Una historia confesional, aleccionadora y ocasionalmente humorística sobre la vida joven de Robbie Robertson y la creación de uno de los grupos más perdurables en la historia de la música po... Leer todoUna historia confesional, aleccionadora y ocasionalmente humorística sobre la vida joven de Robbie Robertson y la creación de uno de los grupos más perdurables en la historia de la música popular, The Band.Una historia confesional, aleccionadora y ocasionalmente humorística sobre la vida joven de Robbie Robertson y la creación de uno de los grupos más perdurables en la historia de la música popular, The Band.
- Dirección
- Guionista
- Elenco
- Premios
- 4 premios ganados y 8 nominaciones en total
- Themselves
- (material de archivo)
- Self - Bass and Vocals, The Band
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- Self - Vocals and Drums, The Band
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- Self - Piano and Vocals, The Band
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- Self
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- Self - Robbie's Mother
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- Self
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- Self - Robbie's Father
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- Self - Robbie's Biological Father
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- Self - Robbie's Uncle
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- Self - Robbie's Uncle
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- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Couple of comments: this movie is directed by documentarian Daniel Roher, but more importantly executive-produced by Martin Scorsese (who of course directed "The Last Waltz") and Ron Howard. In the end credits, we learn that the documentary is "inspired by" Robbie Robertson's 2017 memoir "Testimony", and indeed this is very much Robertson's perspective on how things unfolded. The documentary is absolutely tops in its first half, where we revisit how Robertson, at age 15, wrote a couple of songs for Ronny Hawkins & the Hawks (where the drummer was a certain Levon Helms), and a year later he was invited to join the Hawks. Plenty of archive footage along the way livens up the big screen, and it's like sitting at the feet of a music history teacher. Indeed, Robertson proves to be quite the master story teller ("joining Bob Dylan was a detour but we decided it was a worthwhile detour"). The movie's second half is not quite as formidable, as we follow the Band's demise (leading to the brilliant 1976 farewell concert "The Last Waltz"), and the subsequent bitter falling-out between Helms and Robertson. But in the end, the proof is in the pudding: I couldn't believe how quickly the theater's house lights came back on, as the movie had simply flown by in no time. When in the last scene of the movie we watch them play "The Night They Drove Old Dixie Down" in "The Last Waltz" and we are reminded that it was the very last time these 5 guys ever played on stage together, I readily admit that I choked up. What a loss for rock music that was!
"Once Were Brothers: Robbie Robertson and the Band" premiered last Fall at the Toronto International Film Festival to great acclaim. It opened last weekend at my local art-house theater here in Cincinnati and I finally got a chance to see it this weekend. The Friday early evening screening where I saw this at was not attended well (3 people, to be exact), and I can't see this playing much longer in theaters. But it you are a fan of rock music history or simply a fan of the Band, I'd readily suggest you check this out, be in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Beyond the story as told by the many participants lending their reflections to this doc, I must say that the filmmaking is quite well done. Daniel Roher weaves a film with archival footage, testimonials, and the legendary music into something that is exciting to watch for any fan of The Band. It is emotionally touching, funny, insightful, and ultimately a great tribute. Yes it is Robbie's portrait of The Band, but it nevertheless faithfully chronicles a musical force that would influence generations to come.
I can vividly remember getting the 'brown' album, which I still have, and being blown away by what I thought were former Confederate soldiers (which they resembled on the cover, old Civil War photos come to life). The music, vocals, and lyrics were indelibly fixed in my mind and I played the album for days even up to today. I played the tape out in my car (perfect driving music). 'Once Were Brothers' is music history iwell thought out and told by Robertson with archival footage of the other members and guest historians (Ronnie Hawkins, their road manager, Clapton, Van Morrison, etc.). Lots of stuff here that I didn't know. I thoroughly enjoyed every minute, and the doc prompted me to get out my Band LPs and CDS for a nice listen.
If you are a fan or even new to The Band you shouldn't be disappointed in this film. Just take a trip back and enjoy the scenery.
¿Sabías que…?
- TriviaThe distinct signature sound Garth Hudson has on the organ is from a Lowrey organ.
- Citas
Ronnie Hawkins: They paid 35000 cash right in front of me for a little ole bit of cocaine. I snorted a couple lines, and I said, "Boys, there's enough flour and sugar in this shit, you'll sneeze biscuits for three fuckin' months after you snort this..."
Ronnie Hawkins: [chuckles]
Ronnie Hawkins: ...and they ended up buying another one.
- ConexionesEdited from El último rock (1978)
Selecciones populares
- How long is Once Were Brothers?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Once Were Brothers: Robbie Robertson and the Band
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 449,561
- Fin de semana de estreno en EE. UU. y Canadá
- USD 37,828
- 23 feb 2020
- Total a nivel mundial
- USD 536,534
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Relación de aspecto
- 1.85 : 1