Fruto de la memoria

A film quite good in terms of plot, composition of the story and its evolution as well as with a great cinematic and directorial image, sound and shooting for the Greek data, the only thing that spoils it is the typical Greek "daydreaming" and the non-liveliness of the actors, except for the excellent Servetalis once again. The story had some holes in some parts of the film with a more characteristic ending as I think the director should have given more basis to the ending of the film and find out all the reason that ended up and the main character to choose this "new identity". ... maybe it was appropriate that I could not enter the director's mind except to make guesses and reflections ... generally a well-crafted plot which was not at all often boring and similar to others.

Even though there were a few absurdities, it was very well made in general. It's a very easy going and entertaining movie.

A very interesting take on a different type of pandemics, I felt I could see more of that movie, maybe more complications and more lines to the story to give it the depth that could made that a movie one of the best movies in 2021 without a doubt.

Beside my wishes, an authentic experience that you witness rarely.

Christos Nikou's debut film is a fitting entry to the Greek Weird Wave, following its canons yet curiously introspective in a genuine way. The city is under attack by a curious pandemic of amnesia: tens of thousands suddenly forget everything about their past life. So seems to happen to the main character, found on a bus without documents and hence unidentifiable. Since nobody comes to look for him and identify him, he is enrolled in a program that aims at giving new identities to unidentified people. The film is obviously about how memories shape an identity, but this is tackled in a most unexpected way even knowing the premise of the film. It is suggested that the main character seems to remember things from his old life, but it may be because of the titular apples he keeps eating contonuously, which are told to have the power to bring back memories. In the tradition estabilished by Lanthymos (whom Nikou assisted in Dogtooth), the scenes are austere and dry, yet there is room for the interior journey of the main character, around which the film is constructed, allowing not so much an introspective look, but rather a very close view (additionally, the narrowness of the narrative is paralleled by the 4:3 aspect ratio). It's a debut film, and it is not flawless, one can argue that the analysis on the effects of memory loss and identity loss are not deep enough, but Nikou has been able to convey a double-effect of apparent introspectiveness, yet distanced look, which I found interesting enough to be interested in future projects by him.

In this film Aris appears to have suffered from a major case of amnesia, along with many of his fellow citizens. As a result he is put into a rehabilitation program, to try to help him rebuild his identity. The central character plays the scenes with a deadpan air, allowing us to view the unfolding events with him. He meets a fellow amnesiac, and they appear to be building a relationship, but he becomes disillusioned when he realises that her advances towards him are just the result of suggestions by the doctors who are controlling the program. It is an interesting study about the search for identity, and a meaning to life, and perhaps too the controlling impact of institutions on our lives, as the demands of the doctors become increasingly bizarre and inappropriate. Ultimately the film seems to question whether the character really has lost his memory, or whether this is a voluntary choice, as he searches for a new identity.