Boyhood. Momentos de una vida

I was nervous going in because I wanted Boyhood to be good. In fact, I wanted it to be spectacular. I've been a fan of Richard Linklater's career since I watched Before Sunrise (a viewing of Before Sunset quickly followed) back in 2010. His ability to capture an experience, a culture, a generation, and a life and translate it into film in such a way that is utterly beguiling, yet doesn't feel manipulated is staggering to watch. News of Boyhood reached me around this time last year, and before I knew much about it, I was hooked. A film from Richard Linklater about a young man growing up around the same time I did? And 12 years of filming were dedicated? It was going to be spectacular. So much for nothing in life being certain.

Allow me, if you will, to avoid the part where I colorfully unpeel Boyhood's dynamics, hinting along the way how well it fairs against everything I've seen. IT. IS. UNBELIEVABLE. The script, the execution, the profoundness, and seamless integration of time are nothing short of astonishing. Subdued in nature as it may be, Boyhood is a vivid, captivating, all-consuming assault on the senses. Not only that, there is a deep seated quality to everything it does. And the viewer is absolutely at the core of the experience. Each element has been created and tuned to allow you to express yourself anyway you wish. And that amazing focus has produced a breathtaking film.

From a technical standpoint, it's everything I've come to expect from Linklater, only finished to a higher standard. Boyhood is a film about life. The script has no rising action, climax, or falling action. There is no plot driven by a narrative driven by a goal. Nothing feels manipulated. Linklater's directing is level-headed and controlled, with quick cuts to whoever is talking and a lack of camera motion for a truly first-person omniscient feel. You are observing, but not fully knowing. And the cinematography... was there even a cinematographer? Boyhood's sets look so painfully boring because everything looks so natural, the background fades and allows 100% of your focus to be on the characters.

Despite a silent car ride home and very much conducive analysis, my brain is STILL buffering from the mind-blowing quality of it all. I wonder how I will view my words when this high subsides. My final scattered thought is this; The best moments in film are when it comes across something; a thought, a feeling, a way of looking at things that you'd thought was special and particular to you. And here it is, set down by someone else, a person you've never met. And it's as if a hand has come out and taken yours. That is what Richard Linklater has done. Boyhood is a great film. More importantly it's a great film from Richard Linklater. Maybe even the greatest. and his career is here to stay.

Impressive for its technical achievement, and an enjoyable film, if only for seeing something that has never been done before. I came away not feeling I had learnt much about myself though and I was expecting to from such a profound filmmaking journey.

"Boyhood" is one of the most original films I have seen and when it was over, it left me wanting more--both signs that it was a terrific film. What is so original about it? Instead of making the film during the usual film schedule lasting a few months, this film was made over 11 years! So, instead of having multiple kids playing the same character, here we see the same child actor as he grows from age 7 to 18. Similar sorts of things have been done with the "Up" series, but these are documentary films. Here, it's a fictional snapshot of a boy's life--and it's so unusual that I strongly recommend you see it.

As for the story, I will admit that it will not appeal to everyone. After all, like real life, some parts are slow and not particularly interesting. Additionally, many viewers will be turned off by seeing the realism--showing kids doing illegal or dangerous things, cursing, teenage sexuality and the like. Plus, a few might not like the political or religious messages that come in the film. However, this last point I could easily overlook as politics and religion ARE parts of real life and discussing them is appropriate to heighten the film's realism--even if you don't agree with the orientation. Overall, an exciting sort of picture--one that must be praised for the care and efforts taken to create such a groundbreaking project.

If this film is not a miracle of sorts, then, I don't know what is. Time is the plot, yes, and it overtakes without us noticing when or how and the next stop is "my f"%&ing funeral" Patricia Arquette gives "Boyhood" its palpitating heart. It reminded me and confirmed that the future is female and that Patricia Arquette is one of the greatest actresses that ever lived. That incident with her Mexican laborer and its consequences (I don't want to give away too much) are one of the many gems this miracle of a movie exposes. Ethan Hawke, heartbreaking, funny, enormously real and then, Lorelei Linklater, beautiful, unique. Ellar Coltrane...where do I start here? I hope he knows that the truth and beauty of his creation, touched, transformed and enlightened anyone who came to meet you with an open heart. Firstly and lastly, Richard Linklater...he's been a hero mine for a long time but now, he's in a place that I reserve only for him. Artist, adventurer, explorer, storyteller, miracle worker. His film, for us who look from the outside, is a hymn to family, friendship, loyalty and cinema. Thank you sir, thank you all.

Once a year, over the last 12 years, Richard Linklater ('Waking Life' / 'Before Sunset') has reunited the same cast and shot segments of a feature film following the life of a boy (played by Ellar Coltrane – who literally grew into this part and became an actor of substance) from the age of 5 through the age of 18; the result is both fascinating and inspired. The only other project that comes close in comparison is Michael Apted's 'Seven Up' series which documents the lives of a collection of school children in 7-year intervals, starting in 1964 and still going as of the latest edition in 2012. What's so unique about 'Boyhood' is that these individuals (including Ethan Hawke, Patricia Arquette, and Linklater's own daughter, Lorelei Linklater) evolve and age within a scripted narrative that is not 'like' a time capsule, this is a completely authentic period piece that retraces an era from the cultural response to September 11th, through the election of Barrack Obama, and into the age of social media saturation. As you watch these actors morph through more than a decade of their lives within a few hours, the story becomes as engaging as its concept. Throughout my life and travels, I've heard so little enthusiasm for Linklater outside of Austin and it's a shame because he is a unique force within the industry and quite an American gem. The director received a well-deserved standing ovation from SXSW's elated audience having, once again, set a new standard in the exploration of film's potential and reinforcing the limitlessness of DIY filmmaking.