Mangrove

As part of a BBC initiative that has lead to support stateside through Amazon: Prime, the Small Axe series has allowed Academy Award nominated director Steve McQueen a chance to explore five separate stories of West Indian immigrants to the UK in the 1960's and 70's with the series kicking off with a bang with the first installment titled Mangrove.

Based on the true story of the Mangrove 9, a group of black citizens in London who were unfairly charged with serious offenses relating to riot and affray when a protest they were a part of descended into chaos due to police interference, McQueen's first effort under the Small Axe banner is a powerful and humanistic tale that is relevant in today's climate and features some awards caliber performances from its leads Shaun Parkers and Letitia Wright.

Never once feeling like a made for TV production, McQueen embeds Mangrove with the same power and poignancy that he made his name with in films such as Shame and 12 Years a Slave and without ever beating his viewers over the head with heavy handed delivery, his film paints and insightful picture of a time and place in Britain's history that is filled with humanistic moments that both shatter your spirit in humankind and uplift it as the films central figures wade through an horrific ordeal to clear their names.

A long-term player in the industry both at home and abroad, Mangrove gives Shaun Parkes the role of his career as immigrant and new restaurant owner Frank Crichlow, a man whom local police have targeted unfairly throughout his desire to operate and run a legitimate business and Parkes excels throughout the film with a combination of intense final scenes in the film some of the best acting you're likely to witness this year, on a screen both big or small.

As well as McQueen's typically in tune direction accompanying Parkes fine central turn, Marvel star Letitia Wright proves she has what it takes to be a key player in Hollywood for years yet to come with her passionate turn as Black Panther member and outspoken black advocate Altheia Jones proving to all that there's more to the young performer than Shuri.

With such fine performances and careful and considered direction, this longest edition to the Small Axe series is potentially its finest and one of the years most powerful and relevant tales.

Final Say -

An important piece of storytelling for the time and place we find ourselves in at the moment, Mangrove is a fiery beginning for the Small Axe anthology and further proof that McQueen is one of the great directional talents working today.

4 street parties out of 5

Part of 5 movies in the series called Small Axe directed by Steve McQueen. The movie was about the Mangrove Nine trial in London, 9 African-Caribbean who were accused of inciting violence in a protest against police harassment to the community.

The Trial of Chicago 7, which was also about a trial, was dynamic and fast-paced. Mangrove, on the other hand, was slower, but spent more time on the characters' speeches and dialogues. The plot was straightforward, so the quality depended entirely on the actors' performances. And I was thoroughly amazed and enjoyed the passionate acting from everyone in the movie.

Also notable was the camera work. There were a couple of scenes where after the event ended, the screen lingered on an object or people for a long time to prolong the effect of the events.

As for problems, the character Frank Crichlow was supposed to be the main focus. However, the other characters were those that had the moments in the movie, and Frank didn't really get his big moment as a main character.

Overall, despite the plot being nothing new, the passionate performance from the solid cast reemphasized the harsh and unjust treatment from the broken system against the black communities. 8.5/10.

Definitely the best of the three Small Axe instalments I've seen so far (watching them all out of order- sorry 😓).

I think this one in particular is so well written and acted that had it been released theatrically, it would have been a shoo-in for at least a best screenplay nomination and at least one acting nomination, maybe more (Letitia Wright and Shaun Parkes were particularly fantastic. The former I've seen of course in the MCU, but this is a huge step up- she should have a big career ahead of her).

While it takes a little while to get going with a slow by steady first act that sets everything up, the final two thirds really deliver. Perhaps it could have been edited down a tiny bit more, but even then, there are admittedly some sequences (and even individual shots) that are memorable because of how long they go on for, so maybe not- maybe I'm just nitpicking.

The courtroom scenes feel authentic, and there's real suspense towards the end if you don't know how the real life case was concluded. I appreciated how little theatricality and Hollywood cliches there were in these courtroom scenes, yet whilst they felt very real and authentic, they were never boring or unengaging.

Thematically it's sharp and to the point. It conveys its message exceptionally well, and never feels preachy or manipulative in any way.

McQueen's made something really impressive with this Small Axe series. To put out essentially five features in a short amount of time and have them all be quality (can personally vouch for 3/5 atm at least) is astounding.

Steve McQueen has provided an insight into the institutional racism that was commonly faced by the West Indian community in London in the 1970's which sadly continued and, to an extent, continues far beyond the events portrayed. The Mangrove paints a picture of a community under siege, invited to the UK to fill employment needs after the war, but later resented for their mere presence and desire to create a sense of community.

A film of two parts, the early character development underscores the great diversity of the West Indian community, presenting the common dilemma to stay and to build a future or to leave and accept defeat. Growing up in the UK in the 1970's it's not hard to remember how much that casual racism was the norm, whether in the playground or in the streets. McQueen captures the normality of that and how it facilitated those in authority to act in a way that would now, in general, be seen as wholly unacceptable.

The film will draw obvious comparisons with the recent Chicago 7 film, but for me, this was a far more robust production with better character development and acting and less emphasis on dress up and wigs than Aaron Sorkin's effort. It certainly had a far greater sense of realism, place and time. Comparing the filmed version to the actual events, McQueen has been true to events and to the people involved - something which makes the continued harassment of the people involved for years after the events portrayed even more chilling!

The initial (and longest) of Director Steve McQueen's Small Axe anthology is set in the Notting Hill section of London in the late 60s/early 70s. Based on a true story of a clash between police and the Caribbean community and centered around a local restaurant, the case became known as the Mangrove Nine. McQueen and co-writer Alastair Siddons do a fine job of creating a feel for the time and place. The characters are fleshed out and given the space to become real persons instead of distant 'historical figures'. The screenplay does occasionally verge on preachiness, but, the acting by Shaun Parkes, Letitia Wright, Malachi Kirby and others keep it far enough away. The policemen are more stereotypical -- including the main villain, PC Pulley (Sam Spruell) -- but they are well acted, as well. The second half is dominated by a trial (there were multiple), and is a bit less interesting, if well enough handled. The problem of trying encapsulate a lot of incidents and twists and turns into a coherent hour or so, lead to some editing and writing issues. MANGROVE is a solid docu-drama and a good lead off to the Small Axe series.