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This film could have been based on a novel written by Harlan Coben or Donald Westlake. In fact, Ole Bournedal (writer/director) has recently been tapped to direct Dean Koontz's novel, "The Husband". JUST ANOTHER LOVER STORY contains all the elements of classic noir fiction, and incorporates a fresh and modern cinematographic style. The film centers on a man who jettisons his humdrum existence for the love of a mysterious woman. Add amnesia, a murder-suicide, stolen diamonds, The Asian Mafia, and set the action in beautiful Denmark, and you have the essence of JUST ANOTHER LOVE STORY. This is not a great film, but it accomplishes every challenge, and is a very positive addition to Danish cinema, and the Film Noir Genre in general.

The person who made the final decision, whoever it was, on the title of this movie, needs to be spanked. Bad job. Just Another Love Story sounds like it's some romantic comedy. Sure it fits the story, but phewy, that title isn't helping anybody, especially the makers of the film to market this well-made flick.

Just Another Love Story in a pinch is about a man who stupidly, selfishly and led by hormones is brought into a weird situation where he is now living the life of a different identity. He was Jonas, but now he's Sebestian; Julia's love. Julia's past isn't all that it's cracked up to be, and his new little life as Prince Charming is slowly unraveling.

If you're looking to watch a solid thriller with fantastic acting and production values, as well as a film that'll mess with your emotions with each developing scene, then this is a flick you should check out. Good flick, bad title. I like mine better. ;)

Actually I can't agree with the rather negative user comment. I saw the movie just last week at the Fantasy Filmfest in Munich, Germany. In my opinion the movie was one of the surprising highlights at the Fantasy Filmfest. I was pleasantly surprised after watching many of the other movies at the festival. Different from many of the other films which were just splatter and blood everywhere, this movie actually had a good story, surprising twists and good actors. I liked how the actor showed the feelings of many people: not wanting to be normal and having some more exciting things happening in his life. He actually had a good life with a wife, kids, nice flat, but something was just missing. I think a lot of people feel like this. And best of all: The ending is great!

This may not be my favorite film of all time, but it was definitely a great watch in the theater! It was like an exceptionally twisted version of the romantic comedy "While You Were Sleeping." I loved the blue-and-green cinematography as a backdrop for such a black plot (which, by the way, I thought was entirely coherent and interesting). The filmmaker definitely took some risks you wouldn't see in a Hollywood film, but I thought they payed off. The overlay of simultaneous action images was aesthetically pleasing and allowed forward action to continue while giving clues into the character's mysterious past. I think what really made the film for me though, was the concept of the basic human (and especially American) need for MORE. No matter how perfect a life may seem, it is never really enough. Trying not to spoil the plot, there are some actions that would normally make the character seem like a jerk, but he is still very easy to sympathize with because we all have the same driving desire for satisfaction. I think the original Danish reviews had it right. While some of the violence and nudity may not be completely vital to the plot, it all adds up to a great modern-day film noir.

This movie is in my opinion a great leap forward for Danish Film.

The many different levels it works on simultaneously - seem to encapsulate the feeling of someone being in way too deep and over his head while not being able to untangle himself from something dangerous, exciting and alluring.

The film proficiently portrays how making one split-second decision can take you in to increasingly deeper and more serious waters - pushing you to make choices about your life you never knew you dared.

The acting is superb, especially the head first passionate plunge of the relationship between Rebecka Hemse and Anders W. Berthelsen juxtaposed with the secure home-life that Mette (Charlotte Fich) provides, represents and desperately fights to uphold.

The editing and pace of the film grips, moves and pushes you into all sorts of different reactions and places, while the gorgeous visual palette of the cinematography is second to none in my opinion. Dan Laustsen must be a member of the absolute elite working in Europe today.

I throughly enjoyed this film, and would not hesitate in recommending it to any moviegoers out there who enjoy being challenged, moved and thought-provoked when taking in a film.

Go see it!! C