Invocando Al Demonio

Well never heard of her? Me neither ... well I have now and so have you in a way (even if it is only by reading this). But it seems like she is someone you can call upon. And I was thinking about rating it a bit higher ... not becauser of how the character act and react to certain things, but how it works without compromise and takes no prisoners ... something the characters seem not to entirely care about at times ... and then really care about.

But then came the ending ... and that I did not like at all ... it sort of makes sense, but it also makes no sense at all. It may well break the movie for you. It is nice to see a female cast in the main roles and them going at it. That may also be an issue for some I reckon, but it would be a shame and you'd be missing out on some really horrific (great) special effects too ...

I am generous with an 8 cos i enjoyed this movie. Simple, ain't no wannabe critic.

The director duo once again did a terrific job of character development, avoiding the pg13 trend n succeeded in creating a terrifying entity.

That I love French horrors and "Inside" is one of the best examples of It , it is very disappointing for me to admit , that this film is mediocre , to say the least...

Maybe it could have ended 3 minutes before, maybe it's sometimes predictable and not that innovative.

But when this film works...oh boy, it really works! There is a particular scene (1:09) that is absolutely fantastic, not only in terms of horror (probably the best death scene of the year, even better than that one on Fear Street) but also technically with a dolly zoom shots done with an efficiency that I don't remember in horror since Jaws.

Alexandre Bustillo and Julien Maury are, again, very good building young characters - like they did in Among The Living -, feels credible, feels realistic and you have a good background story with some social themes on it.

They are also masters of gore. No doubt about that. When they don't show you a death on screen, you know that the next one will compensate that and they definitely did that here.

I liked the entity, it's creepy, it's different, doesn't tell/show you more than the necessary and also loved the scenario, reminding a lot - as the legend itself - Candyman.

It's a very generic cookie cutter supernatural teen slasher film. Overused horror tropes. Swap out Christianity demons for Islamic Jinns in a ouija board style film, add a feminist spin on it, you have Kandisha. The girl summons a Jinn by calling its name five times after drawing a pentagram with her blood, not understanding the implications of a Evil Jinn that seeks to kill males. It's never scary, although it does have some decent gore. For a 2020 film, the special effects are pedestrian. I am surprised this was made by the same people as the French original "Inside" which is an amazing film.