How Deep Is the Ocean

Eleanor's compelling journey unfolds against the urban tapestry of Melbourne in 'How Deep Is the Ocean.' Fildes delivers a captivating performance as the enigmatic drifter, navigating a world of exiles and outcasts. The boarding house, cynically named, becomes a crucible of human connections skillfully portrayed by Cochrane. Amidst dead-end jobs and futile affairs, the film intricately weaves a tale of resilience and missed connections. 'How Deep Is the Ocean' transcends its title, emerging as a metaphorical canvas where life's victories, losses, and profound lessons are masterfully depicted. Eleanor's compelling journey unfolds against the urban tapestry of Melbourne in 'How Deep Is the Ocean.' Fildes delivers a captivating performance as the enigmatic drifter, navigating a world of exiles and outcasts. The boarding house, cynically named, becomes a crucible of human connections skillfully portrayed by Cochrane. Amidst dead-end jobs and futile affairs, the film intricately weaves a tale of resilience and missed connections. 'How Deep Is the Ocean' transcends its title, emerging as a metaphorical canvas where life's victories, losses, and profound lessons are masterfully depicted.

This film is probably a common tragic story for wandering youth or young adults where the protagonist Eleanor seems to aimlessly drift from one pointless human encounter striving to find some meaning or happiness.

We know fairly little about her apart from her broken family history back in Adelaide and interestingly she spurns the advances of the one character who may likely give her the comfort and security that she really needs in her wandering life.

Despite the occasionally obvious improv dialogue the film actually has a more realistic script than many indie films that try to create natural speech interactions and results in a jumble of words that people often use if conversation.

How Deep is the Ocean is a thoughtful film that does a good job of exploring the loneliness that runaway youth or drifters experience each day. The long unbroken scene takes will likely challenge those with a 3 second attention span but the beauty is in the ability to stop and watch the characters closely and in this Director Andrew Walsh gives us full serving.

Good depiction of Melbourne and what to expect if you're moving here with little in your pocket. Impro style works well and the space it creates draws you in to the story and the characters. Andrew Walsh makes a lot of films typically set in Melbourne, depicting raw characters and this is his first feature, which he has pulled off in great style. I'm sure this will open doors to more! The locations work well, the characters are strong and the actors portraying the characters are good choices. Some faces are familiar, having seen them in other productions and films. Music is very effective too!

A young woman, out of her element and in over her head, tries to find her way in a new city. Moving into a room in a house with a creepy drunk guy we watch her struggle to find a new job and adjust to her new living situation. As she struggles she tries to find love in all the wrong places and pays for her naive mistakes. In this raw and humorous film we see just how friendships can be formed in the strangest ways and coming of age can take a toll. Being that the film was improvised it's quite impressive. The characters are very realistic and natural. The camera work and picture is very well done and being shot in Australia it's an interesting watch.

This quiet, contemplative film takes a bit to hit its stride, but once it does, it casts a spell. It benefits from having a beautiful actress in the lead who is likely destined for big things, Olivia Fildes as the mysterious, mercurial Eleanor. She is well matched by her new flat mate, the alcoholic, unstable but affable comedian, Roy, played by Cris Cochrane. Their seemingly improvisational scenes pull the viewer in with the rhythm of everyday life.

Much of the movie plays out in long, uninterrupted takes. It is a testament to the writing and performances that they, mostly, hold the audience's attention. One early exception is when Eleanor commits an act of rebellion at a dead-end job. It unspools in desultory fashion, a missed opportunity for a bigger payoff.

But at its best, this reminded me of Greta Gerwig/Noah Baumbach collabs like Frances Ha. Poignant observations about life from a young person's point of view in an uncaring world with fleeting moments of grace. The closing piano theme is a fitting and beautiful note to fade out on.