La tragedia de Macbeth

I have to say Im beginning having trouble distinguishing between these artsy films the last couple of years because so many use the same portrayal and cinematography. Bleak, minimalistic scenes, often used black/white portrayals, filled with "symbolism" and "methaphores" that are either so plain and on the nose its sad or only understood by the creator.

Also the actors all acting with their emotions on 11, with it all being depressing seems to draw praises and Oscars like the best of baits. Never mind the dreary, long and uninspired monologues (or dialogues if "lucky").

Doesnt anyone have any original ideas anymore? Cant you portray Macbeth in a new, original light and add something new to it, shape it into a form(format we havent seen yet, make it appealing to newer and/or younger audiences. Make it entertaining, informative, moral and multilayered.

Always making these dark, minimalistic and overboard in every aspects productions has gotten beyond boring, bland and a work to get through.

Cinema should be inviting, exploring, adventerous, imaginative, new... This is NOT that, not by a long shot, it is a deja-vu of numerous productions past.

Joel Coen brings a low key Macbeth. It is shot in black and white with minimum staging. There is some clever use of special effects and CGI.

To my mind it bears comparison with Orson Welles inexpensive version.

This is not a low budget version and it boasts heavyweights both behind and in front of the camera. Joel Coen, his wife Frances McDormand and Denzel Washington have 10 Oscars between them.

Denzel Washington as Macbeth starts out as low key before being consumed by his thirst for power as he is approached by the witches. (A contorted performance by Kathryn Hunter.)

To becomes the King of Scotland, he overthrows King Duncan (Brendan Gleeson) with the full support of the scheming Lady Macbeth (Frances McDormand) who likes the idea of becoming Queen.

Macbeth's corruption and paranoia invites revenge from Duncan's heir and Macduff. There is civil war in Scotland.

The text is dense but the film remains accessible. Coen has kept the play stripped down and stagebound.

Lady Macbeth who starts as clever and crafty becomes slowly mad to match her crazed husband.

Hunter shines as the witches. There are good performances from Bertie Carvel as Banquo and Alex Hassell as Ross.

There are a range of accents on offer in the movie, but very few Scottish ones.

BFI London Film Festival The Tragedy Of Macbeth shows that Joel Coen can do it alone without his brother. This film is nothing short of spectacular, some of the greatest cinematography I've probably ever seen, the monochrome adds even more beauty to such a well shot film too, I could compare the cinematography to some of the greats of cinema like Bergman. Denzel Washington kills his role as Macbeth, showing how diverse his acting skills can go, he's almost a completely different person, I would have never imagined him doing old English speech, but we go it, and he doesn't mess it up at all, his emotions shot in the 4:3 aspect ratio is tremendous, once again leaving the cinema wanting every film to be shot in it.

First, Denzel Washington is very good. But all that restraint needs to be let loose at some point, and it isn't. The black and white staging and lighting is more like a throwback to German Expressionism than anything actually new. Frankly the direction, staging, and cinematography detracted from the excellent acting, and the whole thing felt very heavy handed. I wanted it to be great, I really enjoy the play, I enjoy Coen's other movies, but it just did not quite work.

I really, really, really wanted to love this movie. I have taught the play before and have a good feel for the material, but even I found it to be inaccessible.

The Coens (even though this is just Joel) are my favorite directors, the cast is incredible and the vibe certainly resonates, but even then I found it to be hollow. I was waiting for that Oscar moment from DENZEL, but it looked like he was contained throughout the production.

I will certainly review the film - with subtitles - to see what that does, but I walked out feeling empty. I thought this would walk away with film of the year, but I don't think it'll even end up in the Top 5 or 10.

Maybe I am the idiot looking for the Sound and Fury that should accompany one of best tales of all time.