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I loved Searching (2018) so I was surprised that it was getting a standalone sequel.

For the most part, this is a worthy sequel that retains the great visuals and the compelling mystery of Searching (2018). Storm Reid is the main lead and she gives a great performance. Her character doesn't have a great relationship with her mother and she isn't exactly being great to her. Despite that, the movie gets you to really root for her because you see her desperation and regret once her mother is missing.

I do have a couple of gripes that make me enjoy it less than Searching (2018).

1. I find it hard to believe that the police wouldn't have access to the emails needed for the investigation.

2. Once the reveal happens, I question a lot of the overly complicated plan and the believability of it.

3. I also can't believe Javier has a 2.8 star out of 5 for his service. That guy is an MVP!

Just like Searching (2018), the mystery keeps you gripped with every twist and turn. It's a great mystery worth watching!

This movie had no right to go this hard and be so entertaining. I'm likely the demographic for this type of movie, as it takes place entirely on screens and the lead is just a bit younger than me, but I typically find "fully online" movies to be boring, but this movie was exceptional. The clues are laid out but in a way where they are not super obvious, though the reveals with the clues later on are believable. The acting in this film was also much better than I was anticipating. An issue with movies like this are that there is no HD camera, so the visual aspect of acting is difficult to pull off, but the voices alone make the conversations work, and the visuals aren't too bad either. The movie works so well because of its emotional core and because of Javi, the best character. He seems like a genuinely nice dude who was played expertly by his actor, and I was rooting for him and June the whole movie.

Wow, Missing completely caught me off guard. I went into it expecting a typical thriller, but this movie is anything but typical. Ava Zaria delivers a solid performance, but the real star here is the plot-it's a wild, twisty rollercoaster that never lets up.

Every time I thought I had it figured out, BAM-another twist came out of nowhere and threw me off. It's been a while since a movie kept me guessing like this one. Just when you think it's heading in one direction, it pulls the rug out from under you, and by the end, I was left saying, "What just happened?" in the best way possible.

The pacing was great, too-it's tense from start to finish, and the way it incorporates modern technology into the storytelling felt clever without being forced. If I had to nitpick, some parts felt a little far-fetched, but honestly, I was so hooked I didn't even care.

It's the kind of movie you can't stop thinking about after the credits roll. If you love unpredictable, edge-of-your-seat thrillers, definitely put this one on your list!

Directors Nicholas Johnson and Will Merrick return to the big screen with Missing, a similar albeit much improved rendition of their 2018 film Searching. This time around, they excel at building up tension, allowing the audience to breathe momentarily, and then plunging you right back into the drama with a new discovery. The script demanded plenty from Storm Reid, playing the protagonist June, but the lead actor holds her own, often able to dig deep for the emotionally rich scenes, which tend to come regularly in a movie depicting a voracious girl in a race against time to find her missing mother. But just as important as any actor on the silver screen is the score in the background, and Julian Scherle's score quickly caught my attention and brilliantly helped develop the atmosphere. Although there are aspects of the film that can be considered implausible, I find it difficult to hold that against it. The main character is virtually a Sherlock Holmes-level sleuth, not to mention her uncanny ability to operate a computer at the speed of light. Yet the movie requires those two plot devices in order to move forward. I went into this film with tempered expectations, but I think Johnson and Merrick are starting to get the hang of this fully computer-based movie subgenre.

I had to pause the movie at one point, and thought about 45 minutes had passed. I was actually at the 68-minute mark when I paused, so I think that's a sign it was doing something right as a fast-paced and engaging mystery/thriller film.

It's the kind of thing that almost has too many twists, but you kind of just have to go with it, and they never frustrated me too much. It was a tiny bit exhausting, but I respect how hard they committed to making things as unpredictable as possible.

Like with Searching, the presentation in Missing is mostly fun. As far as negatives go, though, I can't really go into details without spoilers, but the presentation in the final act felt a bit off to me at points. The filmmakers had certain limitations to deal with thanks to the modern-day found footage format, but they stretched it a bit near the end there. You go from one big twist to "oh, I guess they have to show everything this way now," and it's a bit much.

Otherwise, this is pretty good stuff.