Saloum

I understand that some felt the movie was a bit like Tarantino at the beginning ... but you can't really put this into a box. There is so much going on - not everything is working - or rather flowing like a river. To put a pun into this. There are a few things that may have gone over my head at the first time viewing, but I know that you can't watch this and have a black and white view on things (no pun intended with this one). There is a lot of grey area within the movie and the moral compass you may have, will freak out on you.

That said, there is violence and there is a twist that I did not expect to happen like that. But having said that, the special effects this uses for exactly that are not worse than any big budget movie (imho). And this was clearly made with a fraction of the money any Hollywood Blockbuster is using. This played at the Fantasy Filmfest in Germany and it fitted right in. Try to read as little as possible about this and enjoy the crazy and out there story that also is shot very beautifully - landscapes and framing wise. The latter even in a one-shot that is filled with action and works so smoothy you may not even notice there is not a single cut in it.

If you're open minded, go ahead and broaden your horizons ... in more sense than one.

Caught this as part of the 2022 Edinburgh International Film Festival - the programmers were keen to share it, describing it as part of a new wave of confident film-making coming out of Africa.

It plays quite nicely with some signifiers - at some point our main trio look like evil mercs who kill anyone for money, but other scenes show them in a totally different light - and while it is happy to indulge in some Tarantino-influenced action it is also unafraid to touch on darker elements like the vile use of child soldiers. Very stylish, cool - good late night movie, and took a few turns I wasn't expecting in the narrative.

To compare this to any Tarantino film is shallow and insulting. This film, although flawed, holds some actual originality instead of thinly disguised ideas "borrowed" from other films. The first half of the film is solid. Interesting characters in an interesting situation. The second half of the film reminds us that this is a horror film. If you have a pathological dislike for CGI - this film might not be your thing. Personally, I found the CGI as interesting as it can be...but it does take away from the realism established in the first half of the film. Interesting to see what looks to be Kumpo dance imagery. The cinematography and acting were great. The presence of a compelling story drives this film, elevating it above tired, old comparisons.

This is a really great movie. I recommend it to everyone: it deserves a broader audience. It seems a great pity few people will view this because it's not a Hollywood blockbuster, when the quality is far superior to most. It is available online as it is not in theatres.

Beautiful cinematography (it was a pleasure viewing the scenes), interesting script (with a lot of unexpected turns), compelling performances, interesting setting in a part of the world that is little covered in cinema. No romantic angle, sentimentality or cliches, which is refreshing. An excellent movie for those who appreciate quality cinema.

Western parallels abound, but this African tale spins around, up and down, starting off as a thrill, then it goes through a mill, becomes a kind of homecoming, next a need to start running, as the locals start spinning, and the demons start swinging, there's a price to paid, to the lost and betrayed.

Several films for the price of one, encased in a multitude of genres, with some spectacularly good effects, exceptional performances, both mysterious and puzzling, brutal and violent, with plenty of opportunity to wonder what on earth is going on, and why. If you're not familiar with West African cinema, I'm not sure this will bring you any closer to it.