CALIFICACIÓN DE IMDb
7.1/10
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TU CALIFICACIÓN
Un par de policías en conflicto localizan a un dúo mortal.Un par de policías en conflicto localizan a un dúo mortal.Un par de policías en conflicto localizan a un dúo mortal.
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To the reviewer who says if your acquainted with British series you won't like this pfft. I watch mainly all UK series and watched 2 episodes last night ( that's all I could get) and thought it was pretty good. I watched 1 episode of whitechapl ater and fell asleep. Also it took me forever to go back to Broadchurch after 2 episodes and boy was I glad I did. it's only few episodes in and I go agree they gave it all away right away so hopefully there' some twist in it all but I'll definitely continue and was upset I could only watch 2 episodes.
Dark and different story, with an interesting villain in "Frederika", a psycho for sure. I just wished she hadn't constantly said "Baba" the whole time! I know it was his name but it got a bit wearing agfter a while.
The relationship between police colleagues Lola and Jackson was fun and his character was really appealing. Eve Myles looks very dowdy in this, compared to the glamorous and sexy Faith in the brilliant Keeping Faith, but that's being a good actress I guess.
What I can't understand is that some of the better known actors in this - Kris Marshall and Neil Stuke - don't appear in the cast list shown on here.
Anyway, this is definitely worth watching.
The relationship between police colleagues Lola and Jackson was fun and his character was really appealing. Eve Myles looks very dowdy in this, compared to the glamorous and sexy Faith in the brilliant Keeping Faith, but that's being a good actress I guess.
What I can't understand is that some of the better known actors in this - Kris Marshall and Neil Stuke - don't appear in the cast list shown on here.
Anyway, this is definitely worth watching.
A fantastic cast of very strong performers cannot salvage the heavy-handed script. There's a constant feeling of "where have I heard this before" as the dialogue advances and reveals itself as formulaic and disappointingly contrived.
The premise of a murderous duo, who also seem to be survivors with unusual backstories seems like a winner, except the creators drop too many emotional and moralistic breadcrumbs. More disappointing, the baddies are bad from a distance, so the against-type characterization is only applied to the killers.
The law enforcement are pretty by-the-book "chalk and cheese" who will discover how much they need each other as the series unspools.
This is head above much of the competition, but seems intent on tripping itself up in the strangest ways. Worth watching if there's nothing else around.
The premise of a murderous duo, who also seem to be survivors with unusual backstories seems like a winner, except the creators drop too many emotional and moralistic breadcrumbs. More disappointing, the baddies are bad from a distance, so the against-type characterization is only applied to the killers.
The law enforcement are pretty by-the-book "chalk and cheese" who will discover how much they need each other as the series unspools.
This is head above much of the competition, but seems intent on tripping itself up in the strangest ways. Worth watching if there's nothing else around.
I'm not sure how I feel about this series. I liked it but it did irk me too. Some nice performances which hide the story weaknesses. There were too many plotting conveniences, logic problems, plot holes and poor procedural research in the latter episodes. I think it's a mistake to carry on with Freddy's story. It'll be too much like Killing Eve.
A fabulously refreshing series with a wonderful blend of humour with a sinister brooding atmosphere. The story is entertaining, snaking its way across the landscape in a dangerous game of catch-me-if-you-can.
The main characters are superbly portrayed with powerful intra-team dynamics with the ever bickering Lola and Jackson and their strongly contrasting temperaments. Also cross-team there is a taunting love/hate relationship between matter-of-fact Lola (Eve Myles) and the out-and-out psychopath Freddie (Hermione Corfield). This is reminiscent of the liaison between Eve and Villanelle in Killing Eve; both ladies are magnificent, as anticipated from Myles, but the (to me) unknown Corfield is a breath of fresh air, nailing her part.
An original series, head-and-shoulders above most UK procedural thrillers with excellent writing, powerful dialogue and suspense to spare.
The main characters are superbly portrayed with powerful intra-team dynamics with the ever bickering Lola and Jackson and their strongly contrasting temperaments. Also cross-team there is a taunting love/hate relationship between matter-of-fact Lola (Eve Myles) and the out-and-out psychopath Freddie (Hermione Corfield). This is reminiscent of the liaison between Eve and Villanelle in Killing Eve; both ladies are magnificent, as anticipated from Myles, but the (to me) unknown Corfield is a breath of fresh air, nailing her part.
An original series, head-and-shoulders above most UK procedural thrillers with excellent writing, powerful dialogue and suspense to spare.
¿Sabías que…?
- Citas
Cian Fitzgerald: So you believe me then?
Freddy Lane: A child and a baby are left alone in the bath and the baby drowns. Whose fault is that, the child's or the adult who left them both alone?
Cian Fitzgerald: I didn't do anything wrong Lily!
Freddy Lane: What if the adult comes back to find the child holding the baby's head under the water? You know the answer don't you? It really doesn't matter. Because what I've recently come to realize. There's only one thing that should concern any of us. Do you know what it is? Make sure you're not the baby!
Cian Fitzgerald: No!
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