 12th century Germany, traveling widely on preaching tours at a time when women were traditionally banned from such pursuits. Hildegard's contemplative disciplines were a crucial aspect of her life's work but being impossible to film, they are mostly ignored in favor of her worldly activities. The acting and cinematography are sufficient for the task at hand, but anyone hoping to learn about Hildegard's esoteric philosophy is likely to be disappointed.

"Vision - Aus dem Leben der Hildegard von Bingen" was shown in the U.S. with the shortened title Vision (2009). It was written and directed by the excellent director Margarethe von Trotta.

As the German title tells us, this film is about the life of Hildegard von Bingen, one of the most fascinating historical figures of the Middle Ages. Von Bingen was a nun, a mother superior, a mystic, a healer, a theologian, and a composer. (Her musical works have survived, and they are still popular among lovers of early music.)

The gifted actor Barbara Sukowa plays von Bingen. Sukowa possesses the skills to make it clear to us that von Bingen was not only brilliant. She was a strong, forthright person. She did not hide behind her nun's habit--she used her status as a Mother Superior to interact with many of the other great personages of the 12th Century. She corresponded with bishops, theologians, philosophers, and members of the royal families of Europe.

This movie shows us some beautiful scenery, and so it would be better seen on the large screen. However, in my opinion, this is a must-see film. If DVD is your only option, go for it!

Note: If you read the other reviews for Vision, you'll see that I'm not the only IMDb reviewer to like it. However, the average IMDb rating of the film is a dismal 6.6. I find this inexplicable. It's one of those situations where I ask myself, Did those people see the same film I saw? My advice--ignore the low rating and decide for yourself whether this is a movie worth seeking out or not.

I am Orthodox and the lives of Catholic saints are , for me,not more than nice episodes from good people existence. not the visions, not stigmata, not crumbs of piety are arguments for their sainthood. so, this movie was a source of delight. because it is tale of a woman. a real woman, far from aura or perfect gestures. a woman of a time. a victim and a conquerer. with falls and victories. a honest portrait, not very credible but honest ,about a human been in search of Truth. front against temptations. almost prey of them. sketch of Rennaiseance , she is a revolutionary and her fight fruit of strange visions. the central ingredient - images. the sweet part - exaggerations. many and amusing.but intention to give a not pink/fake portrait is good thing. and so, poor Hildegard has a honest portrait.

Woman's Work is Never Done - This movie, a true story about an unstoppable12th century woman who advanced theology, philosophy, music and women's rights is interesting and informative. Hildegard von Bingen rose above the men around her to forge changes. The oppressive patriarchal atmosphere in which she functioned is almost tangible. The prevailing religious mood of 12th c. Germany is so vividly portrayed as to sting the senses, and underlines the importance of Hildegard's opposition. She preached love and refused to endorse the harsh religious practices of the day. Mercy was better than sacrifice she said, and she was passionate about the right to self-determination. The movie captures this pure emotional passion, (not sexual), by its brilliant casting and fine acting.

The film "Vision, from the Life of Hildegard von Bingen," written and directed by Margarethe von Trotta, is an inspiration, and we are grateful she brought the accomplishments of this woman to the screen. Barbara Sukowa in the title role convincingly portrays the commitment of a woman compelled to live out her destiny.

This is an opportunity to learn about a woman a thousand years ahead of her time. Living within the walls of the Benedictine order, Hildegard von Bingen accomplished so much in so many areas of life, and the history of the whole era comes to life in this film, much like the history of John Keats' era came to life in "Bright Star." The powerful insights von Bingen received from her visions of God are shown being recorded in manuscripts by her male secretary - Volmar sympathetically played by Heino Ferch. The healing powers of her music are witnessed in the film and remain available for all to enjoy today, but what a treat to see it all happen in Technicolor in 2010 in America.

I am not sure what to think of this depiction of Hildegard von Bingen, about whom most people (self included) know nearly nothing. One might think that if you're going to bother making a film about someone who lived hundreds of years ago, that must be because, either she has been neglected in the annals of history, or she has been misconstrued by historians up until now. Because hardly anyone knows anything about this woman, Vision may be their first introduction to her life. So what is shown ends up being very important, as it shapes the viewers' opinions of the woman.

Was Hildegard a petty lesbian who feigned illness to get her way? That is the image I find here conveyed. There is no actual coverage of what she may have accomplished. What did she accomplish, pray tell? My impression is that the filmmaker is not religious and so wanted to reveal the human-all-too-human of a woman who may have suffered from schizophrenia and would surely have been dosed with some sort of happy pills, were she alive today.