Planeta terror

I've seen a fairly large segment of this film and don't understand either of the two negative reviews at all. I classed it as a zombie flick and as such found it a good addition to the genre. To say it is the sickest (notice the correct spelling) film ever made shows a complete lack of cinema knowledge to the extent of idiocy. Anyone who has seen any of Rodriquez's previous work will not be in the least bit surprised by anything in this film and will probably enjoy as such. If you like the Horror genre, especially Zombies, which are thankfully making a return to cinema, you will find a special place in your dark and twisted hearts for this. I have and can't wait to see it on the big screen. Makes a refreshing change from the horror pap that's come out of Hollywood in the last decade.

Robert Rodriguez is back this time with a Grindhouse movie. I have always liked his movies. Even though they are somewhat formulaic, I enjoy the action and energy and there is a certain unique South American touch to them. I also disagree that he casts women as mere sex objects. Yes, he does work with incredibly sexy women who look hot on screen but they have much more to do than to look, be and act hot.

'Planet Horror' is his tribute to the 70s exploitation films. Many of such movies have become cult hits and even though hardly anyone would admit (except when among friends) to liking them, they have a growing niche audience and actually sell well. 'Planet Horror' also has the look of a movie on bad old film reel which is pretty cool.

Needless to say, the execution is pretty solid. The wild cinematography, adrenaline filled soundtrack and healthy doze of sex, violence, gore and humour work together excellently. The cast is terrific. While there Freddy Rodriguez (as El Wrey) and Rose McGowen (as Cherry) are leading the film and kicking ass, they are supported by Marley Shelton (lesbian doctor), Michael Biehn (as a Sheriff, what a comeback!) and Jeff Fahey (as the owner of a diner searching for the best sauce ingredient, what a comeback!). They are being hunted by a bunch of pus drooling zombies that include a psycho doctor (Josh Brolin) and a lieutenant (Bruce Willis). Meanwhile Naveen Andrews (a testicle-obsessed scientist) and Stacey Ferguson (a hot lesbian) make hilarious appearances. All the parts are played well by the great cast.

Rodriguez's homage is a thrilling watch. It's funny, energetic, visceral and adventurous. Rodriguez has succeeded again in entertaining his viewers. Now, I'm going to go watch Tarantino's 'Death Proof' (which is the second Grindhouse movie).

Everyone who thinks Grindhouse was a mindless piece of cinema and completely useless needs to shut up.

And as for telling people who like this movie to get a real brain, get off your high horse.

These movies were supposed to trashy and gory and cheesy, that's what makes them so great. Being immature and ridiculous everyone once and a while just for the hell of it is fun, and that's the spirit these movies were made in.

get the sticks out of your you know where people. It's not like I'm putting them on a pedestal with movies like Schindler's List, I enjoy them for the pure enjoyment of it.

these movies are brilliant for what they were made for. It's not like

Rodriguez's half of the original 'grindhouse' double bill , which consisted of his TERROR PLANET with Tarantino's DEATH PROOF. Likely audience reactions led to the two titles being separated and issued apart. As a homage to the drive-in tradition and genres beloved by Tarantino et al, the two films are resolutely exploitative, but PLANET is the most overtly tongue in cheek, and the most enjoyable, being a good old shoot 'em up Zombie flic. Unlike SIN CITY which was inspired by good source work which led to it being rather self consciously 'cool', PLANET tries hard to mimic bad work that, by definition of its admirers is *unconsciously* cool. This reviewer at least found the results less pretentious, the trash origins not being made more of than they ever were - the sexist treatment of women for instance less insidious.

The illusion of viewing much watched, much loved bad 70's junk cinema is extended even to the point of deliberately introducing blemishes to the film, also plot holes, as well as a whole 'missing reel' which interrupts the continuity, with suitable management apologies, half way through the action. Interestingly these artifacts on screen have a vivid presence, counterpointing key words and moments with an abstract, but deliberate commentary of colours, flares, clicks and splices that practically qualifies them as a 'character' in their own right. One especially relishes the colour balance slide to red as Tarantino (in a self-directed sequence playing a rapist) works his menace, or the apt film flare or burn outs during the erotic moments. Some great lines (e.g. Bruce Willis' opening words "Where's the sh*t?") and over the top gore add to a fun mix.

Perhaps the only miscalulation is the length of the film; most cheap exploitation flicks struggled to reach the 80 min mark, which meant their weaknesses did not always outstay their welcome. Clocking in at almost 2 hours, PLANET TERROR forgets eventually that more of the 'bad' to the Nth degree is not always to the best, revealing the self indulgence common to some of the later works of the Rodriguez-Tarantino school, but this is a minor quibble and fans won't mind. Whether or not those unfamiliar with the original inspiration will get the joke for that long is a different matter, although an audio track which includes live audience reaction makes things easier. The DVD comes complete with a splendid fake trailer for MACHETE, a supposed Mexploitation revenge drama - which incidentally IMDb seems to think is actually slated for production next year!

I reviewed this before as it was put together next to "Death Proof" (plus a number of inspired trailers for films that don't exist) for the grand experiment "Grindhouse",and I felt that while I still quite enjoyed the whole package, this probably should've been broken into halves to make this a little more viewer friendly (that is,assuming directors Quentin Tarrantino and Robert Rodriguez were EVER interested in trying to make a commercial hit out of their opus).

The pulpy,weighted on action tale of a bio-chemical leakage at a rural Texas military outpost that turns people in zombies brings together a variety of disparate locals,among them a hardened and bitingly sardonic stripper (Rose McGowan,who has to work hard to NOT drip sexuality) and her sometime boyfriend and bad-ass fighter (Freddy Rodriguez). Subplots involving a loveless and abusive marriage between wed doctors (MArley Shelton and Josh Brolin) and rival brothers--one a sheriff (Michael Biehn),the other a BBQ rib joint proprietor (Jeff Fahey,who was unrecognizable to me at first)--seem to be padding to build conflict toward a big,bloody,messy,fiery climax,and if there's anyone who understands those kinds of film finishes,it's director Robert Rodriguez,working the usual flourish and flair.

On it's own or added to Tarantino's road menace pic,this is still quite a bit of non-brain-taxing fun!