Gehraiyaan

Its journey of 148 minutes (including 16 minutes of pre and post credits) which finally takes you nowhere , neither its realistic nor it's entertaining to disappoint me further its not even as dark as I thought it would be . If you can sail through the first ninety minutes which will surely test your patience and intelligence then you will be rewarded for the last 40 minutes but when it concludes it feels like the writer could not handle the force he had unleashed in third act and leaves the end very conveniently where it does . Movie does try to add something with very last scene but then its credit leaves you with a movie which you would forget sooner than the time you had spent anticipating watching it after coming across the trailer or promotions .

In the first two acts of this movie most scene sequences are cut abruptly when it moves from one to another and it's noticeable . What seemed to be good cinematography from trailer isn't so in the movie , with mediocre scenes and the wave you see in trailer is the only wave you will see across the movie . Performance of Deepika Padukone is commendable but I feel it fails to be memorable given the weak and forgettable script . Naseeruddin Shah and Rajat Kapoor do their job with perfection in the limited time they are allotted and for other actors you can judge them with your perspective and taste as you go on a hectic journey but for me they were not that enchanting . Back stories and past of each character which seem much more interesting than what is going on in the present are never explored except small flashbacks and in dialogues.

Only thing that would leave a long impact on you is the song Gehraiyaan by Lothika except that everything else is unnecessary noise which you won't regret even if you don't watch this movie .

Special Mention : Movie explores the theme of infidelity ,depression and trauma but never gives real weight to either of these topics and lets it just flow like meaningless waves instead of depth.

Adultery, thrill, crime, drama, love (meh?).....nothing seems enough to carry this modern day version of 'kbhi alvida na kehna' None of the scenes seem to capture the essence of emotions; the viewers find it difficult to connect/empathize with any of the characters. Definitely a strech in terms of the length. It's time Bollywood brought us better versions of urban modern love stories.

The only objective of making such a movie is to showcase human emotions. This movie doesn't justify adultery or say cheating is cool. Worse, it doesn't do anything much at all. Shakun Batra does well with good cinematography. His attempt at bringing in a Sam Levinson-Luca Guadagnino type work into scenes is appreciable, much like Kapoor and Sons. So is Deepika's and Siddhanth's acting. But why cast Ananya Pandey? Her acting is so bad, she always seems like a clown in a board meeting.

Besides, there are glaring loopholes in the story. How does Zain run away from home, still manage to study in the US, scale up quick enough, return to India as a board member, start his firm, and still be young? Zain has no family? Why is Alisha onboard with cheating so quick? What is the cliffhanger even supposed to convey? 5/10 only for Deepika and Siddhant's acting, the cinematography, the music.

Well everybody acted very good ... Excellent.. director did amazing job with mediocre crime petrol story ....

All these years we as audience wanted Bollywood sud make Hollywood level movies so what our dharma producers thought... In Hollywood married super hit actress does all these adult scenes... Let's do that ... That's Sharma's Bollywood reply to Hollywood ... All acted well but why they needed Deepika for that ... I mean Deepika sud do movies which assures produces a great return ... Like high budget experimental movies with action etc ... Any way we will never make good scale movies not atleast by dharma as they are too mediocre in their talent.

The weakest part of Gehraiyaan, I thought, was its abrupt transition into a crime thriller. This was always destined to be an emotional drama, and the unexpected jump in pace startled me, and not in a very reassuring way. That aside, the drama bits are fantastically done. The contemporary struggles and feelings of two lived-in couples are splendidly captured. The leads, to my surprise, have incredible chemistry. What also helps is the character texturing. It's a family affair (pun intended!) alright, and leaving some dots deliberately disconnected for that end reveal made that climactic exchange between the characters of Deepika Padukone and Naseeruddin Shah a lot more impactful. Padukone also depicts breakdowns and anxiety attacks as they are, in a remarkable performance. Also liked how they ended it with effective throwbacks to phrases like "small world" and "the past always catches up." While the songs, visuals, and some of the dialogue carry the feel of regular Bolly fare, I'm glad they don't weigh the film's engagement factor down.