Saloum

This was an unexpected treat, right from the get-go. This fast paced 84 minutes of genre-bending excellent display of filmmaking by Jean Luc Herbulot succeeds in elevating the story-telling experience in a Tarantino fashion, but within the west African beautiful landscapes and with the most colorful characters you can expect to see on the big screen. All casting and performances were excellent. The cinematography, score and visual effects were captivating. My only issues were some of the dialogue that didn't make sense to me, and some rookie-filmmaker plot and technical issues. I feel this film needed another 10-15 minutes added to the screenplay for better cohesion and clarity between the first and final act. Nevertheless, it's a great film I'll be watching at least one more time. Can't wait to see what this filmmaker gives us next. A well deserved 8/10 from me.

I understand that some felt the movie was a bit like Tarantino at the beginning ... but you can't really put this into a box. There is so much going on - not everything is working - or rather flowing like a river. To put a pun into this. There are a few things that may have gone over my head at the first time viewing, but I know that you can't watch this and have a black and white view on things (no pun intended with this one). There is a lot of grey area within the movie and the moral compass you may have, will freak out on you.

That said, there is violence and there is a twist that I did not expect to happen like that. But having said that, the special effects this uses for exactly that are not worse than any big budget movie (imho). And this was clearly made with a fraction of the money any Hollywood Blockbuster is using. This played at the Fantasy Filmfest in Germany and it fitted right in. Try to read as little as possible about this and enjoy the crazy and out there story that also is shot very beautifully - landscapes and framing wise. The latter even in a one-shot that is filled with action and works so smoothy you may not even notice there is not a single cut in it.

If you're open minded, go ahead and broaden your horizons ... in more sense than one.

To compare this to any Tarantino film is shallow and insulting. This film, although flawed, holds some actual originality instead of thinly disguised ideas "borrowed" from other films. The first half of the film is solid. Interesting characters in an interesting situation. The second half of the film reminds us that this is a horror film. If you have a pathological dislike for CGI - this film might not be your thing. Personally, I found the CGI as interesting as it can be...but it does take away from the realism established in the first half of the film. Interesting to see what looks to be Kumpo dance imagery. The cinematography and acting were great. The presence of a compelling story drives this film, elevating it above tired, old comparisons.

Western parallels abound, but this African tale spins around, up and down, starting off as a thrill, then it goes through a mill, becomes a kind of homecoming, next a need to start running, as the locals start spinning, and the demons start swinging, there's a price to paid, to the lost and betrayed.

Several films for the price of one, encased in a multitude of genres, with some spectacularly good effects, exceptional performances, both mysterious and puzzling, brutal and violent, with plenty of opportunity to wonder what on earth is going on, and why. If you're not familiar with West African cinema, I'm not sure this will bring you any closer to it.

A journey of vengeance through scenic waterways and hollow deserts, praising the well-deserved beauty of African continent. Unique trio of characters forming up the Bangui Hyaenas. A crisp performance by the cast showcasing maturity. Story manages to excellently build up the suspense until it all blows over. Satisfactory use of special effects. It's the birdbox's concept but with a twist, For this reason it may lack originality but the same was taken care of the final freedom of youngsters. When all technicalities are set aside what's most thought provoking is the mental trauma of a survivor and how the unlucky gets swallowed so the dinner table showdown is a hard critique to all negligences of children's care taking.