This film stars one of the biggest Latin stars of Hollywood cinema, Zoe Saldaña. Her performance as Esmeralda Rojas, someone forced to illegally cross the border for killing an abuser, does not disappoint. I really liked the way she pronounces Spanish and her fluid transition between this language and English gives a lot of strength to her dialogues in both languages. Also very prominent and powerful is the presence of Adria Arjona, sensual and expressive in the role of the young mother Yadira, and romantic interest of the Border Police member, Garrett Hedlund (Shipp), in a role of someone who is being pushed to the limits of his endurance when facing the conflicts of opposing loyalties. Chris Coy, as Dobbins, stands out as the tough law enforcement officer who is on the verge of sadism and who is in charge of instructing his rookie partner, Shipp, in the art of ignoring the human misery of those who are exploited to enter the United States illegally and treating them with the appropriate distance and harshness.
The film was directed by Marco Perego who also shared credits with Rick Rapozza in writing the script. Excellent work for someone who wants to communicate with art a drama of our current world. I am neither American nor Mexican, I am Argentinean so I am far from this border drama. The reflection that comes to me after having seen the film is that everything seems like a game with perverse rules destined for good intentions to always fail and where human suffering never takes precedence over the role that each party must play in the development of the action. Once the drama is over, the only thing that persists are the inflexible rules of the game that wait to receive a new round of participants to crush them with their rigidity. A truly frustrating situation and very inauspicious for the supposed greatness, compassion and flexibility of the human mind.
