Get Away

Perhaps the most enjoyably wacky performance here comes from Maisie Ayres, while the rest of the cast (Nick Frost, Aisling Bea, and Sebastian Croft in lead roles) is adequate. The twist (+ shift in tone) that happens around the 55th minute (or so) feels sufficiently smooth, and that's why I'm rating this 3 stars-it's a 2.5 otherwise. The last half hour is a bloody showcase, offering some inventive, gratifying kills. Well, given that he's the writer, Nick Frost has some funny lines in the first two acts.. and besides Ayres, that's what keeps the whole tired premise (up until that point) going. I think this will help Ayres land more roles, which I'm really looking forward to.

Nick Frost likes a light horror. After just starring in the ghostly "Black Cab" he stars in and wrote extremely silly slasher send-up "Get Away". He & wife Aisling Bea (with teen kids Maisie Ayres & Sebastian Croft) go on holiday to a small, remote Swedish island that's about to go into its annual macabre festival... and does NOT want them there. Though the story has hints of "Midsommer" the style couldn't be more different, and the quality's way off too. Steffen Haars' direction is basic and the performances are mediocre (though Ayres is decent on her big-screen debut, as are Eero Milonoff & Anitta Suikkari as nutty local Swedes). It's moderately entertaining, but sure ain't great.

When this movie ended my overall reaction was "Why did anyone choose to make this movie?" Everything in it is bonkers. Then I watched the three "extras" on the DVD and the writer explained his inspiration, from vacations he took over the years.

The writer is Nick Frost who also is in the lead role as Richard. Aisling ('ashling') Bea plays his wife, Susan. They have along with them a son and a daughter appearing about 20 or maybe a bit older.

There is an annual festival on a small, remote island and they time their trip to witness it. However they find the insular locals very unwelcoming.

To say much more would be to give away important spoilers but suffice to say it is a comedy/horror movie, as things develop we witness lots of blood and gore and dismemberments.

I watched it at home on DVD from my public library. The extras are essential. Would I watch it again, or recommend it to anyone I know? Definitely not unless you are a big Nick Frost fan.

Greetings again from the darkness. Every movie review provides the opportunity to walk the line between telling enough, but not too much. Some movies pose more of a challenge than others, and this is one. Director Steffan Haars (the 'New Kids' movies) and writer-actor Nick Frost team up to deliver a devilish and campy folk horror-slasher-comedy that brings a bit of innovation to genre that could use a boost.

Nick Frost stars as Richard Smith, a Dad-Joke-loving goof desperate for a relaxing holiday with his family. He's joined by his wife Susan (the multi-talented Aisling Bea), and their teenagers Sam (Sebastian Croft, "Heartstopper") and Jessie (Maisie Ayers in her first feature film). Their odd choice for the 'get away' is Svalta, a remote Swedish island that sports a dark history with its tragic 19th century plague that nearly wiped out the population. The family has scheduled the trip around the Festival of Karantan (Quarantine) marking the unfortunate events of yesteryear.

Upon their arrival, the locals give them an icy and somewhat threatening reception. Referring to the festival as a "play" doesn't help their cause, and it's only when their creepy Airbnb landlord (Eero Milanoff) shows up to claim them does the tension soften a bit. The house they've rented seems perfect, but soon things feel a bit off. Sam's vegetarian diet and Jessie's spirited approach add an extra dimension, while Richard and Susan play off each other expertly (as we'd expect from Frost and Bea).

This was my second Nick Frost horror movie in less than a month, as this is on the heels of his much less funny turn in BLACK CAB. Of course, he's known for his comedic turn in the Cornetto trilogy, and his screenplay here is quite impressive. The film really plays up the whole "outsiders" feeling unwanted ... just before the magnificent twist that turns the film into an off-the-rails blood bath. Barry Blue singing "I Eat Cannibals" provides a fitting musical ending to this wild ride from Shudder Films.

Opening in theaters on December 6, 2024.

So many bad reviews! So unwarranted! It's no Oscar winner, but it's also not that bad. Yes, I thought I saw the twist quite early, but I wasn't certain so it kept me guessing. It's good these days to get a film of sensible length, that maintains my interest for most of the movie. The comedy, whilst limited, was in keeping with the pace and characters. What do people want from a Sky Original? I'm not sure it will do much for Scandinavian tourism, but I'd be tempted to visit the island for novelty value. From unwelcoming locals to an incredibly useless police officer, the supporting cast did the job of supporting. The main cast were effective whilst remaining subtle in their roles. I enjoyed it for what it was - a 'B' Movie that knew it was a 'B' Movie!