Los 4 fantásticos: primeros pasos

Yeah, I liked this movie but in a strange way.

No doubt it's a different take on recent Marvel movies: retro and conventional, yet elegant. There's just enough action, depth, and climax, though nothing exceptional. It's gentle and centered around family, making it enjoyable for anyone not just hardcore comic fans. The plot, characters and acting was done very well in my opinion and what sets this movie apart from most marvel movies out there.

Then come the parts that only comic fans might question. How Sue managed to handle Galactus in the final battle, and the portrayal of Galactus's own capabilities, felt a bit questionable. A little too light, I'd say.

I give it an 8, not because it's great, because in the current struggling landscape of marvel movies, it somehow worked and managed to stand out by avoiding any major faults. And you have to look at it from a marvel comics lens. But in some other ways, it's more of a 7.

Hopefully, Marvel is on track to gradually bring back the glory, intense and climax of Avengers: Infinity War and Endgame to the big screen. Fingers crossed!

I mean I went to theater with quite high expectations. But honestly was a bit disappointed.

Movie tried to explore characters and their depth more but collectively as whole it went bit shallow and mediocre storyline.

It was definitely better than previous ones. But calling it one of the best MCU films? Um nope. Not at all.

The film looks very good-one of the most visually impressive Marvel films. The scene in space blew me away. The retro-futuristic look is very well done, with a lot of practical effects. The characters were very well cast. The interaction between the characters is well written, and you immediately get a sense of their relationships. Pedro Pascal is, for me, the scene-stealer because he plays Reed Richards perfectly. His inner conflict is portrayed extremely well. The Silver Surfer is also cool, as she actually surfs, and her action moments are fantastic. The score is amazing-a real earworm and one of Marvel's best.

Unfortunately, the film was too short. They should have expanded the world further; it went a bit too fast. Especially in the second act, when Galactus appeared, the plot felt rushed and didn't really take its time. The story itself was relatively flat and without many complex twists.

In summary, the film was good, but something was missing in the second act. 8.1/10.

The movie is set in the 1960s, and I really liked the retro vibe. The visuals, costumes, and music all felt fresh and different from other Marvel movies. Pedro Pascal did a solid job as Reed Richards, and Vanessa Kirby was great as Sue Storm.

The story was okay, nothing too deep. It felt more like an introduction to the characters than a full, exciting story. There wasn't a strong villain presence either-Galactus didn't feel dangerous at all, and Silver Surfer barely had any screen time.

There were a few fun moments and some nice character scenes, but the pacing was off sometimes. Parts of the film felt slow or a bit disconnected. Not much tension or emotion overall.

In short: it's a decent movie to kick off the new Fantastic Four era, but nothing special. I'm curious to see what comes next, but this one didn't blow me away.

The Fantastic Four: First Steps doesn't just reboot a legacy - it rewires it with care, clarity, and cinematic control. From its very first frames, the film announces a shift in tone: retro aesthetics lend a nostalgic yet distinct visual palette, while the story grounds itself not in multiversal noise, but in human decisions and scientific curiosity. This is a Marvel film that respects both the super and the human.

Unlike most origin stories, the setup here is brisk and assured. The film's first act is structured to give audiences a quick, satisfying look at the team's backstory and past deeds, never lingering too long but still managing to earn every emotional beat. There's no hand-holding, and yet nothing feels rushed.

Where this film truly surprises is in its character work. Johnny Storm isn't just the loud, reckless sibling - here, his intelligence is finally given equal weight, offering context to his presence among astronauts. Ben Grimm, too, is more than the "muscle"; there's a deep sincerity to his character, a balance of science and strength. The team chemistry feels lived-in - full of quiet bickering, mutual admiration, and a rhythm only shared by families who've been through things together. Their bond feels earned.

Villain-wise, First Steps pulls off a rarity: a visually formidable Galactus rendered with restraint, not excess. Though Silver Surfer purists may still hold a soft spot for Doug Jones' performance in Rise of the Silver Surfer, this iteration serves the story's vision well. And in a surprise turn, even HERBIE - the team's robo companion - is no gimmick. The CGI character is narratively vital, not just another quip machine.

Director Matt Shakman strikes an impressive balance between science-fiction and superheroism, giving each frame a purpose. The film doesn't lean heavily on humor (thankfully), instead relying on strong dramatic beats, coherent action, and a screenplay that embraces a comic-book sensibility - particularly during its stylized crescendo.

Visually, the film is a treat. From cosmic scenes to grounded lab environments, everything feels tangible and lived-in. The action is clean, never bloated, with each power sequence well-thought-out and easy to follow. While the score doesn't stand out as a whole, it's used judiciously, heightening the right moments without becoming overwhelming.

Despite being part of a sprawling cinematic universe, First Steps works remarkably well as a standalone. It carves space for the Fantastic Four without relying on MCU cameos or overstuffed references. That said, the post-credit scene is minimal yet seismic - enough to send a wave of gasps through the theatre.

Sum up - The Fantastic Four: First Steps is both a film and a foundation. It's smart without being cold, epic without losing intimacy, and finally gives Marvel's First Family the treatment they deserve. More than a comeback - this is a course correction.