Man in Room 301

I really liked this series. I can understand the people who felt lukewarm about it - it has its fair share of contrivances and slightly unbelievable plot twists. But what made it for me were the performances - mostly 10/10 imo - and the way it didn't overreach into the backgrounds of the families to try and explain why they were so dysfunctional. I thought the direction was good and the storyline just about plausible. And the ending was satisfying - obviously very contrived, but the key message that the sins of the fathers do not necessarily have to be visited on the generations that follow left me feeling a bit more upbeat about life, especially after being in Covid isolation for a few days :)

We've now got used to these thrillers dramas etc . I looked forward to this one , my biggest problem is the way they've put it together , jumping to different years so if you look away for a second suddenly you find it's leapt back or forward to a random year it seems !! Otherwise it's pretty enjoyable but it does need your full concentration

I have to admit I nearly gave up after the first episode. The constant toing and froing between now and back then was wearying and confusing. I stuck with it and by the end of episode two, things had started coming together.

I think this production suffers when compared to some of the other excellent stuff that has recently come out of Finland. It's nowhere near on the level of Sorjonen or All The Sins. Nonetheless, it's a competent, if predictable drama that entertains in a series of six manageable-length segments.

The plot twists and revelations are obvious a mile off. We know that the original accident cannot be as was alleged because we are not shown it in its entirety. It's also pretty obvious that the least likely person is going to be the baddie. And that the original plotters are going to get their just desserts.

There are gigantic plot holes, unfortunately. It's unlikely to the point of impossibility that any Finn (or even any Western European) would waltz off with someone else's kid, on one occasion taking him to another island, without parental consent which was not even sought. There were also dichotomies in some of the characters' personalities that made them act in ways that were not consistent with their previous motivations. I can't believe how superficial the police investigation was either nor how forensics, which were mentioned, didn't manage to drill down further to the truth.

I didn't binge watch. I took it at a pace of two episodes a day and that was quite enough. I was perfectly happy to have watched this for what it was which is an easy bit of confectionary to while away some empty afternoons (we are still locked down here).

The casting was all wrong. The audience were drawn into a "who is it" rather than a "who dunnit" plot and the production cheated. Leo (confusingly played by Elias Gould) - was an obvious choice to play the older Elias Leppo. He would have been very believable and had the right colour hair. In the end it proved that Elias Leppo was played by somebody who looked nothing like the younger version of himself and even had the wrong hair colouring. Ginger hair does not turn into black!!! Add in the holes in the plot and the end was all rather disappointing after a promising start. Even the title was misleading.

Partly created by Briton Kate (Shaun of The Dead) Ashfield but transferred to Finland, a twisty piece of fluff. Twelve years after a child is killed, the extended family are targeted by someone they believe to be the person held responsible. Half the series drip-feeds the history, the other half covers the repercussions. There are storytelling absurdities - a young couple who think it is acceptable to take a child from a hotel without seeking permission from the parents - but suspension of disbelief leads to a fun story. After the first two episodes I sought out the other four via on-demand services rather than wait.

Perhaps the series is unfairly lumped in with Scandi-noir, which it is not. The story is basic and allows us to stay a step ahead of the plotting at all times. The ending should be a surprise to nobody but it is still fun getting there. Only the most inexperienced watcher will be caught out by the twists, and I found myself adding others that weren't there, but the innocent characters are likeable and we want them to survive. Even the final resolution is largely satisfactory.

The show is not going to change the world but it helps pass the time and should offend nobody.