Noche de fuego

Horror, even the weird and most brutal films are just that, scary films. Noche de Fuego, based on Jeniffer Clement's "Prayers for the Stolen" is a radical departure from films that tackle the world of drugs and its consequences. Tatiana Huezo's film is an introspective into the life of three children as they grow in a world of violence in the mountains of Mexico where most people work in the world of opium harvesting. Harrowing and crude, the film goes into the depths of humanity, seen from the eyes of three young girls who fear the possible threats of only "living" as kids. The performances are stunning. The casting is superb. The DP created a visual masterpiece. With Tati at the helm, this rollercoaster of a film, will keep you nailed to your seat as it will be engraved in your mind for years to come. At Cannes, the film had wild reviews but, above all, an audience who couldn't believe what they experienced through the first Festival that chose it. A complete success!

Yikes but this is quite a difficult film to watch. It's centred around three teenage girls who live amidst the poppy fields of Mexico. "Ana" (Maria Membreño) "Paula" (Alejandro Camacho) and "Maria" (Giselle Barrera Sánchez) try to live their lives as normally as they can, but the fact that their school teacher is leaving because he won't pay protection money to the drug pedlars gives us some indication of the society in which they live. Indeed, it's this teacher who raises the issue of a missing girl - and that enlightens us to the fact that once they reach a certain age, these young women have other "uses" and nobody dares speak out about it. The chronology flits between the current life of these three and their younger childhood and illustrates that for them, there is little hope of change unless they are prepared to leave - but that they don't want to do with out each other or their mothers (the fathers don't feature at all in this drama). The rather courageous role of motherhood is really well exemplified by Mayra Batalla's contribution as "Rita". A woman who treats her daughters first menstruation with a dread that the young girl does not yet appreciate the significance of. It's a beautifully photographed vicious circle, with the emphasis on vicious. There are attempts at government interventions, local troops stationed and helicopters depositing toxins on the flowers, but the thrust here from director Tatiana Huezo is of a cycle of depressing and dangerous inevitability that it is difficult to see a way out of. The three young actors perform evocatively here offering us quite emotional and poignant characterisations. They are not simply going to give up - but it's not that simple. Harrowing, yes, but it's clearly been written and presented offering hope for the girls and to raise some awareness of the fact that as long as the West keeps buying the stuff, these people will live in a modern day slavery that turns your stomach.

Mexico's official entry to 2022's Oscars is simple and slow-paced yet so emotional and tough. The story is heartbreaking, moving, flows smoothly and delivers so much feelings without any forced efforts. Performances are solid and real. Cinematography is stunning. It's not everyone's cup of tea though.

A bittersweet innocence exists among a group of young girls growing up in a drug-controlled country. One viewing of this excellent film will convince even the most stubborn-minded of the main reason that some of Mexico's inhabitants are fleeing to America to seek a better life.

A good story, a strong direction, very beautiful cinematography and convincing acting.

However, for some reason, I didn't feel the emotional impact I was supposed to. Even if the story is good, the plot is, for too many minutes, uneventful and that pace is an issue as almost removed all my interest on it. I also have some serious problems with the editing (some scenes drag a lot as mentioned but also some strange and incoherent cuts, especially in the classroom).